TRUE VINTAGE 1940’S/’50’S COSTUME JEWELRY ACCESSORIES

Although you  may say that the copycats made in the last few years look just like these, you would be mistaken.  In almost all cases, the quality of the true vintage pieces is superior in some way or another – either materials, workmanship or design.  Even these budget-type examples  . . .

True vintage has  features that are quite unique and tell a different story, both about the person who owned and wore them and about history.  It’s fascinating. Image When you find the real thing, you may never want to buy modern retro “vintage” again.

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

BOOK:  HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM

TRUE VINTAGE MID-CENTURY BLING – EISENBERG ICE, ETC. . .

IMG_0957     When it comes to making an impression, these pins and earrings may be the “blingiest” with their diamonds-and-platinum looks.  All costume here, but with pedigrees.  Some are signed.

Again, the pins are fairly heavy and, while not as big as the things shown over the past two days, not for wear with filmy materials unless suspended on a chain.  Some of these pins have loops soldered on the back for just that purpose.  The dangle and smaller earrings on the right can, of course, go with anything.

I’m always impressed with the creativity of true vintage designs – often with features that allow conversions or multi-purposing – always done elegantly. . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

TRUE VINTAGE HEAVY HAND-MADE STERLING SILVER BROOCHES FROM THE 1920’S

IMG_0989     These beauties are quite large and they’re works of art.  They’d be suitable (no pun intended) on a jacket a or coat like the one shown yesterday.  Although they look like costume jewelry and are set with rhinestones  or semi-precious stones, they are hand-made of sterling silver and could be classified as fine jewelry.

Back in the ’40’s – ’50’s there were “walking suits” made, which had jackets almost like small coats and substantial enough to be worn in cool or cold weather without an outerwear coat on top.  A beautiful art piece like this on a lapel would be the perfect finish.

These are some of the most gorgeous statement pieces I own . … . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

TRUE VINTAGE 1940’S DRESS CLIPS – FOR THAT UPTOWN LOOK . . .

IMG_0988     I love these jewelry items so much!  Some might be earlier than Forties, too.  If you’re not familiar with them they have a snap clip that attaches them to the neckline of a dress, sweater, jacket or coat.

Only the ones on top are small enough to wear on a lightweight dress – the others would only work on wool or heavy knit as they are quite substantial in size and weight.  Very popular items during the wartime and post-war years and these are costume jewelry, without precious metals or stones.

To me, the look is feminine and dashing at the same time.  That so much epitomizes the 1940’s woman who really developed a lot of strength during the second World War.  We were never the same after that . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

LET’S “UP” THE TRUE VINTAGE BLING – RHINESTONE NECKLACES FROM MID-CENTURY AND BEFORE

IMG_0958Here’s my main collection of true vintage white rhinestone collars.  From simple and sweet to sassy and sophisticated.  These were made between 1940 and 1960, I’d say.  Some might be older, or slightly newer.

To be worn alone, or almost alone.  Unless you’re doing a period costume from a time when overkill was the usual fashion and everything was worn as a set, these lovelies shine most brilliantly when standing alone.

Just my opinion, for what it’s worth . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

A SWEET SET – A FORMAL OR DRESSY EVENING IN TRUE VINTAGE RHINESTONES AND “PEARLS”

IMG_0956      This is one of my favorite little necklaces, from the 1950’s or early Sixties.  Very sweet – love the rhinestone bow and the faux pearl drop.  The chain, also, is studded with rhinestones all the way.

The earrings are a bit later – late Sixties or Seventies, but they coordinate nicely.  A parure like this would have been perfect with a formal pouf dress – depending on the age of the wearer and the occasion.

Definitely costume jewelry, but so pretty . . . .. . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

GORGEOUS TRUE VINTAGE ART DECO RHINESTONE BRACELET

IMG_0959How about this little DECOration with that cocktail dress from yesterday?  You wouldn’t want to get too much bling going with the rhinestones on the dress, but an addition like this one could be just perfect.

Though certainly not from the same era (about 30 – 40 years apart!), mixing time is not a bad thing.  In fact, that’s one of the attractions of true vintage fashion for me, because I like to live different times, places and characters. I just love this piece, in its original box from Peacock Jewelers.

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

ANOTHER FAVORITE TRUE VINTAGE 1940’S RAYON SHIRTWAIST DRESS AND LINGERIE SLIP

IMG_0991Navy blue again, with a white print.  Shoulder pads; the whole bit.   I just LOVE this style!   Forties rayon drapes so nicely, feels lovely and has a beautiful sheen. Shoulder pads and a belted waist are so flattering to many women and I love the prism-cut rhinestone buttons, too.

Pictured here with the rayon slip I wear with it.  Vintage nylon is wonderful, but rayon and silk slips are, also.  I like to combine similar fabrics  to my dresses in the undergarments I wear with them, if I can, or at least to match eras.

Also, woven peep-toe heels with ankle straps.  These are from the Forties or early Fifties and are also favorites.  All that’s missing are a garter and nylons, a handbag and jewelry – maybe a hat . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

SOME OF MY FAVORITE TRUE VINTAGE NECKLACES – 1920’S – 1950’S

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Glass beads, rhinestones, crystal, topaz, mother of pearl and silver, Lucite and nickel – these gorgeous pieces span from, I believe, the Twenties to perhaps as late as the early Fifties.  It’s worth taking a close-up look.

Many of the chains are of silver.  Most of the stones are semi-precious.  The lobster claw clasp seen on the second to the left is a replacement for the original.  The silver serpentine chain on the topaz pendant is also modern.

The large pink glass bead necklace was handmade in the ’20’s or ’30’s, with a brass chain. The rhinestones and Lucite are set in nickel or pot metal.

So pretty any time of year . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

ARTISTIC MID-CENTURY BROOCH FROM HELSINKI, FINLAND

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1950’S ROSE-COLORED COSTUME BROOCH WITH SCULPTED SETTING

This unusual pin is heavy with large rhinestones and twisted wire sculptural elements in between the “gems”.  Such a gorgeous color!

About 1 1/2″ in diameter, it’s perfect for the lapel of a coat, suit or dress of heavy material. Back in the day, a woman would rarely go out in dressier attire without a brooch and usually owned a collection.

Although I have scads of costume pieces, I’ll never pass up a beautiful example like this one.  And, of course, found in a flash for minimal cash . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM