A SMALL TROVE OF ANTIQUE JEWELRY PIECES FROM THE FAMILY ESTATE

Sorry not to be able to edit this photo. I think you can see what I’ll describe, from the top down, left to right. At top, a couple of gold-tone collar bars. Maybe men’s, but not sure. These could be from any time up to the 1920’s – not sure. At the left is a chain to hold a watch or other chatelaine such as the powder compact shown yesterday. A couple pairs of earrings – one clip-on and one screw-back. Below that is a pair of cufflinks. They are so delicate that I can’t tell which gender wore them. Below that are a couple of pendants – a cameo and one containing a small chunk of coral. Last is a small slide set with tiny pearl decoration. It is meant to wear on a neck chain – there are two holes in it for the chain to go through and it slides up and down.

Jewelry like this was commonly worn during the Victorian and Edwardian eras, late 1800’s to early 1900’s. Sorry I don’t have a camera that can take clear photos of small items like this and that WordPress doesn’t offer a better photo editing tool. However, I’m very grateful for the resources that I have because they’re great! Stay tuned for more true vintage jewelry and accessories. . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE POST-WAR SWEATER-DRESS? YES, APPARENTLY SO . . . . . . . . . . . . . . . . . . . .

Who would have thought? Until the mother of a friend gave me a 2-piece sweater-dress that she had made for herself in 1952, I never would have guessed it. That dress was a day-dress, whereas this one is dressy. It may even be from the 1940’s. It is hand-knitted from some kind of heavy synthetic yarn, which would make sense for that time period.

Previously, I would never have expected to see something like this before the 1960’s. It just goes to show that there is always more to learn and that clues often come from unexpected sources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

OKAY, LET’S GO COMPLETELY DIFFERENT (AGAIN) FOR ANOTHER 1960’S WEDDING(?)

Now we’re Prairie – Victorian, or some combination of the 1800s. Empire waistlines were in style earlier in that century and high necklines with tight sleeves mostly in the 1890’s. The late 1960’s and early 1970’s fell in love with the 1800’s fashion. Think early Gunne Sax. This was especially true for white cotton lingerie undergarments, sleepwear and casual clothing but also spilled over into some day dresses and formals. In this case, a white structured gown was likely meant for a wedding or, at the least, some kind of formal occasion

This one is all 20th century fad fashion, with a zip up the back and polyester fabric. But, it was fun while the trend lasted. Not the best disguise, however, unless you’re in the theater . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TWO PRETTY GOWNS FROM THE KENNEDY ERA – AMERICA WAS DEEP INTO THE CAMELOT DREAM

These dresses are very similarly designed, from right around a couple of years either side of 1960. Although they both reflect the New Look changeover which had begun 10 years before, the most notable thing about the style on the left is the shoulder tails. These had been popular on dresses in the 1930’s and earlier, I believe, but made another appearance right around this time. That element changes this garment from a Prom dress into what I suspect was meant for a wedding. The sparkly sequined cummerbund cements the dressy deal.

On the right, our heroine is either a Bridesmaid, Matron of Honor or a bride herself for the second (or 3rd or 4th . . . . . . . . . . . . . .) time. This style has more of the 1940’s elements we’ve seen before, though I still believe that it is newer than that. The sleeves are a clue. However, it was custom-tailored so there is always the element of mystery involved. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

ANOTHER MYSTERY GOWN AND A NON-TRADITIONAL IDEA

Two fabulous clues that I was never able to fit exactly into place. It’s pretty clear that they both originated somewhere between 1946 and 1962. The investigations they might have clinched have long-since been solved or placed into the dead file. At any rate, it’s clear that, if not a wedding, some gala event and prominent characters were involved.

Before my time, but would make great bases for a story. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

BEAUTIFUL TRADITIONAL WEDDING GOWN FROM 1955

This gown deserves to be shown on its own. I know the history of it since it belonged to a family member. Imagine an 18 yr.-old girl with stars in her eyes on her special day. Look how sweet – with the cute little bolero jacket. The strappy gown on its own would be great for the Prom. And that tiara headdress . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

MID-CENTRY DRESSY DAY FROCKS COMMONLY SEEN IN ANY SUBURBAN WOMAN’S 1960 CLOSET

The thing that makes these dresses special is that they were SO iconic of that time. The whole U.S. nation and much of the world was enthralled by the Kennedys and women wanted to follow Jacqueline’s fashion style. Dresses like this, with elegant, body-skimming lines were a hallmark of her wardrobe as First Lady. Naturally, designers and manufacturers capitalized on this in the marketplace. It’s a phenomenon that has taken place during almost every presidency, but this one became legendary and we all know why . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

PRETTY MID-CENTURY AND ANTIQUE COSTUME JEWELRY

Since I’ve veered into the area of accessories a bit, I decided to open the jewelry archived evidence file. It’s a big one, as jewelry pieces are often found at investigation sites. That’s especially true when it comes to mid-century pieces, which were so popular during the 1950’s and 1960’s and considered an essential part of the wardrobe of any well-dressed woman of the time. However, items always appear from years before and after, since women have always loved jewelry and will never stop.

Here’s an assortment of bling that might have been seen on any given day in 1960. All are costume and most are unbranded. These everyday types of clues are not as likely to be the element which makes or breaks a case but agents know better than to leave any stone unturned, and you just never know . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

A DISTINCTIVE 1950’s WOOL COAT BY A FAVORITE MAKER – FASHIONBILT

Although, at first glance, this looks like another standard 1950’s winter coat it has several features which set it apart. The fur collar has been dyed in a distinctive pattern. The hip pockets are a very different style, though plenty deep for hands, etc. Also, the fabric, rather than being the usual flat weave, is a boucle’. That’s not frequent on these coats at all, in my experience.

So, the general rules don’t always apply, which makes the sleuthing fascinating. And, I love coming across a favorite brand from back in the day. Fashionbilt consistently made stylish coats for the middleclass market that always impressed me with their design and quality, so these exceptional details are no surprise.

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

LET’S GO UPTOWN AGAIN IN A BEAUTIFUL 1950’S CASHMERE(?) COAT WITH MINK COLLAR

Our investigator is a quick-change artiest, no? Never would she be suspected of having spent last evening in a dance hall, being thrown over the heads and through the legs of downtown boys and laughing all the way. Nope, this lady’s got a pedigree even though she’s not associated with any old family name.

The only identification remaining is a Union Garment Workers tag. But, we know that some powerful force (maybe old money?) was pulling the strings behind the factory that put her together. Not only is the style perfectly classic but the materials leave little question about their quality. Though not top-of-the-line, the wool shell, which feels for all the world like cashmere, is beautiful and soft. The perfect lining, which could be silk, is like a caress against the skin. Sturdy, stylish buttons and practical pockets make the tailoring elegant. The careful attachment of the fur collar, which can easily be removed and replaced whenever the coat is cleaned, shows that this is a high-quality design.

Therefore, our investigator can travel in the environs of high society. Later on, we’ll probably see disguises which would allow her to actually breach the gates of Fifth Avenue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM