A really pretty formal gown with a wasp waist, cummerbund effect, scooped neckline and short sleeves. I’d put it in the 1960’s, but could be slightly older or slightly newer. Very classic. I’d also guess that it was made for a Teen or young woman, but who knows. Bridal, Prom or other special event – there’s no other clue; just absolutely beautiful tailoring . . . . . . . . . . . . . . . . . . . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
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A bit of a confusing style – not sure where this frock landed back in the day. The little paper tag peeking out from the neckline in back tells us that it was an off-the-rack garment. Looks like a hybrid cocktail wedding dress. White, with glitzy beaded “cummerbund” effect around the front waist and a short formal length. The shoulder tails are a clue which points specifically to the late 1950’s – early 1960’s when these were having a come-back. Pretty on a wedding or party style but a bit awkward for dancing.
Whatever it was intended to be or ended up being, it’s gorgeous and sophisticated. I’m sure the lucky gal enjoyed it. More to come. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
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Such a pretty style and color! In a dark salmon pink, with the unusual sleeve design and waistline embroidered smocking. It’s not an in-your-face sexy style, or even close, but it has all the design hallmarks we’ve been seeing with regard to the fabric, fitted bodice, cinched waist, pouf skirt and tailoring detail. A bit high-waisted, as many of the dresses of the Forties and Fifties tended to be. Perhaps they fit most women’s bodies better at that time. I can never get over the generous hem allowances to die for.
This could have been a prom gown when they were still wearing below-the-knee styles. Maybe even a bridesmaid dress. It’s a real confection, like a strawberry or mid-century powder puff. Makes me think of another holiday that’s coming up soon. Stay tuned . . . . . . . . . . .. . . . . . . . . . . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
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This could also have been a bridal costume. I’ll be showing more of these in the near future. Here’s the sheer overdress again. The sheer bodice around neckline and shoulders was a common feature of dressier frocks in the 1940’s and early ’50’s, in my sleuthing experience. White dressy dresses were often seen, too, during the months after the Holidays when minds are in the midst of icy winter but thinking about Spring.
The sheer fabric overdress with embroidered design shows up again and again across decades. This frock has an attached crinoline to give the iconic pouf skirt profile. What more can I say – perfection. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
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Mid-century velveteen vs. Victorian silk and beads. I was thrilled and surprised to find each of these. Couldn’t be a bigger contrast in two dressy outer-garments!
The velveteen coat is both very simple and beautifully designed. I love the practical velveteen in an all-weather fabric plus the fabric-covered big buttons and foldover collar. The straight cut and roomy sleeves make it easy to wear no matter what your outfit might be underneath. It’s one of my very favorite coats.
Imagine my surprise when I encountered this antique evening cape in a jumble sale! Absolutely falling apart, but it was very pretty in it’s day. Silk exterior and lining with a beaded stand collar. Definitely worth collecting for the archives.
Both these wraps could have been perfect whenever sleuthing incognito at an evening event. Smashing but very inconspicuous on a dark and stormy night . . . . . . . . . . . . . . . . . . . . . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
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Pretty in pink for wartime Prom? Prom dresses I’ve found from that time were midi-length, so my guess is that this one was made for a different event. It’s a heavy synthetic material with 1940’s tailoring details: a peplum waistline with a point in the center front. It could almost be worn with either side in front if the fit allowed, but a back zipper makes it clear which side is supposed to be forward. The neckline was popular from 1940’s to 1950’s especially, but is very classic. Pretty clearly, this frock was custom-tailored.
It’s one of those garments that make you wonder what it’s story is. I’m sure there’s an interesting one!
MORGANA MARTIN, THE MAGICVINTAGESPY
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What beautiful fabric! It is substantial but soft and with tiny machine-embroidered diamond shapes all over, which was apparently a “thing” in some Forties material. This might have been a way of making up for the absence of natural fabrics like silk and many of the notions used to decorate clothing before and after WWII.
The style is very simple and I think, like the dress shown yesterday, that it was custom-made. The pattern wouldn’t have been difficult for a home-based seamstress. The neckline in back is a bit lower, but nothing dramatic. The most difficult aspect of the construction is the piecing below the waist and that’s still no big deal. What I like most about it is that it’s just very pretty and so festive and Christmas-y in that fantastic glossy red. I would have collected it for the yards of gorgeous fabric alone! More of that coming – stay tuned . . . . . . . . . . . . . . . . . . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
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What a wonderful find!! This gown was custom-made, possibly by a home-based seamstress, in this unusual style with 3/4 length sleeves. You can see the waist ties that would be fastened in back to nip the waistline. The bias cut glossy fabric, which gives a really slinky body-con fit is a hold-over from the 1930’s when it was very popular. I love the blue color which looks like a night-time sky and the peekaboo beading that resembles exploding stars. Very appropriate today, when the comet AiATLAS is closest to Earth.
This is another one-of-a-kind, never-to-be-seen-again frock. More to come – stay tuned . . . . . . . . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY.COM
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Cold shoulder tailoring and drapey, body con fit was a VERY Deco style. This is a custom-made gown from the mid-century. I can tell from the fabric that this gorgeous dark green velvet didn’t come from the 1930’s. Probably 1960’s or 1970’s – true vintage retro! It’s still a beautiful and unusual dress . . wonder if it was made for a special event, as a glam hostess dress or a costume for a theater production? I’ll wear it in a heartbeat.
Jewel colors are super for winter fashions, as well as black and white. I’ll show more of these in the next few posts as we come forward through the decades. Stay tuned . . . . . . . . . . . . . . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
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Here’s Stella in a beautiful wedding suit from the 1940’s. In fact, it was the outfit she was wearing when I discovered her. Although this ensemble might have been worn for another special event, I’m sure it was a wedding dress. It’s in a heavier-weight jacquard fabric with classic bridal tailoring details such as tiny covered buttons and points at the wrists – almost midieval. Again, I suspect that it was tailor-made. The peplum and shawl collar are very Forties, plus a rare coil zipper and unusual piecing of the skirt which causes the uneven hemline.
A fabulous and fun find! Stella’s been part of the team ever since. Stay tuned for her modeling more semi-formal and long dresses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
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