BEAUTIFUL WEDDING GOWN AND VEIL FROM 1940

I’ve really been scoring the RARE finds over these past few weeks – older garments and accessories, iconic styles and items in great condition!  Can’t wait to get back to Headquarters and put this wartime bridal ensemble on Stella, who is the only one of my models who will be able to wear it.  Until then, I’ll tell you the story of this lovely gown and it’s matching veil.  As an additional blessing, the tale comes directly from the original family.

Although many brides were wearing suits and shorter dresses to be married in 1940, this bride chose the traditional full-length gown and veil for her ceremony.  It was purchased through a well-known department store, where her father was a buyer, and may have come from Europe.  The rayon dress is not a high-end item, but is an iconic design of the time and elegant in it’s simplicity.  An unusual feature is the antique ivory color, which is original.  The full-length veil of fine netting with embroidery flows from a delicate headband decorated with dried flowers and vines.

The gown was stored away after the wedding and cherished by the family for many years.  Now, I will continue to care for it with the love and respect it deserves.

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

 

IN THE MEANTIME . . . . . .

Couldn’t find any record of having shown these to you before, but I’m not sure.  If you’ve seen them, have patience.  I’ll be getting the most recent treasures photographed very soon.

This is the stash that I found just before leaving for the European adventure – mid-century day-dresses, secretary and pretty styles, plus an early 1960’s Wedding gown!

You just never know . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

TRUE VINTAGE PARTY OR SPECIAL OCCASION DRESS 1950s OR EARLY 1960s

TRUE VINTAGE PARTY OR SPECIAL OCCASION DRESS 1950s OR EARLY 1960s

Now we’re getting really serious about special events which may be taking place this month.  This party gown is a little too demure for most Proms or whing-ding parties, but perfect for a social dance, someone in a wedding party, a dinner event, anniversary party, a recital or other celebration that is somewhat formal.

It looks almost white in the photo and is actually a very pale pink, with a sheer over-dress and opaque lining.  The neckline and sleeves are edged with satin binding. Of course, a crinoline attached.  Aside from the subtle embroidery, it is not fussy (no bows, ribbons or decorative buttons).  Doesn’t need them!  Very elegant.

When I find a dress like this, I always wonder where it was originally worn, by whom and where it was purchased or made.

Another surprise discovery, and they usually are.  I know what I’d like to have, but I rarely go hunting with just one thing in mind and, I guess, that’s mostly because I’ve put together such a collection of true vintage that I don’t have to go looking for an outfit when some event comes up.  With patience, skill and know-how you can do that, too.

I have the most fun looking for what will turn up!  Because, you just never know . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

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I WAS RIGHT – A PERFECT FIT!!

Back at headquarters, for a short break, and finally able to photograph this most recent discovery.  Stella is dainty as a daffodil in her Prom/party frock from the 1950’s.  The neckline scarf is the signature feature of this dress.  Possibly it was for a bridesmaid or a debutante (of sorts – not lush enough for the Country Club set).

Like many(most?) older garments, it is so interesting and tells a story.  The fabrics are not of the highest quality but they are adequate, and this short gown was off-the-rack, though there is no label remaining.  Unless . . . . . . . . . .

It just may have been custom-tailored by someone who REALLY knew her(or his) stuff. The skirt has FOUR layers – a circle skirt of lace overlay with a solid yellow acetate(?) liner, a ruffle of tulle netting underneath and a final layer of white stiffening fabric gathered beneath it all.  This was the standard construction of dressy special-occasion gowns in the mid-century.

No question that this frock was going somewhere really special.  Makes you wonder . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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MY (PERHAPS) LOVELIEST COLLECTION OF TRUE VINTAGE 1930’s – 1940’S PEIGNOIRS

 

MY (PERHAPS) LOVELIEST COLLECTION OF 1940'S PEIGNOIRS

Of rayon and silk, these pretties are some of my best, or most interesting. The embroidery on the two right ones is unusual and the ’40’s white dressing gown is a style that I have seen only 2 or 3 times.

From the glamour days of motion pictures and film noir –

While we’re still snuggled inside, during the transitional weather, these little indulgences are a real treat.

MORGANA MARTIN, THE MAGICVINTAGESPY

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A BEAUTIFUL AND ELEGANT TRUE VINTAGE SPECIAL-OCCASION SKIRT SUIT FROM THE LATE 1950’S / EARLY 1960’S

A BEAUTIFUL AND ELEGANT TRUE VINTAGE SPECIAL-OCCASION SKIRT SUIT FROM THE LATE 1950'S / EARLY 1960'S

Perfect for a special cold weather dinner or other holiday event or for a dressy winter wedding (as guest or bride), a semi-formal skirt suit is always astonishingly elegant.

This little lovely is of wool in a cream beige textured weave, with large ornamental buttons and a boxy cut, beautifully made, of course.  Knee or just-below length skirt and a hip-skimming jacket with bracelet-length sleeves.

The most arresting feature is the mink collar, which amps the visibility of this ensemble to a high level.   Or, you could remove the fur and replace it with a silk scarf or a pearl collar. It will make a noticeable entrance, but it’s powerful presence will only build after that.

You can decide if you’re Jackie Kennedy or Princess Grace or, or, or . . . . . . . . .. That’s the fun – you just never run out of options . . . . . . . . . ……. . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TWO LOVELY TRUE VINTAGE DRESSING GOWNS FROM THE 1920’S – 1940’S

TWO LOVELY TRUE VINTAGE DRESSING GOWNS FROM THE 1930'S - 1940'S

These kinds of lingerie items are so special and rare. Dainty, lightweight robes like the one on the left were standard bedroom wear in the ’40’s and before – the thing to wear between rising and dressing.

The contrasting colors of the rayon gown on the left are so unusual and little details like the tiny buttons and shoulder-augmentation make this a distinctive garment – not just something to throw on absentmindedly.  It’s from the late 1930’s to 1940’s.

The gown on the right is even older. It is of white/ivory rayon satin, with side snap or hook closure in a plain sheath style. I’ve paired a  bed jacket with it, made of similar fabric. This could be adapted to a formal dance or wedding gown and would be from the late 1920’s to the 1930’s, similar to a Coco Chanel design of that time (the dress – not the bed jacket).

Anyway, they are wonderful finds and gave me a real thrill to discover them! The fun never ends . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

BOOK:  HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM

ELEGANT SMALL TRUE VINTAGE SPRING OR SUMMER HATS IN CELLOPHANE STRAW

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Very tidy and elegant, these small hats would look lovely with many outfits, from black to pastels. From the Fifties or early Sixties, they are a quintessential lady-like finish to your ensemble.  Beautiful face-framers – perched on the crown.

They are made of cellophane straw, a popular mid-century hat material.  Subtle and chic, but oh, so glamorous. . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

BOOK:  HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM

BEAUTIFUL TRUE VINTAGE 1960’S WOVEN WHITE SUMMER HANDBAG

IMG_1725I’ve just found several lovely handbags and will show them to you over the next few days.  Remember, I promised that there will be several warm-weather items coming along with the more seasonal (for the northern hemisphere) kinds of things.

This one is a macrame’ type of weave (the kind of thing that women were really keen about doing at home in the 1970’s), but was done commercially, with not a mistake to be found and on a small scale.  Most home-made macrame’ (not all of it) is much larger so it’s wonderful to find a hand-made item in a small, elegant size and style.

The purse is fully-lined in white fabric, with a small inside pocket and the maker’s label inside, too.  This was the way that they made these bags in the Fifties and Sixties.  The outside is the important part, as the inside is almost always very plain.

Nothing looks nicer with a Spring or Summer frock, casual or dressed-up.  In every true vintage wardrobe, a small selection of white bags is a must!

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM

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A VERY SWEET TRUE VINTAGE NIGHTGOWN & ROBE SET FROM THE 1960’S

IT’S WONDERFUL TO ENJOY BEAUTIFUL SLEEPWEAR AS THE NIGHTS COOL DOWN . . . . . . . .

Morgana Martin, the magicvintagespy's avatarMagicvintagespy

A VERY SWEET TRUE VINTAGE NIGHTGOWN & ROBE SET FROM THE 1960'S

This is a really nice little nightwear combo. The early ’60’s is just about the last time we’ll find the truly beautiful things. With the exception of some exclusive designer or handmade item, the trims are not nearly as lovely as during the ’50’s and before and the quality of the nylon or silk is noticeably inferior when you get into the mid ’60s and ’70’s.

As I’ve said before, in my opinion you can’t improve much on 1930’s, 1940’s and 1950’s lingerie/sleepwear when it comes to overall quality and luxurious beauty. The fabrics from that time and the craftsmanship of the trimming detail is the best!

This is not a va-va-va-voom ensemble, but it is lovely and, if you wish it to be, very sexy in its own way. The embroidery trim is done well and the buttons are the nice sturdy and well-formed little pearlized ones that I always love on true vintage nightwear…

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