When I spied this dress I was immediately aware of the loyalty to 1930’s style in the fabric and design. Though it’s not true vintage, it was worth collecting. Love the sheer material, the drape and hemline. And, IT FITS ME! Will be seen on the street next summer. The purge does continue. Stay tuned . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
With ruched sleeves and velvet ribbon decoration on black taffeta, the label tells me that it was sold from a ladies-wear shop in Texas, where it was discovered. A pretty dress with lots of room to move, from a time when dressing up for cocktails and dancing to live music was probably more popular than it is today. Everyone was exuberant over the end of the WWII rationing that, for one thing, had made extravagant clothing unavailable. We apparently owe the title of “Cocktail Dress” for early-evening semi-formal frocks to Christian Dior, beginning in the post-war 1940’s when hemlines went down again and showy tailoring details came back.
I’ll need to check on how it fits me to decide it’s fate. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
Of course, I couldn’t pass up this Asian(?) beauty when I discovered it although I don’t know it’s history. There’s no label and it looks unworn so Where and When did it originate? The zipper gives me my best clue – it’s a Talon, in the style of the 1960’s and 1970’s – but not a definite answer, since this frock was hand-tailored.
The fabric, also, is a clue – pure silk with gold embellishments – which brings to mind others I have seen in garments made by Asian and Middle Eastern tailors; sometimes overseas and sometimes in North America. I love a mystery, but let’s get down to the real brass tacks. What makes this dress so exceptional and worthy of being categorized as True Vintage?
So, there you have the initial conclusions of the investigation. Further clues may be uncovered in the future but this is enough to justify the acquisition. It’s a gorgeous example of tailoring history and garment design. However, the purge continues and it’s not a perfect fit for Moi, so off to the public auction house it has gone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
Here’s the other gem that was hiding out when the yellow pouf formal turned up. (see post 2 days ago). Similar era but entirely different, and not made for the same woman. Hmm . . . . . . .
Reminiscent of Grace Kelly in it’s modest sophistication and with a metal zipper by Waldes, this gown may be from the early 1950’s or even the late 1940’s. Someone loved it, as it’s in near-perfect condition. Worn by a second-time-around bride, bridesmaid, matron of honor, mother of the bride, Prom queen? I guess we’ll never know, but best guess is a one-time event that wasn’t a bit rowdy. I suspect a wedding.
What a wonderful find, also becoming more and more rare. But, clues are still out there. Stay tuned . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
As you know, I’ve been on holiday from the sleuthing trade since late October but had several finds right before that time and also something recent. So, I’m ready to catch you up while I have a bit of time at Headquarters.
A tiny, tiny, tiny dress and SO Fifties! This was a size 5, maybe in ’55. Now a size 00 or smaller. Perfect condition. This was a really exciting discovery, as these frocks have become more and more scarce. Sadly, there is no label inside excepting the all-important Garment Workers tag. It’s always so much fun, and useful data, to have a maker’s label to research or use to tell more of the story. Labels are always a first-line clue.
Fortunately for the investigation, another gown was hiding in the same spot! Did they belong to the same suspect even though they are quite different? Rare clues sometimes travel together. Stay tuned . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
First, a home-tailored dressy frock. It’s sweet as can be in a common design from 1960 + or – 2 or 3 years. But, IN YOUR FACE RED! The fabric is a medium-heavy jacquard weave. The style is modest but form-fitting and fits me like a glove. The original pattern would have been about a size 12 but now is a modern 4. You can see why I miss my mannequins – it would look stunning on statuesque vintage size 10 Stella (a modern 2) and movie starlet perfect on size 4 Giselle.
What makes it extra special? It’s in perfect condition and very well-made by someone with experience. Has a big hem allowance which is finished off with matching hem tape. The fitting darts are well-done and the decorative bow under the bustline is well-constructed and properly attached. The thing I like most, though, is that there are gussets in the armholes! That is an older tailoring technique frequently used in the 1950’s and before that gives the underarm area a little extra ease and avoids some of the wear and tear that is often seen where the underarm seams meet on a dress or blouse. However, gussets do have some corners and have to be properly done to avoid the same problems with the seams. Anyway, I just love finding these specialty features that tell a lot about the tailor and help to date garments. This one was perfect for dinner, dancing or any special date.
My next find is a lingerie dressing gown of roughly the same age – maybe a tad newer. The label is difficult to read after many washings but says Queentex, a brand which I have never seen before and may have been specific to Canada, where I happen to be sleuthing now. What’s not to love about it? A two-layer construction, with opaque material covered by a sheer, lightweight over-dress. Fabric is a substantial, glossy nylon typical of better lingerie pieces of that time. The condition is almost perfect. It’s a lovely aqua blue color with darker blue embroidery on the front bodice. The neckline closes with a fabric loop and little pearlized button. Ruffles around the collar and the bottom of the over-dress I can do without, but that’s just me. The design does call for some extra attention in those locations. This garment was perfect for before-bedtime relaxing when she’s out of her frou-frou outfit and make-up. Could have been worn by the same gal size-wise. You just never know . . . . . . . . . . . . . . . . . . . . . . . . ..
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
Back to wartime or post-war frocks. This is the cutest rayon dress ever, with that iconic swingy skirt that ’40s dresses often have and a wonderful relic from the ever-popular women’s bowling teams of the war years. Just like splashy musical movies, recreational activities like hometown sports were a great distraction from the reality of the times.
Anhauser-Busch or, more likely the local beer distributor, was the team sponsor. Hence, the Busch Bavarian Beer patches on front and back. The belt had the player’s name embroidered on it. Perfect features for costume-wear!
Without the patches, the dress is styled like many day dresses from that time. This one is probably from the late 1940s or, possibly, the early 1950s.
What a thrill to find it, and in excellent if not near perfect condition! You truly just never know . . . . . . . . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
Whether in the parade or afterward, at the big game, some high-school girl or coed strutted her stuff in this set. Sorry that I don’t know what school it was associated with, but she must have kept her letters as memorabilia. Styling and construction put it in the Sixties or Seventies.
Again, a super-seasonal find which makes it all the more fun. Won’t be a keeper in the long run, but we were approaching Halloween when this turned up. I’ve got lots of “new” things which could make dynamite costumes . . . . . . . . . . . . . . . . . . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
Here’s a find that I can’t quite figure out! It’s somewhere in the mid-century and not likely a costume, because of all the detailed buttons in back. But, wouldn’t it make a great one for Halloween?
The illusion neckline is an interesting touch, though it is very modest with long sleeves. Not a child’s dress, but maybe for a teen. One way or another, it was made for a special occasion and seems to have been custom-tailored.
It’s beautiful with a soft green fabric underneath the sheer ivory. I’ve never seen one quite like it even though I’ve found things similar in some ways. ALWAYS love a mystery . . . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
BOOK: HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM
Here’s a great find from the ’70’s – a black taffeta dress by Jessica McLintock from her Gunne Sax label. It’s got netting, beading and button & loop detail around the neck and bodice in “old West” style.
Slim sleeves, puffy shoulders and a flouncy full-circle skirt. This would make a great Halloween costume and is just a very cool dress in itself. To the knees or a little below, with a wasp waist and puff sleeves.
I’ll be watching for any opportunity to wear it, but clearly it will be a fantastic disguise on October 31 – in my favorite color . . . . . . . . . . . .. .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
BOOK: HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM
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