PURE CLASSIC! VINTAGE DAY DRESS IN FLORAL COTTON

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Right on the heels of that daring red frock shown yesterday came this traditional, custom-tailored every-day dress in a beautiful cotton print.  Again, I can’t say exactly how old it is but it was home-sewn in a classic, mid-century style.  The fabric is gorgeous.

Although it’s another perfect fit for me, the style is very plain so I think I’d cinch the waist with a belt to enhance the fit and add a pert little scarf or pearls at the neckline, depending on my mood.  Yes, that would be VERY cliche’ ’50’s but – so what? – also a VERY pretty look. Unless I wanted to go completely kitchy for the fun of it, I’d leave off the hat/gloves -handbag/shoes sets.

Anyway, this dress really makes me hanker for Spring!  Can’t wait to see what turns up next . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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EXTREMELY RARE FIND – TRUE VINTAGE MID-CENTURY CUSTOM-TAILORED CHILD’S DRESS

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Old cotton and buttons; hand-stitching – this little frock is probably from the 1950’s or 1960’s.  Can you imagine a little girl’s everyday dress surviving till today??????  Read on . . . . . . . . . . . .

Once in a while, in an unusual venue, I’ll see something out of the ordinary – like a piece that is very antique or something made for a child. Although children’s clothing is not my usual focus, I’ll take a second look.

Well, this was another Wowee, look at THAT! moment so, of course, I had to bring it home.  What a relic so well-preserved, with the added bonus of having been hand-made.  Several things about the construction are unusual.

In these situations, it’s common to see something that was made for a special occasion – that is, dressy clothing or christening gowns, etc. that are often preserved after one or two wearings; maybe baby shoes that are tough enough to stand up over time (no pun intended).

BUT, not everyday items!!  These usually have gone by the wayside decades ago because of the normal wear-and-tear a child puts on their clothing, not to mention outgrowing it and passing it on or Mom turning it into a dishrag.

So, I feel like a museum curator with a new discovery laid before me.  The mystery goes on . .. . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE RED VELVETEEN FOR THE HOLIDAYS

Both of these garments were custom-tailored in the late 1950’s to early 1960’s.  Here’s the holiday dress from last year properly modeled on Stella, finally – just look at those wonderful rhinestone buttons and belt buckle.  Try finding those now!  I’d tend to wear it at Christmas, but it would be beautiful at a dressy Thanksgiving dinner, too.

The skirt is a new find, in a slightly deeper red, which I love.  Dresses are great, but I’m always happy to find separates because of their versatility.  Now I have something true vintage to wear with pretty blouses and sweaters.

Black is always superb, but I love red and these unusual finds just put me in the holiday spirit!

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

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HOW TO SEW WITH TRUE VINTAGE STYLE

Sometimes I come across patterns or notions from the true vintage eras that I love.  It’s worthwhile to pick them up, and I’ll explain why , , , , ,

Whether you sew or not, if you want to copy or have someone else re-make a true vintage garment,  a pattern is a necessity in order to get it right.  Unless you are a master at pattern-making yourself, the original cut of the garment will be impossible to recreate and the result will look like retro – not true vintage.

Beyond the qualities of the true vintage fabric and decorations that are used, the identifying factor of a true vintage design is the cut and, therefore, the way that it fits the body.  There’s no way to cheat on it and the look of the finished garment is unmistakable.

True vintage notions can make a big difference, too.  Buttons, of course, but zippers are probably the most important closure item with regard to getting the fit to be authentic.  Nothing will be more correct than a zipper that is like the original in looks and function.  And, we know how often one of those might need to be replaced . . . . . . .

So, there’s my little rant on that subject.  Of course, there’s lots more to get into if you are a couturier or just an expert needle-worker.  But, it’s worth knowing about, and very interesting when you want to get it perfect.

However, nothing is true vintage except real true vintage, no matter how well it has been reproduced.  But, if you’re very, very good at faking it, it’ll take a master sleuth to expose you . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

BOOK:  HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM

 

 

HOME-SEWN VINTAGE SUNDRESS WITH SURPRISING “MYSTERY” TAILORING

IMG_1748This frock just looked like a plain, old cotton sundress – rather inexpertly made – and I almost passed it by.  The fabric felt kind of stretchy.  OK, right – lots of today’s fabric feels kind of stretchy because it has Spandex built in  . . . . . . . . . . . . . . .

But, the fabric also told me that it wasn’t recently made.  When I looked more closely, it became apparent that the entire dress had been cut on the bias!

Take that, Spandex!!  The tailoring trick for adding some give, drape and a fabulous, molded fit that was so popular in the 1930’s was used by this seamstress to make her summer frock unique.  And, it will probably look killer on! Can’t wait to try that . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

BOOK:  HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM

SWEET TRUE VINTAGE 1940’S – ’50’S COTTON DAY DRESS – END OF SUMMER COLORS

SWEET TRUE VINTAGE 1940'S – '50'S COTTON DAY DRESS – END OF SUMMER COLORS.

A PRETTY TRUE VINTAGE SHORT-SLEEVED SHEATH DRESS FROM THE 1960’S – CUSTOM TAILORED

SENSATIONAL SIXTIES SHEATH STYLE FROCK – TRUE VINTAGE FOR FALL

Morgana Martin, the magicvintagespy's avatarMagicvintagespy

A PRETTY TRUE VINTAGE SHORT-SLEEVED SHEATH DRESS FROM THE 1960'S - CUSTOM TAILORED

This pretty dress is in an unusual shade of blue that echoes the hue of yesterday’s shirt.  A combo that I always love and don’t come across often enough – blue and brown. It was custom – made, with hand-done crewel embroidery on the front.

The easy sheath style is always perfect, and the short sleeves make it less summery.  I love their fluttery cut and the brown lining peeking out.  The main material is a sort of hop-sacking weave, which was very popular in the late ’60’s. Just the right weight for going into Fall.

Back metal zipper and fully lined in a lightweight cotton blend material. Flattering but simple.  Madge fills it out beautifully, no?

Looks just right for a teacher, or, or, or . . . . . . . . .
I wonder who . . . . . . . . . . . …

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A PRETTY TRUE VINTAGE SHORT-SLEEVED SHEATH DRESS FROM THE 1960’S – CUSTOM TAILORED

A PRETTY TRUE VINTAGE SHORT-SLEEVED SHEATH DRESS FROM THE 1960'S – CUSTOM TAILORED.

TRUE VINTAGE 1950’S EVERY-DAY SHIRT/BLOUSE HOME-SEWN IN ATOMIC PRINT

TRUE VINTAGE 1950'S EVERY-DAY SHIRT/BLOUSE HOME-SEWN IN ATOMIC PRINT.

WHAT I WEAR EVERY SUMMER – 1940’S OR ’50’S CIRCLE SKIRT AND BLOUSE

WHAT I WEAR EVERY SUMMER – 1940'S OR '50'S CIRCLE SKIRT AND BLOUSE.