BEAUTIFUL ITALIAN LEATHER HANDBAG WITH A GREAT STORY

BEAUTIFUL ITALIAN LEATHER HANDBAG WITH A GREAT STORY

This beauty was made in Florence, Italy and has a fantastic story. First, I’ll tell my part –

On a Mediterranean cruise, I was listening to the excursions director tell about the ports of call that we’d be stopping in.  Part of her presentation was to highlight the special products available in each place, in case we wanted to go shopping.  She flashed a photo of this handbag made in Florence, Italy on the screen and I just about jumped out of my seat.  I had discovered this one above just like it about 2 months before while vintage-hunting in my neighborhood!  When I told the excursions director my story, she congratulated me and said that these bags sell for 300+ Euros!!

Italy has long been known for its exceptional leather goods – some say it’s #1 in the world. This purse is certainly a good example.  It has a gorgeous red leather lining with special internal pockets which I have never seen before.  Each one closes with a snap clasp like old cigarette cases used to.  The outside clasp is like other true vintage ones I have seen that self-lock when the purse is closed.  After I brought it home, I added a black and red leather billfold which I had found on a previous thrifting expedition.  It coordinates perfectly!

This handbag was styled after one which was made decades ago BY SPECIAL ORDER FOR GRACE KELLY, probably after she had married Prince Ranier of Monaco in 1956 and was living as Princess Grace in Europe.  Can you imagine how my little vintage-loving heart swooned when I learned that?!!!

What a great surprise!  Nothing could have added to the joy and mystique of my first cruise experience like this did. You just never know . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TWO TRUE VINTAGE PURSES FOR SPRING & SUMMER BY MORRIS MOSCOWITZ & ANDE’

TWO TRUE VINTAGE PURSES FOR SPRING BY MORRIS MOSCOWITZ & ANDE'

These two are very special, though they may not seem so at first glance. Let me tell you why –

The coral-color clutch is by Morris Moscowitz, a maker of fine handbags until about 1975.  This one is from the Fifties or very early Sixties.  It is fabric on the outside – a linen/rayon blend is what it looks like – and fabric-lined inside (much more nicely than anything I see in the mid-priced range today).  Love the color and the fabric exterior – great for Spring and Summer.  You will find the maker’s name printed in gold inside – MM with the full name in small letters below.  Beware, as always, of logos that look similar, but are not authentic.

The second one can double as a clutch or handbag, made of imitation leather with a fabric lining.  It is by Ande’.   Purses by this maker, in my experience,  were not high-end items but their designs were always innovative and creative and they are nicely made.  For example, this one has a make-up mirror that folds out on a hinge.  You’ll never lose or break this one!  Of course, it would usually be stored inside the purse, as the handle can be, too.  Notice the Lucite clasp.

What else makes these handbags wonderful?  Remember, they are at least 50 years old and have stood up exceptionally well.  Their construction speaks to the quality of the materials and the workmanship in the manufacture of them which is something that we, unfortunately, see very rarely today.

I’ve discovered several of these in my various vintage-hunting episodes and they are each different and distinctive.
Little details are always a surprise! You just never know . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE FIFTIES / EARLY SIXTIES SCARF BANDEAUS – BEAUTIFUL FOR SPRING AND SUMMER!

TRUE VINTAGE FIFTIES / EARLY SIXTIES SCARF BANDEAUS - BEAUTIFUL FOR SUMMER!

These scarves are of a vintage style I see rarely – sewn in a continuous circle and open in the back.  You can scrunch and spread them but they have no elastic built in.  Mid-century film stars loved this style.

The idea is to make a chic “hat”, pinned and adjusted to your type of hairstyle, or a quick and elegant solution to bad hair days.  They’re usually sheer rayon, nylon or silk.

Must have been, more or less, a brief “fad”. It would be easy to make or fake now, but the real thing is always more intriguing . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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VERY CUTE! TRUE VINTAGE EARLY 1960’S SPRING DAY DRESS

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SWEET LITTLE BIAS-CUT FROCK WITH A SWING AND SWAY HEMLINE.

This dress is so simple, but there are very interesting and attractive details – true to its mid-century era.  The bow at the neckline and little covered buttons are precious.  The fabric, also, is lovely.  It feels like rayon and has a weave that makes it look like shantung – very smart for such a plain dress, but – that’s true vintage – they put really nice details on even the most everyday off-the-rack garments.

Although this style would be very easy to home-sew, the dress was commercially made.  A tag inside says it’s a vintage plus size 18 1/2, believe it or not.  Equivalent to a size 6 or 8 today.  Size 4 me can even wear it with a belt, though I might want to pad my bra a bit . . . . . .. .

MORGANA MARTIN, THE MAGICVINTAGESPY

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A HAPPY TRUE VINTAGE MID-CENTURY PARTY DRESS

BYE - BYE BLUES!  A HAPPY FIFTIES PARTY DRESS ENDS MY BLUE SERIES, for the time being . . . .

If you find a good deal on a vintage dress with stains like these, don’t let it worry you. I’ve had great success learning how to deal with them . . . . . . . . .

In heavy rayon or a blend, with its own rhinestone pin and a sassy fit, this dress has 1950’s party written all over it. In a pretty robin’s egg print, it’s just right for Spring. Try it with a little bolero jacket or sweater.

A frock such as this one is too good to pass up, if you feel confident about your skills. . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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NEW TO ME – PRETTY PASTEL YELLOW CLASSIC 1960’S FROCK

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Very early Sixties Spring dress from the early to mid-1960’s.  It’s a real blast from the past in a lady-like style, so typical of that time.  The zipper is metal, but the fabric an easy-care knit which was also popular then – “wash and wear” had become the common thing.

A dress like this is so versatile.  It can be worn almost everywhere, dressed up or down. Especially now when footwear choices are completely open, boots, pumps, sandals or flip-flops could all be possibilities that would not have been “right” when this dress was made.  Oh, you might have gotten by with go-go boots, flats, pumps or dressy sandals but that would have been all.

Ahh, fashion freedom.  Love it!  Can’t have it without true vintage in your closet, too . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY.COM

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TRUE VINTAGE MID-SIXTIES – 1970’S EMPIRE WAIST SEMI-FORMAL LONG DRESS IN NAVY, WITH MATCHING JACKET

IMG_0981 IMG_0982     So typical between the mid-Sixties and mid-Seventies.  In spite of all the frou-frou Edwardian/Prairie/Hippie stuff that was popular, plain knit dresses with clean lines were also a staple – more elegant and timeless, but still very fashionable.

This ensemble is a polyester or poly blend with an empire seam that rises from waist level up under the bust-line in front, fold-over neckline, back zip and a princess cut.  The long-sleeve bolero jacket echos the military trend that was also popular then with it’s metal buttons.

Otherwise, the design is  plain and undecorated.  The fabric has a slight ribbed texture to add interest.  It’s hard to call this dress “semi-formal” because it is so tailored, but at that time the style would not have been a day-dress.

Especially good for Spring or Fall.  What a treat!

MORGANA MARTIN, THE MAGICVINTAGESPY

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A FAVORITE TRUE VINTAGE SPRING/SUMMER DRESS FROM THE FIFTIES, WITH A FRENCH THEME PRINT

A FAVORITE SPRING/SUMMER DRESS FROM THE FIFTIES, WITH A FRENCH THEME PRINT

I love this little shirtwaist with a saucy, sassy French foodie print. The style is what almost every woman wore as everyday dresses in the Fifties and early Sixties.  A classic day dress – house dress.

It’s a little bit sheer, so you have to wear one of your lovely slips underneath, but women almost always did during the mid-century era – sheer dress or not.  Because they were usually wearing a garter belt or girdle and nylons, they needed lingerie to mask the lines and let the dress move on top.

Perfect for shopping and light work around the home; coffee with the neighbor.  Easy to wear.

It’s what “happy days” was all about . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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BEAUTIFUL TRUE VINTAGE 1960’S COCKTAIL/DINNER DRESS AND A FAVORITE 1940’S BLOUSE IN EMERALD

Sorry I didn’t get this photo into my St. Patrick’s Day series.  Can you imagine that dress worn under the emerald green satin evening coat I showed then?  Perfect!

Both these garments are in a lightweight fabric.  The blouse is probably a rayon georgette and the dress in a crinkly rayon or poly that is lined with acetate.  Pearl buttons on the blouse and a rhinestone detail on the bow belt of the dress. Stella is wearing my favorite leather Deliso – style pumps from the Eighties.   IMG_0954

The dress has a well-known label of the time which I have shown before – L’Aignon (the spelling might be a bit off).  A bright jewel tone like this and filmy fabric could be worn any time of year, but I like it in Spring or Fall.

These are not new finds – I’ve had them for a while and they are keepers!

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE 1950s WIGGLE DRESS BY A WELL-KNOWN MID-CENTURY DESIGNER OF CALIFORNIA

TRUE VINTAGE 1950s WIGGLE DRESS BY EVE LE COQ OF CALIFORNIA FOR ST. PATRICK'S DAY

Here’s a line-up of wool dresses from the 1960s and 1950s, lightweight and classic enough to wear in some parts of the world in three seasons of the year.  Although I’m highlighting the second from the left, I’ll describe them all to start.

On the far left, a mid-weight jumper from the mid – late 1960s in a brown tweed.  Can’t recall the maker, but made in the U.S.  The bodice is lined and it is intended to be worn as a sleeveless dress or with a blouse underneath – your choice.  In the cold weather I’d probably want the blouse, but some people like their arms bare even in winter and that was a popular style then.  A cardigan sweater over would work, too.  Although it didn’t come with its own little jacket, sometimes sleeveless dresses did.  Great style for school or office.

Third in line is a straight, belted shift in heather blue by Pendleton.  They’ve been making quality wool clothing for decades and it is always classic.  This one from the late ’60s can also be worn alone or will a blouse or turtleneck.  Also perfect for school or work.  Some women would put this on as a day dress for shopping, meetings, etc.

On the far right is a wiggle sheath from the late ’50s.  Also a U.S. maker.  It is lined around the upper bodice and neck and is designed to be worn sleeveless.  It’s a simple, un-decorated design but would look best in the evening or at an after-work party or dinner.  It could have gone to work if dressed down a bit with a sweater or jacket.

Now for our star of the day – Are you looking for ideas about what to wear on St. Paddy’s Day?  Look no further.  This is a smart, figure-enhancing dress that is demure enough for any setting and also sophisticated enough for any.  It all depends on your accessories. In a lovely kelly/emerald green, it’s also a nice transition color into Spring.  Eve Le Coq of California produced lovely dresses – very chic.

It’s not been unusual for me to encounter these kinds of wool frocks at various places in my searches.  If you find yourself in a store, they are often marked down at this time of year.  Don’t let wool fabric discourage you – as long as you’ve got a breathable (well-ventilated) storage bag for moth season and a clothing brush, it’s easy to care for and can be dry-cleaned at home if there are no serious stains.  Very versatile, very vintage and worth the investment.

MORGANA MARTIN, THE MAGICVINTAGESPY

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