Early 1960’s Pleats! A Semi-dressy Pleated Skirt on a Wasp Waist Party Dress

Pleats have been popular fashion for centuries (think Scotsmen’s kilts!) but they seem to have trendy moments once or twice a decade. The early 1960’s was one of those times. We’ve also got the repeatedly ever-popular shirtdress style and the lace overlay, which were also mega-popular in the Kennedy era. The unique feature of this frock is the contrasting color underneath the lace bodice and sheer fabric of the skirt. We’ve got a dark robin’s egg blue hue over a rosy lavender color that gives us a light magenta tint. You can see a bit of the under-skirt liner peeking out below the hemline. So unexpected! I’ve found only one other dress of that time that did this lace overlay color play, so it was a fad to a small extent.

Sheer over opaque again. That will never stop, but every few years produce a very different look, even if some features remain the same. Staying in the ’60’s but with very unique designs coming. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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Sweet 1960’s Long Dress for a Special Occasion – Wedding?

A really pretty formal gown with a wasp waist, cummerbund effect, scooped neckline and short sleeves. I’d put it in the 1960’s, but could be slightly older or slightly newer. Very classic. I’d also guess that it was made for a Teen or young woman, but who knows. Bridal, Prom or other special event – there’s no other clue; just absolutely beautiful tailoring . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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Heading Toward Spring – Another Pretty Party Frock from the Mid-Century

Still from the same genre and general Post-war Mid-century era as the dresses I’ve been showing since before Christmas, but this frock is so much more Spring-like because of the color. Feels like we’re already looking toward Easter or Prom. I suspect that this one might be just a little bit newer than the one shown yesterday, but it has some conflicting clues with regard to the tailoring and fabric. Unlike yesterday’s, it does have attached stiffening in the skirt and a slightly shorter hemline, though still below the knee. Dating it right between 1955 and 1962 would be accurate.

The butter yellow is different but the most distinctive feature is the neckline. Love the drape in front and the LONG tails in back. The wasp-waist fitting is always stunning on those who wear it well. As we begin to get away from the darker colors and heavier fabrics, the undergarments become critical. Stay tuned . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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True Vintage 1950’s to early 1960’s Semi-formal Special Occasion Dress

Powder pink frock for a special occasion. Love the long sleeves with our current weather and I’m happy with the color that doesn’t feel like Winter. It’s not a Prom dress, but could have been worn to any dressy dance party, a recital or . . . . . . . . . . . . . Very demure, but gives a nod to formal wear with a sheer bodice and scooped back. Of course, it has the 3-layer pouf skirt with stiff attached crinoline, acetate/rayon opaque layer and a gauzy synthetic overskirt that was iconic in the Fifties, up to the very early Sixties. Naturally, the stiletto pumps are mandatory.

Despite it’s tiny size, I believe that this frock was sold in the Misses Department (probably size 10) rather than as a Junior size. Just goes to show how our Misses sizes have changed over the decades. A modern size 10 now would hang like a tent on Stella – a 1950’s size 10 is equal to a current size 2. Perplexing, but the clues all fit together. Go figure (no pun intended) and stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE MID-CENTURY DOES 1920’S SEMI-FORMAL DRESS

Sometime during a brief 1920’s style revival in the l960’s – 1980’s this frock was produced. It’s not a style that is flattering to everyone but, of course, Stella can pull it off perfectly. In this pure white, it may have been made as a lower-priced wedding costume alternative by some company that made bridal dresses. While obviously not high end, it’s pretty and flirty.

Love the handkerchief hemline! Can you imagine a gown in this style, made of fine silk and satin with handmade lace? During the Gatsby gilded age brides from wealthy families would have been dressed that way. Today it would make a fun Halloween or theater costume. Dresses that are obviously tied to a theme or era are always interesting whether they are true vintage, retro or modern. Of course, I always sleuth for the original evidence. More coming, so stay tuned . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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FABULOUS NEW FIND: EARLY 1960’S SEMI-FORMAL POUF DRESS

Perfect example of a Kennedy Era party dress, bought off the rack back in the day. It’s full of clues in the fabrics and construction. Lace overlay fabric which was very popular at that time, 3-layer skirt with a netting crinoline in the middle, AFLCIO Union Workers label, vintage metal zipper with a hook and eye at the neckline and at the waist, and hanging loops sewn in at the shoulder. These dresses are exceptionally well-made although they were reasonably priced. Although it’s a little short on Stella, it fits her pretty well.

I’m always thrilled to find one and each example has some unique features. In this case, the scarf attached at the right shoulder which drapes across the front neckline is a novel addition. It’s even got a detachable rhinestone brooch on the opposite shoulder, suggesting that there might be other ways to style the scarf. As worn above, it makes a tail over the left shoulder, which was a popular design element at that time and also in decades before. In any case, I’ve never seen one exactly like this. Just goes to prove that you just never know . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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POST-WAR 1950’S SYLVIA ANN BRIDAL ORIGINAL FORMAL GOWN

Here’s the other gem that was hiding out when the yellow pouf formal turned up. (see post 2 days ago). Similar era but entirely different, and not made for the same woman. Hmm . . . . . . .

Reminiscent of Grace Kelly in it’s modest sophistication and with a metal zipper by Waldes, this gown may be from the early 1950’s or even the late 1940’s. Someone loved it, as it’s in near-perfect condition. Worn by a second-time-around bride, bridesmaid, matron of honor, mother of the bride, Prom queen? I guess we’ll never know, but best guess is a one-time event that wasn’t a bit rowdy. I suspect a wedding.

What a wonderful find, also becoming more and more rare. But, clues are still out there. Stay tuned . . . . .

 

MORGANA MARTIN, THE MAGICVINTAGESPY

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1950’S POUF SKIRT WASP WAIST FORMAL FROCK

As you know, I’ve been on holiday from the sleuthing trade since late October but had several finds right before that time and also something recent. So, I’m ready to catch you up while I have a bit of time at Headquarters.

A tiny, tiny, tiny dress and SO Fifties! This was a size 5, maybe in ’55. Now a size 00 or smaller. Perfect condition. This was a really exciting discovery, as these frocks have become more and more scarce. Sadly, there is no label inside excepting the all-important Garment Workers tag. It’s always so much fun, and useful data, to have a maker’s label to research or use to tell more of the story. Labels are always a first-line clue.

Fortunately for the investigation, another gown was hiding in the same spot! Did they belong to the same suspect even though they are quite different? Rare clues sometimes travel together. Stay tuned . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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AN INTERESTING VINTAGE/VINTAGE-STYLE WEDDING/DANCE DRESS

AN INTERESTING VINTAGE/VINTAGE-STYLE WEDDING/DANCE DRESS

This ’20’s – style dress was made in the 1970’s and was probably intended to be a wedding gown.  The design is actually a hybrid ’20’s/’40’s in some ways. As marginal as the 1970’s were with regard to quality fashion (in my opinion), I have found some vintage-inspired garments made during that decade that were pretty cool.

This dress has never been worn – still has a paper inventory tag fastened inside the left sleeve. Also, there are care and content tags, but no maker’s label.

It seems fairly well-made and is an interesting design.  I find it intriguing as a curiosity, mostly, and would put it in the category of the Gunne Sax dresses of that time, many of which were styled after antique fashions.

Was this the remnant of a wedding that never happened, or just dead stock?  I wonder.. . . .  you just never know . . . . . . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

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I HAVE JUST BECOME CUSTODIAN OF A BEAUTIFUL WEDDING ENSEMBLE FROM 1955

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Isn’t this just to die for?  Of course, the little bolero jacket comes off to reveal a sleeveless gown with slim straps – that’s for after the ceremony when the party really starts!

The tulle, lace and embroidery plus the poufy skirt are so Fifties and wonderful as can be.  Don’t make ’em like this anymore . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM