SENSATIONAL SIXTIES SHEATH STYLE FROCK – TRUE VINTAGE FOR FALL
This pretty dress is in an unusual shade of blue that echoes the hue of yesterday’s shirt. A combo that I always love and don’t come across often enough – blue and brown. It was custom – made, with hand-done crewel embroidery on the front.
The easy sheath style is always perfect, and the short sleeves make it less summery. I love their fluttery cut and the brown lining peeking out. The main material is a sort of hop-sacking weave, which was very popular in the late ’60’s. Just the right weight for going into Fall.
Back metal zipper and fully lined in a lightweight cotton blend material. Flattering but simple. Madge fills it out beautifully, no?
Looks just right for a teacher, or, or, or . . . . . . . . .
I wonder who . . . . . . . . . . . …
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CLASSIC TRAVEL SOUVENIRS AT THEIR BEST!!!
These shirts are authentic from Hawaii when they were very well-made and always a vacation souvenir. The shirt on the left, especially, is from the 1940’s or ’50’s – made of cotton with a bark cloth print. It’s also got buttons made from, I think, coconut shell.
The shirt on the right is newer – 1950’s to ’70’s. It is also cotton and is from the shop at the Royal Hawaiian Hotel. That is (or was) a famous hotel on Waikiki Beach which had their own line of clothing with their label. The buttons are also distinctively theirs.
What’s so great about these shirts? The lovely cottons, the great prints and the “exotic” origin. I don’t have any of the fabulous rayon shirts from the ’40’s that were made there – maybe someday – noting better to wear during a tropical investigation on a hot summer night . . …
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THIS IS A REAL STRUT-YOUR-STUFF FROCK FROM THE FIFTIES . . .
Here’s a REAL favorite of mine – straight from the ’50’s and Miami, Florida, no less! I really feel an attitude when I put this on.
It’s a heavy cotton or cotton blend material. There is almost a brassiere sewn into the front of the bodice, so no need to fuss about the right undergarments.
On top of that, it even has sewn-in bloomers below! That must be because the front of the skirt has a wrap-around effect. Very interesting! That’s why Madge couldn’t model this one, either, and it will be a little full-figured for Stella, but we’ll try.
I wonder who made the garments for some of these small shops that had their own labels – did they have seamstresses or did they buy small lots from wholesalers?
Anybody know anything about this?
It’s another mystery that has been perplexing me for some time . .. . …
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