Heading Toward Spring – Another Pretty Party Frock from the Mid-Century

Still from the same genre and general Post-war Mid-century era as the dresses I’ve been showing since before Christmas, but this frock is so much more Spring-like because of the color. Feels like we’re already looking toward Easter or Prom. I suspect that this one might be just a little bit newer than the one shown yesterday, but it has some conflicting clues with regard to the tailoring and fabric. Unlike yesterday’s, it does have attached stiffening in the skirt and a slightly shorter hemline, though still below the knee. Dating it right between 1955 and 1962 would be accurate.

The butter yellow is different but the most distinctive feature is the neckline. Love the drape in front and the LONG tails in back. The wasp-waist fitting is always stunning on those who wear it well. As we begin to get away from the darker colors and heavier fabrics, the undergarments become critical. Stay tuned . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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It’s Still Party Season in Beautiful Mid-century Dresses

Since I tend to sleuth in out of the way places, all my discoveries are happy surprises but I remember this one as being especially so. A gorgeous 1950’s – early 1960’s frock worthy of Grace Kelly. Looks wonderful on Stella, too. Unusual color combo looks great whatever the season.

Like many of the dressier dresses of this time, it has a sheer layer over an opaque liner. This skirt could accommodate a crinoline but doesn’t have one attached. From the time of WWII, with slacks for women becoming popular, women began having more freedom in their choice of clothing and how to wear it.

What a beautiful example from that Post-war decade! We’re on a roll – stay tuned . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

At Home for the True Vintage 1950’s Holidays – Part 1

Here’s a beautiful 1950’s dress by Lantz that would be perfect for Christmas Eve with family or good friends. It’s made of cozy wool felt with black embroidered decoration. Pure Fifties wasp waist and midi hemline. I love the little stitched decoration trimming the neckline and sleeves. What could be more festive and Christmas-y than a frock like this?

It’s appropriate for the family dinner, no matter who’s there, and could easily go to any type of celebration or event away from home. Cocktails around the fire would be perfect but, at some point, the dresses and sweaters will come off for more comfy duds. Stay tuned . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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Pretty Early 1940’s Gown; so Unusual and PINK

Pretty in pink for wartime Prom? Prom dresses I’ve found from that time were midi-length, so my guess is that this one was made for a different event. It’s a heavy synthetic material with 1940’s tailoring details: a peplum waistline with a point in the center front. It could almost be worn with either side in front if the fit allowed, but a back zipper makes it clear which side is supposed to be forward. The neckline was popular from 1940’s to 1950’s especially, but is very classic. Pretty clearly, this frock was custom-tailored.

It’s one of those garments that make you wonder what it’s story is. I’m sure there’s an interesting one!

MORGANA MARTIN, THE MAGICVINTAGESPY

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Another 1940’s Gown, this time in Holiday Red

What beautiful fabric! It is substantial but soft and with tiny machine-embroidered diamond shapes all over, which was apparently a “thing” in some Forties material. This might have been a way of making up for the absence of natural fabrics like silk and many of the notions used to decorate clothing before and after WWII.

The style is very simple and I think, like the dress shown yesterday, that it was custom-made. The pattern wouldn’t have been difficult for a home-based seamstress. The neckline in back is a bit lower, but nothing dramatic. The most difficult aspect of the construction is the piecing below the waist and that’s still no big deal. What I like most about it is that it’s just very pretty and so festive and Christmas-y in that fantastic glossy red. I would have collected it for the yards of gorgeous fabric alone! More of that coming – stay tuned . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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OOPSIE DAISY, BACK IN THE 1940’S WITH A BLACK CREPE COCKTAIL FROCK

For cocktails and/or dinner, a dressy but elegantly designed garment. Either pre- or post-WWII (probably Post-) a simple rayon crepe sheath with a midi hemline. Notice the beautiful drape of this fabric. Modest but semi-flashy rhinestone decoration and an eye-catching deep keyhole neckline, saying “YES! The war is over and we can party in beautiful dresses again!”

This one came from Australia so may even have been made in Britain, as much of their clothing was before the 1970’s or so. The arrival of fast fashion put an end to many quality brands and their exports as well as iconic department stores and ladies’ clothing shops which used to sell them. Today we can have boatloads of cute crappy stuff instead of a selection of well-made and lovely garments and accessories. Progress? Ha! Don’t believe it. I’m old enough to remember my grandmother’s good stuff and trips to the city with my mom for Christmas shopping. Stay tuned for more . . . . . . . . . . . . . . . . . . . . .

Cute LBD with Iconic Mid-century Tailoring Detail

I admit, this dress is no star with regard to overall quality. Very middle-of-the-road in that department, but I couldn’t help being struck by the embroidered sheer mesh bodice. This is a detail that I have seen in 1940’s and early 1950’s frocks; usually not since then. The gold thread gives it a holiday feel which makes styles like this appropriate for Christmas events. The fabric leads me to decide that this garment was made in the 1960’s at the earliest – possibly as late as the 1990’s.

I have to give the designer congrats for using this tailoring again. It’s so attractive and feminine, allowing for an interesting neckline without gapping, buckling or too much de’collete’ to allow it to be truly elegant. This frock drapes well and fits beautifully in the bodice. The only improvements I would point out might be a full lining, which would support the lines better without fullness. That would make it a very sophisticated cocktail dress. .

Of course, this one might have been a late 1970’s disco design in which case you wouldn’t want to add any bulk to the skirt or a potentially sweaty lining, for that matter. In any case, it’s cute and can stand proud exactly as it is. Stay tuned for more cocktail frocks, each with it’s own personal character . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Post-war 1940’s Early 1950’s Strapless Wiggle Cocktail Dress

This one was from Chicago, as the label tells me. It’s not officially an LBD because it is actually dark mid-night navy blue in a smooth, lighter weight fabric to get that sleek silhouette. In spite of the little flesh-color straps, which might have been mostly for hanging purposes, you’ve got to have the right figure to pull this off correctly. Marilyn Monroe did it wonderfully well.

This was a one-of-a-kind find originally sold by a higher-end store in the Windy City. Would love to know who, where, when and how it was worn but, sadly, there were no additional clues. Who cares – she speaks for herself. Stay tuned for more . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

1940’s POST-WAR 2-PIECE DRESSY WEDDING SUIT

Here’s Stella in a beautiful wedding suit from the 1940’s. In fact, it was the outfit she was wearing when I discovered her. Although this ensemble might have been worn for another special event, I’m sure it was a wedding dress. It’s in a heavier-weight jacquard fabric with classic bridal tailoring details such as tiny covered buttons and points at the wrists – almost midieval. Again, I suspect that it was tailor-made. The peplum and shawl collar are very Forties, plus a rare coil zipper and unusual piecing of the skirt which causes the uneven hemline.

A fabulous and fun find! Stella’s been part of the team ever since. Stay tuned for her modeling more semi-formal and long dresses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

1940’S – ’50’S SEMI-FORMAL FROCK WHICH COULD ALSO HAVE BEEN FOR A BRIDE

Such an interesting frock. Midi length on Stella, but she’s tall so it could have been tea or floor length on a woman of short stature. I couldn’t decide whether this dress was tailor-made or purchased at retail, but I could find no labels. I suspect that it was custom-made for a cool-weather wedding and the style really makes me think of some Wartime or Post-war bridal dresses I’ve discovered. Could also have been designed for some other special event . . . . .

Pretty mid-weight textured but glossy fabric which may be synthetic or a blend. Unusual long sleeves; but the best thing about this style is the collar. Each layer is carefully supported around the edge with wire so that it can be shaped by hand. I’ve very rarely seen this and it helped me to date the garment. It came from Australia so I may notice a British influence(?).

More semi-formal and long dresses coming. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM