Pretty Early 1940’s Gown; so Unusual and PINK

Pretty in pink for wartime Prom? Prom dresses I’ve found from that time were midi-length, so my guess is that this one was made for a different event. It’s a heavy synthetic material with 1940’s tailoring details: a peplum waistline with a point in the center front. It could almost be worn with either side in front if the fit allowed, but a back zipper makes it clear which side is supposed to be forward. The neckline was popular from 1940’s to 1950’s especially, but is very classic. Pretty clearly, this frock was custom-tailored.

It’s one of those garments that make you wonder what it’s story is. I’m sure there’s an interesting one!

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Another 1940’s Gown, this time in Holiday Red

What beautiful fabric! It is substantial but soft and with tiny machine-embroidered diamond shapes all over, which was apparently a “thing” in some Forties material. This might have been a way of making up for the absence of natural fabrics like silk and many of the notions used to decorate clothing before and after WWII.

The style is very simple and I think, like the dress shown yesterday, that it was custom-made. The pattern wouldn’t have been difficult for a home-based seamstress. The neckline in back is a bit lower, but nothing dramatic. The most difficult aspect of the construction is the piecing below the waist and that’s still no big deal. What I like most about it is that it’s just very pretty and so festive and Christmas-y in that fantastic glossy red. I would have collected it for the yards of gorgeous fabric alone! More of that coming – stay tuned . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

True Vintage 1940’s Bias – Cut Gown with Beading Decoration

What a wonderful find!! This gown was custom-made, possibly by a home-based seamstress, in this unusual style with 3/4 length sleeves. You can see the waist ties that would be fastened in back to nip the waistline. The bias cut glossy fabric, which gives a really slinky body-con fit is a hold-over from the 1930’s when it was very popular. I love the blue color which looks like a night-time sky and the peekaboo beading that resembles exploding stars. Very appropriate today, when the comet AiATLAS is closest to Earth.

This is another one-of-a-kind, never-to-be-seen-again frock. More to come – stay tuned . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY.COM

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BACK TO LONG DRESSES FOR WINTER HOLIDAY PARTIES. LET’S START WITH A 1930’S RETRO FROCK.

Cold shoulder tailoring and drapey, body con fit was a VERY Deco style. This is a custom-made gown from the mid-century. I can tell from the fabric that this gorgeous dark green velvet didn’t come from the 1930’s. Probably 1960’s or 1970’s – true vintage retro! It’s still a beautiful and unusual dress . . wonder if it was made for a special event, as a glam hostess dress or a costume for a theater production? I’ll wear it in a heartbeat.

Jewel colors are super for winter fashions, as well as black and white. I’ll show more of these in the next few posts as we come forward through the decades. Stay tuned . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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1940’s POST-WAR 2-PIECE DRESSY WEDDING SUIT

Here’s Stella in a beautiful wedding suit from the 1940’s. In fact, it was the outfit she was wearing when I discovered her. Although this ensemble might have been worn for another special event, I’m sure it was a wedding dress. It’s in a heavier-weight jacquard fabric with classic bridal tailoring details such as tiny covered buttons and points at the wrists – almost midieval. Again, I suspect that it was tailor-made. The peplum and shawl collar are very Forties, plus a rare coil zipper and unusual piecing of the skirt which causes the uneven hemline.

A fabulous and fun find! Stella’s been part of the team ever since. Stay tuned for her modeling more semi-formal and long dresses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Angelic Pure White As Snow 1950’s Formal Frock

This formal gown looks as though it was styled for a young woman. No worries – there’s no stain here, just a shadow in the photo. Lacey bodice with fine netting straps and overskirt. Perfect for any holiday gala. As you’ll see with some dresses I’ll show soon, it could also have doubled as a Prom or wedding gown. I’ve settled operations at another safe location, so stay tuned . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Sweet 1960’s Formal Frock – White for Winter

In striking black and white, this dress is in a Junior size styled for teenage girls and young women back in the day. Quite modest but sophisticated in textured jacquard fabric with a floor-length empire sash. Formal dresses in the dead of winter often seem to stick mostly with the “Winter” color family of black, white and jewel tones with some metallic thrown in but there’s lots of variety. Stay tuned . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Festive 1960’s Sweet Sixteen Formal Dress for the Holidays

Another “love that red” frock. I believe that his formal dress was made for a teenager in the 1960’s, when “Sweet Sixteen” celebrations were still a popular family event. Just my fantasy story – who knows. It’s a youthful but sophisticated style in a tiny size that would have been appropriate when age 16 was considered to be the boundary between childhood and young adulthood. Something Barbie dolls would have worn back in the day.

Velveteen bodice with beading trim, a wasp waistline and a fitted jacquard weave straight skirt. It goes from formal parties for the Christmas season through to Valentines Day. Modest scooped neckline front and back. So very early Sixties and more to come. Stay tuned . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

True Vintage Formal for Holiday Season Gala Nights

Right about now, usually after the U.S. Thanksgiving holiday, the build-up-to-Christmas galas and formal parties seem to begin and gather momentum. This is, to my mind, the beginning of a formalwear season in the northern countries that lasts through St. Valentine’s Day and picks up speed heading into Prom, with a bump of semi-formal events around Easter and ends, more or less, with bridal events in June. I guess this is the way that humanity has amused itself during the colder months when daily outdoor activities are not generally practical.

The above frock is a beautiful example of many I have seen by Alyce Designs. Most are highly embellished, like this one. Although they are more “modern true vintage” (1970’s – 1990’s), they do have excellent tailoring unlike many garments made since the 1960’s. I believe that the company may still be making dresses, but of course I am not interested now. However, this one is old enough and well enough done that it deserves a showing. I do love the beading on sheer fabric and the nod to 1920’s style.

So, we’ll be heading into a stream of transmissions which will include clues related to semi-formal and formal events. But, evidence from new investigations comes up at random times so stay tuned . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

TRUE VINTAGE OUTERWEAR? FUR REAL OR FAUX? WE HAVE TO THINK ABOUT IT . . . . . . . . .

Last night I was out and about to a theater production and couldn’t reasonably drive a two block distance. Walking was the only choice, which I love, but IT WAS SO COLD!!! My warmest outerwear option, which kept me toasty and comfy, was my post-war beaver jacket from Canada. 75 years old and it’s still snuggly and beautiful. I grieve for the precious animals who (yes, WHO) were sacrificed for vanity and retail profit back in the day and will NEVER buy modern fur products. I advocate for animal rights but also celebrate those lives and gifts by preserving and enjoying elegant fashions from the past for as long as they will last.

I own many gorgeous fur and faux fur pieces made decades ago, before protective legislation and individual conscience stopped some of the fur trade and promoted humane practices. Above is one example, on the left, of an older fur jacket dyed to mimic mink. I cannot identify the fur – could be muskrat. Before the end of WWII, furs considered to be less fine were often processed this way. Other examples, such as the one on the right, are fakes – popular in the 1950’s and beyond. Some have been very convincing even since the 1950’s. Many of those made today look and even feel very authentic. The look is fun and elegant, in a vintage way, plus, as I proved last night, very practical.

Faux fur and secondhand true vintage furs are the best, the ONLY humane and progressive choice. I prefer those from the 1960’s and before. The remaining fur trade is still a blot on humanity, so we must be vigilant in our boycotting of this active market but I don’t see the enjoyment of historical fashions as being hypocritical. I will continue to show you how much I love them. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM