TRUE VINTAGE FIFTIES / EARLY SIXTIES SCARF BANDEAUS – BEAUTIFUL FOR SPRING AND SUMMER!

TRUE VINTAGE FIFTIES / EARLY SIXTIES SCARF BANDEAUS - BEAUTIFUL FOR SUMMER!

These scarves are of a vintage style I see rarely – sewn in a continuous circle and open in the back.  You can scrunch and spread them but they have no elastic built in.  Mid-century film stars loved this style.

The idea is to make a chic “hat”, pinned and adjusted to your type of hairstyle, or a quick and elegant solution to bad hair days.  They’re usually sheer rayon, nylon or silk.

Must have been, more or less, a brief “fad”. It would be easy to make or fake now, but the real thing is always more intriguing . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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VERY CUTE! TRUE VINTAGE EARLY 1960’S SPRING DAY DRESS

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SWEET LITTLE BIAS-CUT FROCK WITH A SWING AND SWAY HEMLINE.

This dress is so simple, but there are very interesting and attractive details – true to its mid-century era.  The bow at the neckline and little covered buttons are precious.  The fabric, also, is lovely.  It feels like rayon and has a weave that makes it look like shantung – very smart for such a plain dress, but – that’s true vintage – they put really nice details on even the most everyday off-the-rack garments.

Although this style would be very easy to home-sew, the dress was commercially made.  A tag inside says it’s a vintage plus size 18 1/2, believe it or not.  Equivalent to a size 6 or 8 today.  Size 4 me can even wear it with a belt, though I might want to pad my bra a bit . . . . . .. .

MORGANA MARTIN, THE MAGICVINTAGESPY

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PRETTY 1960’S SPRING INTO SUMMER DRESS ENSEMBLES OUR GRANDMOTHERS KNIT AT HOME

IMG_1482Ready for a big project?  These patterns from a true vintage McCall’s needlework magazine from 1962 are just what you need!

Aren’t they elegant and very lovely?  A handmade ensemble like this would be totally unique today.

When everyone tended to dress up a little more and women almost always wore dresses  or skirts, it was easy to glide from more casual activities to something more dressy without having to change an entire outfit.  Add a matching jacket or coat,  maybe change your shoes and accessories, comb your hair and touch up make-up et voila’ . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

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A HAPPY TRUE VINTAGE MID-CENTURY PARTY DRESS

BYE - BYE BLUES!  A HAPPY FIFTIES PARTY DRESS ENDS MY BLUE SERIES, for the time being . . . .

If you find a good deal on a vintage dress with stains like these, don’t let it worry you. I’ve had great success learning how to deal with them . . . . . . . . .

In heavy rayon or a blend, with its own rhinestone pin and a sassy fit, this dress has 1950’s party written all over it. In a pretty robin’s egg print, it’s just right for Spring. Try it with a little bolero jacket or sweater.

A frock such as this one is too good to pass up, if you feel confident about your skills. . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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NEW TO ME – PRETTY PASTEL YELLOW CLASSIC 1960’S FROCK

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Very early Sixties Spring dress from the early to mid-1960’s.  It’s a real blast from the past in a lady-like style, so typical of that time.  The zipper is metal, but the fabric an easy-care knit which was also popular then – “wash and wear” had become the common thing.

A dress like this is so versatile.  It can be worn almost everywhere, dressed up or down. Especially now when footwear choices are completely open, boots, pumps, sandals or flip-flops could all be possibilities that would not have been “right” when this dress was made.  Oh, you might have gotten by with go-go boots, flats, pumps or dressy sandals but that would have been all.

Ahh, fashion freedom.  Love it!  Can’t have it without true vintage in your closet, too . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY.COM

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A FAVORITE TRUE VINTAGE SPRING/SUMMER DRESS FROM THE FIFTIES, WITH A FRENCH THEME PRINT

A FAVORITE SPRING/SUMMER DRESS FROM THE FIFTIES, WITH A FRENCH THEME PRINT

I love this little shirtwaist with a saucy, sassy French foodie print. The style is what almost every woman wore as everyday dresses in the Fifties and early Sixties.  A classic day dress – house dress.

It’s a little bit sheer, so you have to wear one of your lovely slips underneath, but women almost always did during the mid-century era – sheer dress or not.  Because they were usually wearing a garter belt or girdle and nylons, they needed lingerie to mask the lines and let the dress move on top.

Perfect for shopping and light work around the home; coffee with the neighbor.  Easy to wear.

It’s what “happy days” was all about . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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BEAUTIFUL TRUE VINTAGE 1960’S COCKTAIL/DINNER DRESS AND A FAVORITE 1940’S BLOUSE IN EMERALD

Sorry I didn’t get this photo into my St. Patrick’s Day series.  Can you imagine that dress worn under the emerald green satin evening coat I showed then?  Perfect!

Both these garments are in a lightweight fabric.  The blouse is probably a rayon georgette and the dress in a crinkly rayon or poly that is lined with acetate.  Pearl buttons on the blouse and a rhinestone detail on the bow belt of the dress. Stella is wearing my favorite leather Deliso – style pumps from the Eighties.   IMG_0954

The dress has a well-known label of the time which I have shown before – L’Aignon (the spelling might be a bit off).  A bright jewel tone like this and filmy fabric could be worn any time of year, but I like it in Spring or Fall.

These are not new finds – I’ve had them for a while and they are keepers!

MORGANA MARTIN, THE MAGICVINTAGESPY

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A PRETTY BELTED SHIRTWAIST DRESS FROM THE 1950’S

A PRETTY BELTED SHIRTWAIST DRESS FROM THE 1950'S     This conservative little style is very sweet, no?

It is made of a pure cotton material, I would guess, and was probably custom tailored (from looking at the details).  I have at least one more dress which has cross-stitch embroidery on it but, to tell the truth, many true vintage dresses that were commercially made have lovely detail, too. And, of course, it could have been added later by the owner.

I also really love skinny, fabric-covered belts on dresses – a common feature on dresses made at this time. As I’ve mentioned before, I’ll sometimes shorten an extra-long hem and make a covered belt from the extra fabric when an original belt is missing.

These dresses look nice with a cardigan sweater or a shawl, so they can go from Spring into Fall with ease. They were standard daytime wear for just about everybody back in the day. It’s so great to see how the classic styles remain elegant and wearable for decades.

And, because fabrics and construction were so well done and women took good care of their clothing, I continue to find them. . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE 1950s WIGGLE DRESS BY A WELL-KNOWN MID-CENTURY DESIGNER OF CALIFORNIA

TRUE VINTAGE 1950s WIGGLE DRESS BY EVE LE COQ OF CALIFORNIA FOR ST. PATRICK'S DAY

Here’s a line-up of wool dresses from the 1960s and 1950s, lightweight and classic enough to wear in some parts of the world in three seasons of the year.  Although I’m highlighting the second from the left, I’ll describe them all to start.

On the far left, a mid-weight jumper from the mid – late 1960s in a brown tweed.  Can’t recall the maker, but made in the U.S.  The bodice is lined and it is intended to be worn as a sleeveless dress or with a blouse underneath – your choice.  In the cold weather I’d probably want the blouse, but some people like their arms bare even in winter and that was a popular style then.  A cardigan sweater over would work, too.  Although it didn’t come with its own little jacket, sometimes sleeveless dresses did.  Great style for school or office.

Third in line is a straight, belted shift in heather blue by Pendleton.  They’ve been making quality wool clothing for decades and it is always classic.  This one from the late ’60s can also be worn alone or will a blouse or turtleneck.  Also perfect for school or work.  Some women would put this on as a day dress for shopping, meetings, etc.

On the far right is a wiggle sheath from the late ’50s.  Also a U.S. maker.  It is lined around the upper bodice and neck and is designed to be worn sleeveless.  It’s a simple, un-decorated design but would look best in the evening or at an after-work party or dinner.  It could have gone to work if dressed down a bit with a sweater or jacket.

Now for our star of the day – Are you looking for ideas about what to wear on St. Paddy’s Day?  Look no further.  This is a smart, figure-enhancing dress that is demure enough for any setting and also sophisticated enough for any.  It all depends on your accessories. In a lovely kelly/emerald green, it’s also a nice transition color into Spring.  Eve Le Coq of California produced lovely dresses – very chic.

It’s not been unusual for me to encounter these kinds of wool frocks at various places in my searches.  If you find yourself in a store, they are often marked down at this time of year.  Don’t let wool fabric discourage you – as long as you’ve got a breathable (well-ventilated) storage bag for moth season and a clothing brush, it’s easy to care for and can be dry-cleaned at home if there are no serious stains.  Very versatile, very vintage and worth the investment.

MORGANA MARTIN, THE MAGICVINTAGESPY

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PERFECT TRUE VINTAGE 1950’S PARTY DRESS IN ICY MINT GREEN

PERFECT TRUE VINTAGE 1950s  PARTY DRESS FOR ST. PATRICK'S DAY

Looking for a St. Paddy’s frock?   Here we go again – a lovely pouf dress from the 1950s of acetate rayon and chiffon, in minty sherbet green this time.   I love this for Spring, with the sheer 3/4 sleeves and the jewel neckline.  Look at that deep hem in the overskirt!

This is a below-the-knee formal dress that could also be worn to a Prom, dinner, dance or any formal event that doesn’t require a full-length skirt.  ‘It would also be lovely worn in a wedding by attendants or by a bride who didn’t want to wear the typical white or ivory. Many ’50’s brides wore gowns of this length.

The sheer chiffon covers the rayon dress underneath and there is a sewn-in crinoline of netting.  I don’t believe that there are any tags remaining but I suspect that it was commercially-made.  However, it’s not always certain – many seamstresses in business or at home were VERY skilled.

Finding dresses like this is always magical.  Where was it first worn?  Who kept it for decades and why was it so special?  You just never know . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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