Another 1940’s Gown, this time in Holiday Red

What beautiful fabric! It is substantial but soft and with tiny machine-embroidered diamond shapes all over, which was apparently a “thing” in some Forties material. This might have been a way of making up for the absence of natural fabrics like silk and many of the notions used to decorate clothing before and after WWII.

The style is very simple and I think, like the dress shown yesterday, that it was custom-made. The pattern wouldn’t have been difficult for a home-based seamstress. The neckline in back is a bit lower, but nothing dramatic. The most difficult aspect of the construction is the piecing below the waist and that’s still no big deal. What I like most about it is that it’s just very pretty and so festive and Christmas-y in that fantastic glossy red. I would have collected it for the yards of gorgeous fabric alone! More of that coming – stay tuned . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

True Vintage 1940’s Bias – Cut Gown with Beading Decoration

What a wonderful find!! This gown was custom-made, possibly by a home-based seamstress, in this unusual style with 3/4 length sleeves. You can see the waist ties that would be fastened in back to nip the waistline. The bias cut glossy fabric, which gives a really slinky body-con fit is a hold-over from the 1930’s when it was very popular. I love the blue color which looks like a night-time sky and the peekaboo beading that resembles exploding stars. Very appropriate today, when the comet AiATLAS is closest to Earth.

This is another one-of-a-kind, never-to-be-seen-again frock. More to come – stay tuned . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY.COM

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BACK TO LONG DRESSES FOR WINTER HOLIDAY PARTIES. LET’S START WITH A 1930’S RETRO FROCK.

Cold shoulder tailoring and drapey, body con fit was a VERY Deco style. This is a custom-made gown from the mid-century. I can tell from the fabric that this gorgeous dark green velvet didn’t come from the 1930’s. Probably 1960’s or 1970’s – true vintage retro! It’s still a beautiful and unusual dress . . wonder if it was made for a special event, as a glam hostess dress or a costume for a theater production? I’ll wear it in a heartbeat.

Jewel colors are super for winter fashions, as well as black and white. I’ll show more of these in the next few posts as we come forward through the decades. Stay tuned . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE MID-CENTURY DOES 1920’S SEMI-FORMAL DRESS

Sometime during a brief 1920’s style revival in the l960’s – 1980’s this frock was produced. It’s not a style that is flattering to everyone but, of course, Stella can pull it off perfectly. In this pure white, it may have been made as a lower-priced wedding costume alternative by some company that made bridal dresses. While obviously not high end, it’s pretty and flirty.

Love the handkerchief hemline! Can you imagine a gown in this style, made of fine silk and satin with handmade lace? During the Gatsby gilded age brides from wealthy families would have been dressed that way. Today it would make a fun Halloween or theater costume. Dresses that are obviously tied to a theme or era are always interesting whether they are true vintage, retro or modern. Of course, I always sleuth for the original evidence. More coming, so stay tuned . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Angelic Pure White As Snow 1950’s Formal Frock

This formal gown looks as though it was styled for a young woman. No worries – there’s no stain here, just a shadow in the photo. Lacey bodice with fine netting straps and overskirt. Perfect for any holiday gala. As you’ll see with some dresses I’ll show soon, it could also have doubled as a Prom or wedding gown. I’ve settled operations at another safe location, so stay tuned . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

True Vintage Formal for Holiday Season Gala Nights

Right about now, usually after the U.S. Thanksgiving holiday, the build-up-to-Christmas galas and formal parties seem to begin and gather momentum. This is, to my mind, the beginning of a formalwear season in the northern countries that lasts through St. Valentine’s Day and picks up speed heading into Prom, with a bump of semi-formal events around Easter and ends, more or less, with bridal events in June. I guess this is the way that humanity has amused itself during the colder months when daily outdoor activities are not generally practical.

The above frock is a beautiful example of many I have seen by Alyce Designs. Most are highly embellished, like this one. Although they are more “modern true vintage” (1970’s – 1990’s), they do have excellent tailoring unlike many garments made since the 1960’s. I believe that the company may still be making dresses, but of course I am not interested now. However, this one is old enough and well enough done that it deserves a showing. I do love the beading on sheer fabric and the nod to 1920’s style.

So, we’ll be heading into a stream of transmissions which will include clues related to semi-formal and formal events. But, evidence from new investigations comes up at random times so stay tuned . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

NOW, FOR A GENUINE PROM DRESS FROM THE 1940’S

Back to the delightful tailoring of the early mid-century. This is real 1940’s Prom dress style before they became over-the-top- flouncy a few years later. I love the unusual color palette of this frock – sheer powder blue over mauve pink. The ruching on the bodice is quite unique and especially flattering on someone with a small bustline. Looks like a comfortable design that wouldn’t invite wardrobe malfunctions.

Extra crinoline layers could be worn under the skirt if a mid-1950’s silhouette is more your style. However, comfort and freedom of movement are always the gold standard for any effective disguise. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

SAPPHIRE BLUE AND SATIN, TOO . . . . . . . . .

This version of “satin” is really heavy and is also a bonded fabric. Materials like this crop up here and there throughout the mid-century and seem like they would be uncomfortable to wear. However, they hold their shape very well without the need of too many stiff crinoline underskirt layers which, I suppose, was the point and an improvement over 1950’s styles. The hem is tea-length on Stella but an average-size gal from 1960 – about 5 inches shorter – might have found it to be ankle-length. Again, not really a Prom dress but it would have been perfect at a gala or music recital.

The most striking features are the intense color and the back-view design. Bows were a big deal – even up into the early 1970’s. Comfortably demure but also sexy in it’s own way, gowns like this provided lots of coverage for girdles, garter belts and structured bras – the standard foundation garments of that time. Less prone to “wardrobe malfunctions”? Not sure about that. I’m sure there are stories . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

OKAY, LET’S GO COMPLETELY DIFFERENT (AGAIN) FOR ANOTHER 1960’S WEDDING(?)

Now we’re Prairie – Victorian, or some combination of the 1800s. Empire waistlines were in style earlier in that century and high necklines with tight sleeves mostly in the 1890’s. The late 1960’s and early 1970’s fell in love with the 1800’s fashion. Think early Gunne Sax. This was especially true for white cotton lingerie undergarments, sleepwear and casual clothing but also spilled over into some day dresses and formals. In this case, a white structured gown was likely meant for a wedding or, at the least, some kind of formal occasion

This one is all 20th century fad fashion, with a zip up the back and polyester fabric. But, it was fun while the trend lasted. Not the best disguise, however, unless you’re in the theater . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

LET’S MOVE FORWARD A COUPLE OF YEARS AND SEE WHAT AN EARLY 1960’S BRIDE MIGHT WEAR

Although full skirts were still seen on wedding gowns in the early 1960’s (and probably always will be), narrower skirts and differently-styled bodices began to show up more often. Society was beginning the overthrow of traditional ways of doing things. Especially after Americans’ and the world’s hearts were shattered by the murder of our King Arthur in 1963, all bets were off and the Mod fashion revolution began.

I somehow doubt that the Kelly Arden mini-dress on right was intended as a wedding frock, but it could have been – even with the contrasting buttons and sash. Grandma would have been scandalized and all but the most fashionista of mom’s wouldn’t have liked it, either. That would have been a powerful clue to the identity of the mystery bride . . . . . . .a closet revolutionary. Not surprisingly, the anti-establishment trend continued as the files further reveal. Stay tuned. . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM