Tag Archives: bridal

JUST FOUND! BEAUTIFULLY – TAILORED 1960’S GOWN WITH GORGEOUS DETAIL

What a stunning dress in linen white with old ivory lace sleeves and applique’ decoration.   A little bit Mod and a little bit ethnic.  LOVE the hourglass fit and the button and loop closures all the way down the back.  It looks summery, but the weight of the fabric and full lining lets you do 3 seasons with it.  Extremely well-tailored by Alfred Angelo.   Could go to a formal dance or a wedding.

True, I’ve not been on the prowl as much lately – been involved in other business and maintaining my inconspicuous profile.  However, this time I just couldn’t resist.  So keep an eye out, because you just never know . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

GORGEOUS POST-WAR 1940’S OR EARLY 1950’S WEDDING GOWN

GORGEOUS POST-WAR 1940’S OR EARLY 1950’S WEDDING GOWN

What a surprise! I wasn’t expecting this one, but that’s how it goes for the Magicvintagespy. Beautiful, heavy ivory satin fabric, with covered-button and loop front closure, fitted waist and full skirt. Custom-tailoring with hand-finishing on the seams as well as the bead decoration around the wide collar. Vintage metal side zipper.

Though I see many gorgeous wedding gowns in my sleuthing investigations, it’s rare that I will pick one up. In this case, the pristine condition (just a little soil around the hem) and the period-perfect styling made my decision. It will fit in well with my half-dozen other elegant bridal gowns dating from the 1930’s to the Kennedy era early 1960’s.

Can’t wait to see it on Stella (my 1950’s mannequin, for those who are not regular followers). What next – can hardly wait . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE EARLY SIXTIES FORMAL OR SEMI-FORMAL DRESSES IN PASTELS WITH LACE OR EMBROIDERED OVERLAY

EARLY SIXTIES SPRING SEMI-FORMAL DRESSES IN PASTELS WITH LACE OVERLAY

A hallmark of early Sixties fashion was lace or embroidered organza overlay, which we see again and again every decade or two! These very pretty frocks were meant for semi-formal occasions – dinners, parties, dances and ceremonies. A professional cleaning will refresh the full-length ones in time for a wedding!  The bride would look gorgeous in the white and the blue is perfect for any of a wedding party or mother-of-the-bride.

They’re so feminine and flattering, in a variety of styles.  And, of course, beautifully-made.  I especially like the knee-length one – a little bit Mod, but also traditional.   The lace over-dress is partially open in the back, revealing the fitted sheath beneath.  Long sleeves add a little warmth for early Spring and make the design more demure BUT . . . . . . .

very sexy in an elegant and sophisticated way.  They knew how to do that back in the day.  A lost art?  I hope not  . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

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MID-CENTURY TRUE VINTAGE SISTER HANDBAGS-MADE IN HONG KONG

Both these little ladies were made in Hong Kong, of similar basic design, but there is a world of difference between them.  Lady Right was made for the uptown market, while Lady Left was sold downtown.  Though they’re both clean and well-put-together, Lady Right grew up with all the best, while Lady Left’s beginnings were more humble.

It’s obvious “in person” that these bags were made for different markets. The styling in both is superior, but the materials and extra attention to detail show that Lady Right brought a higher price.  Just comparing these two pretties, found at the same time, was a fun chance to evaluate a number of “clues” about their backgrounds.

I don’t have a favorite.  Their stories are equally interesting to me  (maybe Lady Left’s is a little more so . . . . .).  Each one is perfect with the outfit that coordinates with it.  While Lady Left could be much more casual, she is no less elegant – maybe even more so, if you don’t look too closely. Lady Right could seem a little tasteless if she showed up everywhere dressed like that.

I see one for holiday festivities or a very gala occasion (maybe tonight?), while the other would be lovely with a pretty summer dress.  Both would be gorgeous for a bridal venue. It can all be so fascinating . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

TRUE VINTAGE CLASSIC MANTILLA SCARVES – A CULTURE OF SPIRIT, TRADITION, MYSTERY AND ALLURE

TRUE VINTAGE CLASSIC MANTILLA SCARVES - A CULTURE OF SPIRIT, TRADITION, MYSTERY AND ALLURE

Marlene and Celia are back and . . .. .. introducing Daphne, far right.  She’s stuck in the ’60’s and ’70’s and is kind of a California casual gal so doesn’t care much for most of my elegant looks.   However, she is wearing the less traditional, graphic patterned lace today.   I suspect that these are from the 1960’s.

These are a totally different look and sometimes double as a shawl.  In the U.S., many women of the Catholic faith used to keep lace head coverings around to wear to church and they’ve always been popular souvenirs of a trip to Mexico or Spain where they were called mantillas (roughly pronounced mon-tee-ya).  Over the centuries women and girls have worn them not only in strictly religious ceremonies, including weddings and funerals, but at traditional social events, too.  It seems that many cultures have their own version of the lace scarf and how to wear it.

So, there are many interpretations of the lace “mantle” and how/where to wear one.  Make up your own . . . . whenever a touch of elegance, allure and the unexpected is desirable . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

TRUE VINTAGE 1950’S PROM DRESS GETS REFURBISHED

Here’s a mid-century  Prom or dance party dress for Spring.  I’ve had this frock for several years and it is in wonderful shape EXCEPT that the bodice had some old perspiration damage under the arms.  No fixing that . . . . . . . .SO, I replaced the overlay fabric on the bodice with a nearly – identical modern material.

To the naked eye in normal room light, the dress looks perfect.  Only the digital camera with flash shows the difference – that aging of the fabric over 60 – 70 years has slightly changed its color.

I’m pleased with my repair, but here’s a good example of why saving any old fabrics left over from sewing or hem changes makes a lot of sense.  You might need them some time and, you just never know . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

BOOK:  HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM

TRUE VINTAGE EARLY ’60S PARTY FROCK

TRUE VINTAGE EARLY '60S VALENTINE'S DAY FROCK

This dress is of heavy taffeta.  It looks so Spring-like, but in this substantial fabric and vibrant color it could stand on its own (almost literally!) any time of year.  The photo is of the back view, because of the cute bow.  In front, there is simple seaming at the waist for a cummerbund effect.  Very elegant and sweet, but also quite flattering with the shaped fit.

Love the salmon pink color! The material, 3/4 sleeves and netting under the skirt are so common for that time.  Such a beautiful fabric – I’ve found several dresses made of heavy taffeta from the late ’50’s to early ’60’s, in beautiful jewel tones. Would be perfect with a true vintage or modern FAUX rabbit stole ~ true vintage mink if you’re a real debutante.

As I’ve said before, when going for fur I choose true vintage (at least 50 years old) or faux/fake fur.  It is getting so good these days that you can have the look without the cruelty.  However, if I find a fur that is so old that buying it won’t support the current market for the fur trade, I go for it. There’s nothing like True Vintage.

This gown turned up a few years ago during one of my investigations. You just never know . . . . . .!

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

BOOK:  HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM

PRETTY IN PINK: 1930’S – 1940’S – 1950’S NIGHTWEAR FOR THE VINTAGE BOUDOIR

PRETTY IN PINK: 1930'S - 1940'S - 1950'S NIGHTWEAR FOR THE VINTAGE BOUDOIR

Now we’re talkin’!  Setting the mood here for Cupid’s Day.  Some are relatively demure, but all are beautiful nylon and silk sleepwear from a time when those things were really special.

Whether a young girl heading off to college, or a young woman on her honeymoon, one (or two) of these would surely be stowed in her luggage.

Madge likes that cute robe with the double button closure at the waist.  It would work well over the little short-sleeved gown – perfect for dorm room dreams. As for the silk number in the center, well, it is Valentine’s Day so forget the robe . . . . . . . … . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG;  MAGICVINTAGESPY.COM

McCALL’S NEEDLEWORK MAGAZINE FEATURE FROM 1956 – MAKE YOUR OWN HATS

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Since, at that time, a hat was a must-add to your outfit almost every day, being able to make your own saved women a lot of money.  At the beginning of every season, women would hustle to up-date their accessories.  Of course, a new hat from a milliner or a dress shop would be the first choice, but those could be pricey, even then.  And, like shoes, a variety of different hats was the best thing!

These DIY styles are so cute.  Like the dresses and sweaters I’ve shown from these vintages magazines, they range from casual to very dressy and can be surprising in how professional they look.

Up through the Fifties, at least, being able to construct and maintain the family’s clothing was an essential part of most housewives’ duties, along with cooking and cleaning. Although I’m told it could be fun, it was not a hobby . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM