Category Archives: Prom

TRUE VINTAGE PATIO LEISURE LONG DRESSES FROM THE 1970’S – 1990’S

Through the decades the changes in style are often subtle, but they’re noticeable if your sleuthing trade skills are sharp. One thing that all these dresses have in common is excellent quality. I showed several dresses of this genre which were made in the Victorian/Prairie style when covering 1970’s Prom dresses a couple of months ago. Early in that decade, girls sometimes wore them to the Prom but they were usually fussier with lace and more details. Jessica McClintock of Gunne Sax styled them for at least 20 – 30 years. Labels always help, of course, but aren’t always present. The condition of all these examples is near-perfect, which can make the job a easier, though tell-tale signs of wear can sometimes be very helpful clues. Let’s start from left to right:

A Prairie-style gown, pretty and modest in cotton. Looks like it was made for retail because of the precise tailoring detail, but there is no label. I would put it in the 1970’s but it could possibly have been made later by an individual expert or a company that catered to a niche market which preferred very modest styles of dress.

A red and white plaid gown that picks up on the Prairie style, but in a much more casual, carefree design reminiscent of the 1960’s. It’s probably made from cotton but I can’t be sure without the file in front of me and it could be cotton/poly blend. It was made in the 1980’s in West Germany. This is an example of trends jumping the oceans, usually years after they originally appeared in the Western nations. Although they’ve done their own take on the style, it’s exceptionally well-made, as goods from West Germany have always tended to be, in my experience.

A black and white floral print gown made in Hawaii. This one is from the 1980’s, give or take a decade and is the most elegant. Same deal about the fabric as in the previous dress. The style is pure average conservative, which makes it harder to date exactly. A pretty dress, but nothing distinctive about it excepting for excellent tailoring. It might have been a wardrobe item of someone who lived in Hawaii, purchased at a specialty shop stateside which carried Hawaiian garments or by someone who bought it while on vacation. Hawaiian-made gowns have been popular with women worldwide since the 1950’s, but earlier ones were usually made in more traditional Hawaiian style and, often, of Hawaiian fabric with traditional island prints. The more mainstream universal designs like this one came later.

The final dress is from the 1990’s. Always harder for me to think of as true vintage, but it is worthy because of the good tailoring, 100% cotton fabric and the retail designer label sold by a high-end department store in New York City. It’s got pedigree. Again, nothing notable about the style but it is very well-cut, which can make a world of difference in terms of how a dress fits. That’s one feature of even plain, rather boring vintage clothing items that can make them worth collecting and wearing. The style can always be elevated by adding accessories but one thing that always elevates any garment is how well it is made and how well it fits.

Tomorrow I’ll be showing a collection of dressy day-wear accessories from the 1960’s that fit the category of well-made, classic and designer items that can “make” an outfit. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE LADIES’ DRESSY AND FORMAL – WEAR FROM THE EARLY 1950’S

From cocktail party to Prom to a wedding, these dresses and separates went to many swanky events. A sparkly bling necklace and earrings were a necessity, too. Stiletto pumps became the hugely big footwear trend for women.

Jacquard “brocade”, satin, lace, metallic thread, organza and netting, cashmere, beads and sequins and even fur trimming – all popular materials in garments for nights out and special events. The prosperity of the Fifties brought on a real break-out in middle-class spending and ostentation. Showy was good but, fortunately, so was elegance so we had some of the most beautiful gowns produced during this time. Female movie stars of this decade were some of the best-dressed women ever seen. The first dress pictured, with the fur-trimmed sleeves, is a gorgeous example of the New Look style. Fun and novelty were also present in many examples of the more casual clothing but the cheap-looking garishness of the 1990’s was not the thing.

I love these clothes and it’s fun to show them. All would have fascinating stories. The elegance of design showed up in dressy daywear, too, and I’ll be showing some of that tomorrow. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY.COM

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SPECIAL WARTIME AND POST-WAR STYLES FROM THE 1940’S

Classic designs made subtle changes over the decade which reflect the evolution of style and the social and historical events taking place at that time. Party dresses for special occasions have always been a “thing”. Skirt suits from Utility-style in the mid-’40’s to embellished designs were more like couture garments in the Post-war years. A matching hat was always essential.

High-school Prom tradition is about 100 years old now. The popularity of skirt suits for women began about the same time. Since about 2000, traditional styles in both these categories have shifted in major ways, so the focus on these types of garments in my investigations has gone from around 1920 through the 1990’s, with the spotlight on 1930’s – 1980’s. The Forties through the Sixties have been my favorite decades for classic structured suits, as they were more like two-piece dresses before and after and very trendy in design. Good luck finding a true vintage suit or Prom dress from the 1920’s or even the ’30’s but after 1940 the clues are still out there.

Although there were some very nice styles from the 1920’s and 1930’s, the prettiest suits and formal dresses, in my opinion, came from the late 1940’s and early 1950’s. Lots of attention to detail, flattering fit and high quality. In decades after that, frocks were not as interesting and suits were generally more boring, too. Tomorrow I’m going back to late 1930’s – 1940’s for dresses with one or two ’80’s WWII retro styles thrown in. Stay tuned . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

True Vintage Late 1970’s – 1980’s Prom Dress and Heels

Again, a bow at the waistline and sheer fabric over opaque. But, the flavor has changed – big, bold Eighties does Forties floral print and in-your-face colors. Also, the sequins and beads sprinkled on the bodice looks like Eighties and Nineties, rather than the mid-century style. The pumps are a Sixties throwback. This gown is much more showy than the tailored, sophisticated styles of the Fifties and early Sixties and we’re still about 10 years away from the glitzy power frocks of the Dynasty decade.

Still pretty and girly, though not quite as “sweet”, in spite of all the pink underneath. It’s so interesting to see how clues and evidence overlap from year to year. Stay tuned for the file containing mid-century day-wear suits, dresses and accessories as Winter moves toward Spring . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Mod Floral Prom Formal from the Mid- Late 1960’s

Flower Power! A little Victorian flavor here, too, which began to show up in the late Sixties. This carried over into the Prairie styles of the late Sixties and early Seventies, several of which I showed a few days ago. At that time, many were worn to the Prom. Lots of changes were happening in history and culture during this time and fashions morphed at lightening speed.

Of course, Mod flowers, empire waistline, gathered sleeves and retro ruffles plus a novel style element that showed up then and disappeared pretty quickly – big tall cuffs with lots of buttons. Many blouses and dresses were made with these, as well as long pointy collars, which had their own version on 1970’s shirts a few years later.

Although it’s a mangled mash of styles, it’s really cute and this was a time for CUTE clothing. It was a fad for a fairly short time. Sophisticated fashion took a back seat for a while. I haven’t seen too many of these during my investigations, so this one was a very fun find. Stay tuned for going ahead to the 1980’s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

A Sweet True Vintage Formal from the 1960’s

I showed this frock a few months ago, but it deserves a place in this 1960’s line-up and gets us back to formal dresses. See the jacquard weave fabric repeated, the bows and a sash. Formals are really changing shape as we move into the ’60’s, with many of them having a sheath shape, though the full skirts and wasp waistlines are still around, too. This could have been a simple Prom dress, probably at a smaller school, but might have gone to any event calling for a long gown. Black and white knows no season and can truly span the calendar – just as fashionable as a pastel for Spring . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Pretty late 1950’s – early 1960’s Spring Formal Dress

We’re definitely ready for COLOR, and this is the time of year for that. Good thing that Winter and early Spring were big times for semi-formal events. While it’s still so cold, people were happy to attend parties and dances to add some excitement to their stay-at-home-as-much-as-possible days. The dress is still white, but there’s greenery peeking out of the snow. Even looks a little like St. Patrick’s Day to me, if Stella is planning ahead . . . . . . . . . .

The skirt is still poufy, but not as stiff and puffy as several years before. Sheer fabric over opaque is still the construction standard. Tailoring is still impeccable and the interior label identifies it as a design by Harry Keiser. There’s a little martini glass embroidered there, too, so this style might have been intended to double as a cocktail dress or perhaps they were the specialty of this company at the time.

No matter what the details, It’s a Party! and our gal is going to have fun in style. Stay tuned . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Let’s Go to the Formal Dance 1953 – Here’s the True Vintage Prom Dress, Pretty in Pink

It’s the real deal, which belonged to a family member. With ruching on the bodice and tulle overall it looks confining but the full skirt and midi-length let her rock around the clock to her heart’s content. This was an off-the-rack confection to make her special day perfect. It was probably the Prom, but could easily have been a for a St. Valentine’s Day event. A shawl or little bolero jacket would have carried her through to midnight . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

True Vintage Early 1960’s White Formal Gown – Wedding Alternative?

With lots of lovely embroidery, this gown could go to the Prom or the church. The layers of sheer fabric over opaque, bell-shaped skirts and sheath styles carried over from the late 1950’s to the 1960’s. Very much a Barbie-style dress.

Elegant and sophisticated, but this one was also priced in the mid-range – available to the average gal. Up through the mid-century decades – stay tuned . . .. . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

A Beautiful True Vintage early 1950’s Wedding Dress

Here’s another wedding costume ensemble with known history. In fact, this gown was worn by a family member in 1954. Frothy, but elegant, and so flattering. A 3-layer skirt with rows of decoration and embroidery on the fabric of the little bolero jacket. Although shorter skirts on wedding gowns were popular then, this one sticks with the floor-length style. Long sleeves make it more demure but the sheerness adds a youthful touch. I also love the pretty tiara instead of a veil. Despite some sophisticated tailoring, the bride was 18. The strappy design of the bodice and wasp waist make it a dress I could see being worn to the Prom.

Too lovely for words. More special occasion and wedding dresses coming – stay tuned . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM