LATE 1940’S – EARLY 1950’S NEW LOOK TRUE VINTAGE GOWN

LATE 1940'S - EARLY 1950'S NEW LOOK TRUE VINTAGE GOWN

This dress is regal and majestic. The material is a heavy rayon with sheen – almost satin. It has black beaded designs around the neckline and each sleeve.

It’s an example of the design introduced by Christian Dior in 1947, I believe, called the “New Look” because it was so different from the severe, short and relatively plain clothing that women wore during WWII in order to conserve resources. Tiny waists, long skirts, luxurious material and extravagant decoration were “in” again.

Enough history lesson! It’s just a beautiful, feminine and stunning dress. The original owner had shortened it by 2 – 3 inches, so it was definitely mid-calf length when new. Fortunately, she didn’t cut off any material, so it could be let down again.

This is certainly something that you might wear to see the Queen, or the King, or the President or just your favorite prince . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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A LOVELY TRUE VINTAGE 1940’S DRESS FOR DINNER AND DANCING

A LOVELY TRUE VINTAGE 1940'S DRESS FOR DINNER AND DANCING This frock is in black crepe, with sheer netting on the bodice to give the illusion of a bare neckline. I have seen this feature on one other dress of mine – demure, yet stunning.  Where the decoration begins, it is also lined. The shape skims the body and the whole effect is very flattering.

These dresses have side zippers or unusual back zippers which open only about a foot in the middle of the back, but don’t come to the top of the neck. I’ve seen this on ’40’s dresses only. It allows you to wiggle into the dress over your head but no hope if it’s too small for you!  There’s no way that Madge could get into it, so I’ll have to re-photograph it on Stella some time.

Anyway, it’s beautiful and you can probably picture it. Perfect for dining and dancing, or even a dressy movie date. Put this beauty on and you just never know . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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BACK TO MY FAVORITE TURQUOISE COLOR – A BEAUTIFUL SILK SHEATH BY A WELL-KNOWN 1950’S MAKER

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From the late 1950’s to the early 1960’s, this find was a Wowee! smile-maker.  A silk sheath with lovely tailoring, a full lining and killer fit and in perfect condition.  Obviously, someone loved it and, why not?!

It’s by Lilli Diamond of California – a design that Jackie Kennedy and her fashion-maven predecessors would have worn with elegance and sophistication, though it’s almost a wiggle-dress (maybe it is).  I love cap sleeves and sheath styles.  Can’t wait to try this on Stella – it’s made for her . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE 1960s COCKTAIL PARTY DRESS BY CAROL CRAIG

TRUE VINTAGE 1960s COCKTAIL PARTY DRESS BY CAROL CRAIG This is a timeless, year-round-wearable black crepe dress with a full rayon acetate lining. The decorative band at the bottom is of alternating iridescent and black sequins. It has a vintage nylon zipper in back..

By Carol Craig, a popular maker of the ’50s and ’60s, this dress in classic black crepe can be worn all year long. The simple A-line style suits almost any figure and is form-fitting enough to be very attractive while not overly tight. So, anywhere that sleeveless dresses are considered acceptable, so would this dress be. Pretty versatile!

What sets this apart from the tons of black crepe dresses from the 80s, 90s and 2000s that are out there? 1. the fabric (a little heavier) 2. the lining (full – nice material) 3. the workmanship (zipper put in very well, no loose threads everywhere, small hooks and eyes in the right places) 4. the design (the sequin band at bottom is different and nicer than glitzy trims on most things now)

A dress of this quality today (and a lot of them not nearly as nice) would cost an arm and a leg, but my purse is full of songs!  I never know what I’ll find or exactly where, but that’s half the fun!

MORGANA MARTIN, THE MAGICVINTAGESPY
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TRUE VINTAGE EARLY 1960s METALLIC SAPPHIRE BLUE STILETTO PUMPS

TRUE VINTAGE EARLY 1960s METALLIC SAPPHIRE BLUE STILETTO PUMPS

A relatively rare find, early ’60s pumps a lot like the ones my grandmother wore in 1963. I was surprised to see the metallic finish, but these are definitely true vintage. I’m not sure if they are patent leather or not – the soles are man-made but the insoles are part leather. Just enough of the markings are left, as well as the appearance overall, to show that they are at least 50 years old, though in excellent condition!

They are almost a perfect color match for the dress which I just posted, and would look very good with it. They were another surprise find, which completely delighted me.

As always, you just never know . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE 1950’s – EARLY 1960S SAPPHIRE BLUE TAFFETA PARTY FROCK FOR THE HOLIDAYS

TRUE VINTAGE EARLY 1960S SAPPHIRE BLUE TAFFETA PARTY FROCK

Isn’t this an absolutely stunning color? Combine that with the sophisticated tailoring, elegant simplicity and gorgeous fit and we have an incomparable dress that rivals anything available today. In my opinion, it wins hands-down on quality and unique design.

Heavy taffeta like this almost has a presence of its own when the wearer walks into a room. In spite of the color, this is not a flashy dress but it will draw many eyes to it.

Although it has no maker’s label inside, I am sure that it was made by a clothing company rather than by an individual seamstress. The tailoring details are complex in the bodice and achieves the excellent and eye-catching fit.

Where would you wear this?  – a party, dance, dinner, special event – it would even make a great part of a bridal group. Jewelry?  – rhinestones, pearls, the real thing.  Nothing too flashy or “too much”, but this dress can support something outstanding!

Shoes? I favor a pair in the same color, with your jewelry accents taking the attention. At another time, in another place I found a pair from the same era that coordinates perfectly – stay tuned . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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ANOTHER AUSSIE FIND – TRUE VINTAGE 1950’S ILLUSION PARTY DRESS

OLYMPUS DIGITAL CAMERACouldn’t wait to get this home, where Madge or Stella (my mannequin models) could show it properly – this sheer, custom-tailored frock is a great example of a popular style of the 1950’s.  It’s a dressy style, with metallic gold leaves printed on beige illusion fabric.  I think that Grace Kelly wore a similar dress in the movie “High Society” from the early 1950’s.

This example is a pull-over design, with no zipper or buttons.  Cowl neckline in front and a dropped waist, with below-the-knee hemline.

Of course, a silky sheath or plain, tailored slip in a matching tone has to be worn underneath.  Tomorrow I’ll show you ANOTHER find that is a perfect example of a lingerie garment made exactly for this purpose.  The fascinating discoveries just never end . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE 1960’S LBD THAT SPANS THE DECADES AND THE SIZES. . . . . . . .

Another pretty, pretty black crepe frock from the mid-century, embellished with bugle beads.  Perfect for a cocktail party or a dressy date, etc., etc.,etc.  When I tried it on size 2 Stella, it really had a 1920’s to 1930’s feel to the fit, with a slightly dropped waist and bow at the hip, plus drapey fabric and a slouchy fit on top.

Moving on to size 4 Giselle, the fit is still stunning but a little more trim and very classic.  Grace Kelly would have been gorgeous wearing this in the 1950’s.

Put the dress on size 6 Madge and it gets very sassy, more of a mini-length and much more Mod – this is the size it was designed for – or was it? . . . . . . . . .  The label would suggest so, but –

Isn’t this a good example of how a well-designed, garment that has been well-made of good-quality materials could look equally-beautiful on 3 different-sized women!  It’s a keeper!!  More finds to come . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

A BEAUTIFUL 1930’S BLACK VELVET EVENING HANDBAG

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In such good condition, too!  That was one of the biggest reasons that I grabbed this, though I do have some others that are similar.  The inside is also very clean and undamaged PLUS I can see the maker’s name stamped inside, though it wouldn’t be readable in a photograph.  It;s also got little amber-colored “jewels” decorating the snap clasp.

It’s just a small evening bag large enough to carry the essentials (the 1930 essentials, that is) such as lipstick, a comb, some money and a key – oh, maybe some rouge and a hankie, too.  Forget the cell phone.

Maybe there might be room for a miniaturized transmitter and  camera, in a pinch. . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

ANOTHER FIND FROM AUSTRALIA! TRUE VINTAGE 1940’s GRADUATED FAUX PEARL NECKLACE

OLYMPUS DIGITAL CAMERAI have lots of pearl jewelry – costume and real – in my vintage fashion collection, but couldn’t pass these up.  Large costume pearls in graduated sizes – difficult to find now!  I would say that this example dates 1930’s – 1950’s.

Also, it’s in great condition, with a lovely golden color. The cord is knotted between each bead.  Equally wonderful is the clasp, which has a pearlized center, surrounded by small ruby-pink rhinestones or crystals.  The necklace is long enough that the clasp can be draped a bit in back if I’m wearing a neckline that plunges there.

There’s nothing more elegant or alluring than pearls . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM