OOPSIE DAISY, BACK IN THE 1940’S WITH A BLACK CREPE COCKTAIL FROCK

For cocktails and/or dinner, a dressy but elegantly designed garment. Either pre- or post-WWII (probably Post-) a simple rayon crepe sheath with a midi hemline. Notice the beautiful drape of this fabric. Modest but semi-flashy rhinestone decoration and an eye-catching deep keyhole neckline, saying “YES! The war is over and we can party in beautiful dresses again!”

This one came from Australia so may even have been made in Britain, as much of their clothing was before the 1970’s or so. The arrival of fast fashion put an end to many quality brands and their exports as well as iconic department stores and ladies’ clothing shops which used to sell them. Today we can have boatloads of cute crappy stuff instead of a selection of well-made and lovely garments and accessories. Progress? Ha! Don’t believe it. I’m old enough to remember my grandmother’s good stuff and trips to the city with my mom for Christmas shopping. Stay tuned for more . . . . . . . . . . . . . . . . . . . . .

Cute LBD with Iconic Mid-century Tailoring Detail

I admit, this dress is no star with regard to overall quality. Very middle-of-the-road in that department, but I couldn’t help being struck by the embroidered sheer mesh bodice. This is a detail that I have seen in 1940’s and early 1950’s frocks; usually not since then. The gold thread gives it a holiday feel which makes styles like this appropriate for Christmas events. The fabric leads me to decide that this garment was made in the 1960’s at the earliest – possibly as late as the 1990’s.

I have to give the designer congrats for using this tailoring again. It’s so attractive and feminine, allowing for an interesting neckline without gapping, buckling or too much de’collete’ to allow it to be truly elegant. This frock drapes well and fits beautifully in the bodice. The only improvements I would point out might be a full lining, which would support the lines better without fullness. That would make it a very sophisticated cocktail dress. .

Of course, this one might have been a late 1970’s disco design in which case you wouldn’t want to add any bulk to the skirt or a potentially sweaty lining, for that matter. In any case, it’s cute and can stand proud exactly as it is. Stay tuned for more cocktail frocks, each with it’s own personal character . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Fun and Unusual 1960’s – 1970’s Mod-ish Cocktail LBD with Maribou

Another one-of-a-kind mid-century cocktail frock. De rigeuer black crepe-ish fabric with a full lining. Unusual 3/4 kimono-ish sleeves with maribou trim. Elegant and easy body-skimming style. Made by a company called Dresstown which seems to have straddled the U.S./Canada border about 50 years ago. Not high-end, but distinguished. Again, never will find another like it . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Beautiful 1950’s Early 1960’s 100% Silk LBD Cocktail Dress

This frock is REALLY a beauty! Made by a higher-end label back in the day, the style is so ingenious and flattering. I love the ruching that makes it so unique. Again, you have to have a special figure to do it real justice but Stella never lets me down in that regard.

As I said, it’s made of 100% heavy silk that needs no lining. This is an LBD that is one-of-a-kind; Never will find another like it!

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Post-war 1940’s Early 1950’s Strapless Wiggle Cocktail Dress

This one was from Chicago, as the label tells me. It’s not officially an LBD because it is actually dark mid-night navy blue in a smooth, lighter weight fabric to get that sleek silhouette. In spite of the little flesh-color straps, which might have been mostly for hanging purposes, you’ve got to have the right figure to pull this off correctly. Marilyn Monroe did it wonderfully well.

This was a one-of-a-kind find originally sold by a higher-end store in the Windy City. Would love to know who, where, when and how it was worn but, sadly, there were no additional clues. Who cares – she speaks for herself. Stay tuned for more . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

JUST OPENED ANOTHER ARCHIVE OF TRUE VINTAGE LBDs

Let’s start with a velveteen pencil dress and coordinating handbag from the 1940’s. True Forties styling with the pencil cut and skinny sleeves with zippers at the wrists. The dress zips down the back rather than at the side, which began to be seen in the Forties. This dress was probably purchased at retail unless made by an expert tailor. It’s stylish and sophisticated but is frugal with the use of fabric so probably made during wartime.

Other than the wrist zippers, which are almost a necessity with these kinds of sleeves, and the piping finish on sleeves, neckline and waist there are no other embellishments. Piping done this well is not an easy task. In fact, the piping may have saved fabric that otherwise would have been used in hems or facing. Many purses, like the one above, were made of fabric during WWII instead of leather. 1940’s clothing and accessories, especially women’s designs, were very creative. Women and clothing companies came up with lovely fashions while coping with rationing and a limited economy. While not formal, a garment like this would have been appropriate for any dressy event from dinner to cocktails.

Stay tuned for more frocks in this category, from the mid-century . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

Blog: MAGICVINTAGESPY.COM

Home-Sewn 1940’s Wartime Party Dress

A simple frock, probably made while times were lean and rationing had been imposed on the markets. The fabric is heavy – almost like taffeta but not that real deal. Probably some kind of rayon or acetate. The little splurge is the velveteen neckline, but during WWII any dress like this for an average gal was probably a splurge.

Even on a garment this modest, I love to discover the tailoring features that make it unique. In addition to the neckline trim, notice the little fold-overs that accent the shoulders. Shaping makes the bodice and waist trim and produces the full circle skirt. A deep hem allowance is also a luxury on a dress like this since it adds the option of adding length, adds a little weight to help the skirt sway and just makes the dress look like a more expensive garment.

I think it was made for a teen or a very tiny woman, but who knows the real story. Might even have been a Prom dress – good style for Swing dancing ad Jitterbug. What a fun find! Stay tuned for more knee length and midi cocktail frocks as well as full length gowns . . .. . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

1940’s POST-WAR 2-PIECE DRESSY WEDDING SUIT

Here’s Stella in a beautiful wedding suit from the 1940’s. In fact, it was the outfit she was wearing when I discovered her. Although this ensemble might have been worn for another special event, I’m sure it was a wedding dress. It’s in a heavier-weight jacquard fabric with classic bridal tailoring details such as tiny covered buttons and points at the wrists – almost midieval. Again, I suspect that it was tailor-made. The peplum and shawl collar are very Forties, plus a rare coil zipper and unusual piecing of the skirt which causes the uneven hemline.

A fabulous and fun find! Stella’s been part of the team ever since. Stay tuned for her modeling more semi-formal and long dresses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

1940’S – ’50’S SEMI-FORMAL FROCK WHICH COULD ALSO HAVE BEEN FOR A BRIDE

Such an interesting frock. Midi length on Stella, but she’s tall so it could have been tea or floor length on a woman of short stature. I couldn’t decide whether this dress was tailor-made or purchased at retail, but I could find no labels. I suspect that it was custom-made for a cool-weather wedding and the style really makes me think of some Wartime or Post-war bridal dresses I’ve discovered. Could also have been designed for some other special event . . . . .

Pretty mid-weight textured but glossy fabric which may be synthetic or a blend. Unusual long sleeves; but the best thing about this style is the collar. Each layer is carefully supported around the edge with wire so that it can be shaped by hand. I’ve very rarely seen this and it helped me to date the garment. It came from Australia so I may notice a British influence(?).

More semi-formal and long dresses coming. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Angelic Pure White As Snow 1950’s Formal Frock

This formal gown looks as though it was styled for a young woman. No worries – there’s no stain here, just a shadow in the photo. Lacey bodice with fine netting straps and overskirt. Perfect for any holiday gala. As you’ll see with some dresses I’ll show soon, it could also have doubled as a Prom or wedding gown. I’ve settled operations at another safe location, so stay tuned . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM