MORE TRUE VINTAGE HATS FOR MID-CENTURY ENSEMBLES

Aren’t these fun and beautiful! From the 1940’s to the early 1960’s, women would hardly leave the house without a hat. Straw, suede, velvet, synthetic mesh, wool felt and ribbon were all used frequently. Artificial flowers and real feathers were, too. The combinations and designs were almost limitless. Finding a hat that flattered you and accented your clothing was an epic quest.

Even though I’ve been told that numerous groundhogs predicted an early Spring this year (yay!), I’ll be leaving the Spring fashions for a bit while concentrating on some beloved and practical vintage wardrobe items that have kept women and men warm on frigid days like the one’s we’ve been living with. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE STRAPPY PUMPS TO WEAR WITH SPRING ENSEMBLES from the 1960’s and 1940’s

Basic neutral tones will take you around the full year, so these pretty shoes can go along even with some pastel outfits. Back in the day, a pair of black shoes and a pair of brown ones were sometimes the only options a gal had to choose from but, even now, beige and mid-gray will go with almost anything and lighten things up a little. Cutaways, sling-backs and ankle straps have been enduring styles for many decades. Don’t you love the 1940’s high heel take on the traditional black Mary Jane?

I understand that today stiletto heels and open designs are not a good choice in the freezing temps and snow that we have in so many places now. However, in the past when fewer people owned cars, many gals carried their indoor footwear and left snow boots at the door. Public buildings, stores and churches used to routinely have special places to do that. Winter fashion had to start giving way in February, in spite of the weather!

I’ll continue with showing some accessories as well as giving a nod to some cold-weather staple vintage clothing for both women and men. After that, we can’t avoid launching on clothing for the traditional winter vacation before swinging back to Spring dresses. Stay tuned. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

POST-WAR THREE-SEASON SKIRT SUIT & HAT & PUMPS

Imagine my THRILL at discovering this never-worn ladies’ suit from the late 1940’s to early 1950’s! Perfect condition, tags still on. Love the wasp waist and strong shoulders. The white trim is so stylish and perfect for Spring, though the medium weight of the fabric makes it wearable on cool Summer and Fall days, too. This beautiful hat could have been made to match, but was found completely separately. How perfect is the color and little round white button and white stripe on the brim?! Although the pumps are not a perfect color match and were made in the 1960’s or 1970’s, I include them because the Spectator style was very popular during this pre- and post-war time frame and is a perfect part of this ensemble.

It’s wonderful when evidence fits together in this way. It’s certain that a hat, some kind of hat, would have been worn with this suit because of the era when it was sold. But, finding the PERFECT hat in this way is rare, though never impossible. That’s one of the things that make the one-and-only Magicvintagespy’s craft so wonderful and unique. More to come – stay tuned . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

More Wedding Dresses through the Mid-Century

Here’s a beautiful example of an ensemble from 1940. It’s a long way from June now, but weddings know no real season so it’s great to feature them alongside their sisters, the formal and semi-formal dresses. I know some of this one’s history because I was able to get it from the bride’s daughter. She told me that her mother had purchased it from Eaton’s, which was a well-known department store chain in Canada, sadly closed in the 1990’s or early 2000’s. I also think that there’s an interior tag indicating that it had been made in Europe.

So beautiful with the veil but the dress alone is stunning. Heavy ivory-color fabric – probably a type of rayon. Classic long sleeves that make it a 3-season gown. This was before Canada and the U.S. joined the Allies in WWII, so materials were not heavily rationed even though we had just emerged from the Depression of the 1930’s.

A couple of brownish age spots are the only signs of wear or damage. It’s so wonderful to discover a piece like this, also with background information that makes the investigation so much easier to report. Stay tuned for more transmissions . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Pretty Early 1940’s Gown; so Unusual and PINK

Pretty in pink for wartime Prom? Prom dresses I’ve found from that time were midi-length, so my guess is that this one was made for a different event. It’s a heavy synthetic material with 1940’s tailoring details: a peplum waistline with a point in the center front. It could almost be worn with either side in front if the fit allowed, but a back zipper makes it clear which side is supposed to be forward. The neckline was popular from 1940’s to 1950’s especially, but is very classic. Pretty clearly, this frock was custom-tailored.

It’s one of those garments that make you wonder what it’s story is. I’m sure there’s an interesting one!

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Another 1940’s Gown, this time in Holiday Red

What beautiful fabric! It is substantial but soft and with tiny machine-embroidered diamond shapes all over, which was apparently a “thing” in some Forties material. This might have been a way of making up for the absence of natural fabrics like silk and many of the notions used to decorate clothing before and after WWII.

The style is very simple and I think, like the dress shown yesterday, that it was custom-made. The pattern wouldn’t have been difficult for a home-based seamstress. The neckline in back is a bit lower, but nothing dramatic. The most difficult aspect of the construction is the piecing below the waist and that’s still no big deal. What I like most about it is that it’s just very pretty and so festive and Christmas-y in that fantastic glossy red. I would have collected it for the yards of gorgeous fabric alone! More of that coming – stay tuned . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

True Vintage 1940’s Bias – Cut Gown with Beading Decoration

What a wonderful find!! This gown was custom-made, possibly by a home-based seamstress, in this unusual style with 3/4 length sleeves. You can see the waist ties that would be fastened in back to nip the waistline. The bias cut glossy fabric, which gives a really slinky body-con fit is a hold-over from the 1930’s when it was very popular. I love the blue color which looks like a night-time sky and the peekaboo beading that resembles exploding stars. Very appropriate today, when the comet AiATLAS is closest to Earth.

This is another one-of-a-kind, never-to-be-seen-again frock. More to come – stay tuned . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY.COM

BLOG: MAGICVINTAGESPY.COM

JUST OPENED ANOTHER ARCHIVE OF TRUE VINTAGE LBDs

Let’s start with a velveteen pencil dress and coordinating handbag from the 1940’s. True Forties styling with the pencil cut and skinny sleeves with zippers at the wrists. The dress zips down the back rather than at the side, which began to be seen in the Forties. This dress was probably purchased at retail unless made by an expert tailor. It’s stylish and sophisticated but is frugal with the use of fabric so probably made during wartime.

Other than the wrist zippers, which are almost a necessity with these kinds of sleeves, and the piping finish on sleeves, neckline and waist there are no other embellishments. Piping done this well is not an easy task. In fact, the piping may have saved fabric that otherwise would have been used in hems or facing. Many purses, like the one above, were made of fabric during WWII instead of leather. 1940’s clothing and accessories, especially women’s designs, were very creative. Women and clothing companies came up with lovely fashions while coping with rationing and a limited economy. While not formal, a garment like this would have been appropriate for any dressy event from dinner to cocktails.

Stay tuned for more frocks in this category, from the mid-century . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

Blog: MAGICVINTAGESPY.COM

Home-Sewn 1940’s Wartime Party Dress

A simple frock, probably made while times were lean and rationing had been imposed on the markets. The fabric is heavy – almost like taffeta but not that real deal. Probably some kind of rayon or acetate. The little splurge is the velveteen neckline, but during WWII any dress like this for an average gal was probably a splurge.

Even on a garment this modest, I love to discover the tailoring features that make it unique. In addition to the neckline trim, notice the little fold-overs that accent the shoulders. Shaping makes the bodice and waist trim and produces the full circle skirt. A deep hem allowance is also a luxury on a dress like this since it adds the option of adding length, adds a little weight to help the skirt sway and just makes the dress look like a more expensive garment.

I think it was made for a teen or a very tiny woman, but who knows the real story. Might even have been a Prom dress – good style for Swing dancing ad Jitterbug. What a fun find! Stay tuned for more knee length and midi cocktail frocks as well as full length gowns . . .. . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

1940’S – ’50’S SEMI-FORMAL FROCK WHICH COULD ALSO HAVE BEEN FOR A BRIDE

Such an interesting frock. Midi length on Stella, but she’s tall so it could have been tea or floor length on a woman of short stature. I couldn’t decide whether this dress was tailor-made or purchased at retail, but I could find no labels. I suspect that it was custom-made for a cool-weather wedding and the style really makes me think of some Wartime or Post-war bridal dresses I’ve discovered. Could also have been designed for some other special event . . . . .

Pretty mid-weight textured but glossy fabric which may be synthetic or a blend. Unusual long sleeves; but the best thing about this style is the collar. Each layer is carefully supported around the edge with wire so that it can be shaped by hand. I’ve very rarely seen this and it helped me to date the garment. It came from Australia so I may notice a British influence(?).

More semi-formal and long dresses coming. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM