A TRUE VINTAGE EMBROIDERED RAYON BLOUSE FROM THE 1940’S

A TRUE VINTAGE EMBROIDERED RAYON BLOUSE FROM THE 1940'S.

A TRUE VINTAGE 3 – PIECE 1960’s WOMEN’S SILK SUIT FROM NEW ORLEANS – PERFECT WITH YESTERDAY’S SHOES!

A TRUE-VINTAGE 3-PIECE SUIT FROM NEW ORLEANS – PERFECT WITH YESTERDAY’S SHOES

Morgana Martin, the magicvintagespy's avatarMagicvintagespy

A TRUE VINTAGE 3 - PIECE 1960's WOMEN'S SILK SUIT FROM NEW ORLEANSOne of the finds that I picked up during an investigation in New Orleans was this lovely ladies’ suit. Wouldn’t those shoes I showed yesterday be perfect with this?

Oh, so proper in 3 pieces with a knee-length skirt, back-button blouse and high-hip length jacket, it’s just perfect for lunching or for a business appointment. The styling is plain, but elegant and well-cut. Hand-tailored and fully lined, with VERY unusual buttons – kind of like woven ropes – to make it interesting.

This is a basic that is flattering, well-styled and versatile – a staple to have in your wardrobe for decades and with many possibilities. Of course, the pieces can be worn separately and accessories can vary the look.

I always LOVE finding gems like this when I’m out on the prowl. They look back to an era of couture-quality fashion that was available to many people – when even…

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A TRUE VINTAGE 3 – PIECE 1960’s WOMEN’S SILK SUIT FROM NEW ORLEANS – PERFECT WITH YESTERDAY’S SHOES!

A TRUE VINTAGE 3 – PIECE 1960's WOMEN'S SILK SUIT FROM NEW ORLEANS – PERFECT WITH YESTERDAY'S SHOES!.

TRUE VINTAGE WWII – ERA FROCK – ANOTHER FABULOUS FIND!!

TRUE VINTAGE WWII – ERA FROCK – ANOTHER FABULOUS FIND!!.

A PRETTY TRUE VINTAGE SHORT-SLEEVED SHEATH DRESS FROM THE 1960’S – CUSTOM TAILORED

SENSATIONAL SIXTIES SHEATH STYLE FROCK – TRUE VINTAGE FOR FALL

Morgana Martin, the magicvintagespy's avatarMagicvintagespy

A PRETTY TRUE VINTAGE SHORT-SLEEVED SHEATH DRESS FROM THE 1960'S - CUSTOM TAILORED

This pretty dress is in an unusual shade of blue that echoes the hue of yesterday’s shirt.  A combo that I always love and don’t come across often enough – blue and brown. It was custom – made, with hand-done crewel embroidery on the front.

The easy sheath style is always perfect, and the short sleeves make it less summery.  I love their fluttery cut and the brown lining peeking out.  The main material is a sort of hop-sacking weave, which was very popular in the late ’60’s. Just the right weight for going into Fall.

Back metal zipper and fully lined in a lightweight cotton blend material. Flattering but simple.  Madge fills it out beautifully, no?

Looks just right for a teacher, or, or, or . . . . . . . . .
I wonder who . . . . . . . . . . . …

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A PRETTY TRUE VINTAGE SHORT-SLEEVED SHEATH DRESS FROM THE 1960’S – CUSTOM TAILORED

A PRETTY TRUE VINTAGE SHORT-SLEEVED SHEATH DRESS FROM THE 1960'S – CUSTOM TAILORED.

TRUE VINTAGE 1950’S EVERY-DAY SHIRT/BLOUSE HOME-SEWN IN ATOMIC PRINT

TRUE VINTAGE 1950'S EVERY-DAY SHIRT/BLOUSE HOME-SEWN IN ATOMIC PRINT.

TRUE VINTAGE 1960’S AT-HOME FASHION VELVETEEN ROBE

TRUE VINTAGE 1960'S AT-HOME FASHION VELVETEEN ROBE.

WAIT, WAIT!! . . . . . LOOK WHAT I FOUND YESTERDAY!!!!!!!

IMG_1512Hold the runway show – Here’s Stella, still in the early 1960’s.  Imagine my delight to discover this beautiful evening dress, crafted in Hong Kong where some of the most lovely hand-tailoring was done for decades.

From shoulder to hem, it’s exquisite and deserves a detailed description.  The bodice is a shell of embroidered lacy floral openwork, lined in sheer black and decorated with sequins and beads.  It is made as a separate top which zips up the back and is attached to the dress at the shoulder seams.  Very heavy, with all the bead-work, which would have been applied by hand.

The body of the dress is ivory on top (though you won’t see this), with a classic black crepe skirt.  A crepe bow and 1″ border are attached to the hem of the shell , right at the waist.

Both the dress and attached shell have metal zippers in back so, as with many true vintage fashions, you’ll need an extra pair of hands to help you dress – – whether a partner or a lady’s maid, I can live with that.

Now for the additional little details – full lining in the skirt and a back kick pleat, little hooks and eyes in strategic places and bra strap holders sewn in at the shoulders.

I wonder who bought this, at what shop in what city, and where it was worn . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

BOOK:  HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM

TRUE VINTAGE SOUTHWESTERN NATIVE AMERICAN – INSPIRED DRESSES FROM THE 1950’S

From the time when Roy Rogers & Dale Evans were TV celebrities, Happy Trails to you . . . . . .

Morgana Martin, the magicvintagespy's avatarMagicvintagespy

SOUTHWESTERN NATIVE AMERICAN - INSPIRED DRESSES FROM THE 1950'S

These two dresses are examples of fashions made and sold in the U.S. Southwestern states (Arizona, New Mexico mostly). They are inspired by traditional Native American designs and may have been made by Native Americans.  My warm-weather wardrobe wouldn’t be complete without them.

Outfits like this were especially popular in the 1950’s and early 1960’s. Some from the 1940’s have been seen. Tourists often returned from vacations with one and non-Native people who lived in the region wore them a lot.  It was a real craze for a while.

Ric-rac and braid trim on bright cotton material was popular. The skirts are big and swingy – usually full circle. I have more to show – some have interesting tailoring details on the blouses. Love ’em!

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

BOOK:  HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM

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