HOW INTRIGUING. A POST-WAR 1940’S COCKTAIL DRESS FROM URUGUAY

This garment came to light during an investigation in that nation’s capitol, Montevideo. It is a very international city and was undoubtedly a hotbed of clandestine affairs during the wartime 1940’s. The cocktail dress pictured above had been commissioned by a woman who was a member of the social elite who routinely had their fashions custom-tailored or traded with shops that offered handmade garments and imported couture. The lack of a label and evident hand-stitching point to a private tailor. Though the crepe is a little rumpled from years of storage, this frock has been well-preserved and is a perfect example of that genre.

I am not sure whether the tailoring differences from what we expect in dresses made in North America are due to historical constraints or to the culture of that country. The extended shoulders, sheer insets, midi-length hem and ubiquitous black rayon fabric are commonly seen in designs of that post-war time but I was a little surprised by the straight, matronly cut. Either the New Look with its nipped waist had not yet landed in high fashion, or this frock was made for a more conservative, older woman.

The same will be seen in a similar dress from that same investigation which will be shown, probably tomorrow. Stay tuned . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE EARLY SIXTIES FORMAL OR SEMI-FORMAL DRESSES IN PASTELS WITH LACE OR EMBROIDERED OVERLAY

EARLY SIXTIES SPRING SEMI-FORMAL DRESSES IN PASTELS WITH LACE OVERLAY

A hallmark of early Sixties fashion was lace or embroidered organza overlay, which we see again and again every decade or two! These very pretty frocks were meant for semi-formal occasions – dinners, parties, dances and ceremonies. A professional cleaning will refresh the full-length ones in time for a wedding!  The bride would look gorgeous in the white and the blue is perfect for any of a wedding party or mother-of-the-bride.

They’re so feminine and flattering, in a variety of styles.  And, of course, beautifully-made.  I especially like the knee-length one – a little bit Mod, but also traditional.   The lace over-dress is partially open in the back, revealing the fitted sheath beneath.  Long sleeves add a little warmth for early Spring and make the design more demure BUT . . . . . . .

very sexy in an elegant and sophisticated way.  They knew how to do that back in the day.  A lost art?  I hope not  . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

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BEST TRUE VINTAGE 1940’S SUNDAY, DINNER, PARTY, DATE, OCCASION JACKET DRESS

BEST 1950'S SUNDAY, DINNER, PARTY, DATE, OCCASION JACKET DRESS

Beautiful navy and pink combo on this special jacket-dress from the 1940’s.  A real beauty.  Nice drapey crepe in flattering navy and pink hues.

Flower petal collar. Easter splendor.  Come on Springtime! . . . . . . . . . . .

MORGANA MARTIN,THE MAGICVINTAGESPY

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TRUE VINTAGE 1970’S ELEGANT DINNER-DANCE-DATE DRESS

TRUE VINTAGE 1970S ELEGANT DINNER-DANCE-DATE DRESS

It seems to me that nothing from the 1970’s could be as wonderful as a beautifully made dress from the 1920’s, 1930’s, 1940’s or 1950’s, but I still like some of the ones made during the Seventies.  These crystal pleats in the skirt started in the 1940’s, I think, and are always great.

For a more relaxed time while you still want to look well-dressed, elegant but comfortable this is a good choice.  It’s still cool enough in many parts of the world to wear this dress.  It would be very nice for a dinner date and, like some others I’ve shown, excellent for dancing because of the ease of movement.

Although it’s made of the ever-present 1970’s polyester, the fabric is lightweight and hangs well.  I love the pleats in the skirt for that reason.  That’s one nice thing about polyester, no matter what decade it’s from – it holds its shape and travels really well.

The colors in this dress are fresh for Spring, but would carry you through any time of year if the weather permits.  Very versatile and also figure – enhancing because of the cut.  It’s another of those vintage styles which intrigues by draping over and moving with your shape, but not too much.  Bateau necklines are always a favorite of mine, too.

With a skinny belt and very simple jewelry, this one is a winner and worth the investment.  I always like getting big dividends from small investments. . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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BEAUTIFUL TRUE VINTAGE 1960’S COCKTAIL/DINNER DRESS AND A FAVORITE 1940’S BLOUSE IN EMERALD

Sorry I didn’t get this photo into my St. Patrick’s Day series.  Can you imagine that dress worn under the emerald green satin evening coat I showed then?  Perfect!

Both these garments are in a lightweight fabric.  The blouse is probably a rayon georgette and the dress in a crinkly rayon or poly that is lined with acetate.  Pearl buttons on the blouse and a rhinestone detail on the bow belt of the dress. Stella is wearing my favorite leather Deliso – style pumps from the Eighties.   IMG_0954

The dress has a well-known label of the time which I have shown before – L’Aignon (the spelling might be a bit off).  A bright jewel tone like this and filmy fabric could be worn any time of year, but I like it in Spring or Fall.

These are not new finds – I’ve had them for a while and they are keepers!

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE 1950s WIGGLE DRESS BY A WELL-KNOWN MID-CENTURY DESIGNER OF CALIFORNIA

TRUE VINTAGE 1950s WIGGLE DRESS BY EVE LE COQ OF CALIFORNIA FOR ST. PATRICK'S DAY

Here’s a line-up of wool dresses from the 1960s and 1950s, lightweight and classic enough to wear in some parts of the world in three seasons of the year.  Although I’m highlighting the second from the left, I’ll describe them all to start.

On the far left, a mid-weight jumper from the mid – late 1960s in a brown tweed.  Can’t recall the maker, but made in the U.S.  The bodice is lined and it is intended to be worn as a sleeveless dress or with a blouse underneath – your choice.  In the cold weather I’d probably want the blouse, but some people like their arms bare even in winter and that was a popular style then.  A cardigan sweater over would work, too.  Although it didn’t come with its own little jacket, sometimes sleeveless dresses did.  Great style for school or office.

Third in line is a straight, belted shift in heather blue by Pendleton.  They’ve been making quality wool clothing for decades and it is always classic.  This one from the late ’60s can also be worn alone or will a blouse or turtleneck.  Also perfect for school or work.  Some women would put this on as a day dress for shopping, meetings, etc.

On the far right is a wiggle sheath from the late ’50s.  Also a U.S. maker.  It is lined around the upper bodice and neck and is designed to be worn sleeveless.  It’s a simple, un-decorated design but would look best in the evening or at an after-work party or dinner.  It could have gone to work if dressed down a bit with a sweater or jacket.

Now for our star of the day – Are you looking for ideas about what to wear on St. Paddy’s Day?  Look no further.  This is a smart, figure-enhancing dress that is demure enough for any setting and also sophisticated enough for any.  It all depends on your accessories. In a lovely kelly/emerald green, it’s also a nice transition color into Spring.  Eve Le Coq of California produced lovely dresses – very chic.

It’s not been unusual for me to encounter these kinds of wool frocks at various places in my searches.  If you find yourself in a store, they are often marked down at this time of year.  Don’t let wool fabric discourage you – as long as you’ve got a breathable (well-ventilated) storage bag for moth season and a clothing brush, it’s easy to care for and can be dry-cleaned at home if there are no serious stains.  Very versatile, very vintage and worth the investment.

MORGANA MARTIN, THE MAGICVINTAGESPY

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PERFECT TRUE VINTAGE 1950’S PARTY DRESS IN ICY MINT GREEN

PERFECT TRUE VINTAGE 1950s  PARTY DRESS FOR ST. PATRICK'S DAY

Looking for a St. Paddy’s frock?   Here we go again – a lovely pouf dress from the 1950s of acetate rayon and chiffon, in minty sherbet green this time.   I love this for Spring, with the sheer 3/4 sleeves and the jewel neckline.  Look at that deep hem in the overskirt!

This is a below-the-knee formal dress that could also be worn to a Prom, dinner, dance or any formal event that doesn’t require a full-length skirt.  ‘It would also be lovely worn in a wedding by attendants or by a bride who didn’t want to wear the typical white or ivory. Many ’50’s brides wore gowns of this length.

The sheer chiffon covers the rayon dress underneath and there is a sewn-in crinoline of netting.  I don’t believe that there are any tags remaining but I suspect that it was commercially-made.  However, it’s not always certain – many seamstresses in business or at home were VERY skilled.

Finding dresses like this is always magical.  Where was it first worn?  Who kept it for decades and why was it so special?  You just never know . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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True Vintage Early 1960s Dressy Coat Over Your St. Patrick’s Day Frock

True Vintage Early 1960s Evening Coat
I showed this coat a few weeks ago, but what time could be more appropriate for a re-run . . . . . .

Imagine yourself in this, over a gorgeous green dress, on your way to a swanky cocktail party or the church dance.  This beauty is by Lilli Rubin, in emerald rayon blend, lined in turquoise blue!  The collar, neckline bow and elbow-length sleeves are hallmark features of that era, as well as the color.  The fabric is a jacquard with flowers embroidered all over.
What a great surprise it was to find this!!  It starts up all kinds of fantasies about elegant dinners, evenings at the theater . . . . . you just never know . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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DARK CHOCOLATE WITH A CHERRY ON TOP? EVERY GIRL LOVES CANDIES FOR VALENTINE’S DAY!

DARK CHOCOLATE WITH A CHERRY ON TOP?  EVERY GIRL LOVES CANDIES FOR VALENTINE'S DAY!

Moving into the mood for a special date on St. Valentine’s Day, how about a little silk jacket in sweet cherry red from the 1950’s over your LBD? I love this one in a red and black print.

Pictured here with a modern skirt, you could also top a dress or slacks with this one. The nice short length is very versatile. Leave it open over a pretty, simple shell or blouse or wear it closed.

Just a little smolder while you sip a red in some small cafe’ . . . . . . . . .. . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE 1950’S WIGGLE DRESS FOR VALENTINE’S DAY

TRUE VINTAGE 1950S WIGGLE DRESS FOR VALENTINE'S DAY

Oooh!  Wish I had a party to go to – you can be sure I’d wear this.  By Jonathan Logan in cherry-color velveteen.  Deep V-neck front and back, back zip.  The straight sleeves have short zippers at the wrists – a surprise feature that I’ve rarely seen excepting on wedding dresses.

Looks good on Madge, huh?  You can be sure that there are no pockets! Nothing shows off the figure like a “50s wiggle dress or 1930s bias-cut gown.  Women wearing these look nothing but elegant because they are cut and made so well.  Let’s bring back the days of high-quality, elegant AND alluring clothing again (but till then, I’m thrilled to be the Magicvintagespy. ) And, you just never know . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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