Another 1940’s Gown, this time in Holiday Red

What beautiful fabric! It is substantial but soft and with tiny machine-embroidered diamond shapes all over, which was apparently a “thing” in some Forties material. This might have been a way of making up for the absence of natural fabrics like silk and many of the notions used to decorate clothing before and after WWII.

The style is very simple and I think, like the dress shown yesterday, that it was custom-made. The pattern wouldn’t have been difficult for a home-based seamstress. The neckline in back is a bit lower, but nothing dramatic. The most difficult aspect of the construction is the piecing below the waist and that’s still no big deal. What I like most about it is that it’s just very pretty and so festive and Christmas-y in that fantastic glossy red. I would have collected it for the yards of gorgeous fabric alone! More of that coming – stay tuned . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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Home-Sewn 1940’s Wartime Party Dress

A simple frock, probably made while times were lean and rationing had been imposed on the markets. The fabric is heavy – almost like taffeta but not that real deal. Probably some kind of rayon or acetate. The little splurge is the velveteen neckline, but during WWII any dress like this for an average gal was probably a splurge.

Even on a garment this modest, I love to discover the tailoring features that make it unique. In addition to the neckline trim, notice the little fold-overs that accent the shoulders. Shaping makes the bodice and waist trim and produces the full circle skirt. A deep hem allowance is also a luxury on a dress like this since it adds the option of adding length, adds a little weight to help the skirt sway and just makes the dress look like a more expensive garment.

I think it was made for a teen or a very tiny woman, but who knows the real story. Might even have been a Prom dress – good style for Swing dancing ad Jitterbug. What a fun find! Stay tuned for more knee length and midi cocktail frocks as well as full length gowns . . .. . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

1940’S – ’50’S SEMI-FORMAL FROCK WHICH COULD ALSO HAVE BEEN FOR A BRIDE

Such an interesting frock. Midi length on Stella, but she’s tall so it could have been tea or floor length on a woman of short stature. I couldn’t decide whether this dress was tailor-made or purchased at retail, but I could find no labels. I suspect that it was custom-made for a cool-weather wedding and the style really makes me think of some Wartime or Post-war bridal dresses I’ve discovered. Could also have been designed for some other special event . . . . .

Pretty mid-weight textured but glossy fabric which may be synthetic or a blend. Unusual long sleeves; but the best thing about this style is the collar. Each layer is carefully supported around the edge with wire so that it can be shaped by hand. I’ve very rarely seen this and it helped me to date the garment. It came from Australia so I may notice a British influence(?).

More semi-formal and long dresses coming. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

True Vintage Hats: Another Stand-out Accessory That Belongs in Every True Vintage Wardrobe

In my book, the 1940’s through the 1960’s was the best era for ladies’ hats in the U.S. unless you’re into antiquities. Yes, every decade has had some great ones but most beautiful hats that are truly wearable come from the Mid-century. Here are some iconic examples from each of those decades: a Forties picture hat, Fifties toque & pillbox with veil and Sixties pastel cellophane/raffia hats.

Mainstream women from all three of these decades wore hats frequently, if not daily. (Classic films and old magazines are good documentation of this.) So, obviously, they were sold in every store which carried ladies’ fashions and most were affordable. Easy to wear, flattering and very collectable, so go for it. . . . . . and stay tuned . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

FABULOUS SHOES FROM THE 1970’S

From the Seventies does Forties period, early in that decade, these beautiful leather shoes were made in South Africa. Couldn’t believe my eyes when I spied them. In wonderful condition, even though they were more than 30 years old at the time. I adore peep-toe pumps and virtually anything 1940’s, so this was a no-brainer. Also, investigating the clue was fascinating.

Made for Kinney in South Africa? Wow. Who knew? Of course, things made and sold in any of the countries which were part of the British colonies found their way all around the world, so could end up anywhere. I took them to a shoe repair to have one little piece of elastic on the straps replaced. The owner was a man from Europe who had made shoes there before emigrating. He corroborated my conclusion that these pumps had been very well-made.

Unfortunately, they were about 1/2 – 1 size too big for me and in an open style like this, that’s too much. The fit will be wonky and they’ll be unstable on your feet with not much you can do about it. So, a lucky gal in Australia profited from my discovery. Who knows what streets they’re walking now? I’m going to be on a shoe streak for a little while so stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

BACK TO THE FORTIES WITH A RAYON DAY-DRESS

Don’t you love the color combo? And, of course, that wonderful 1940’s rayon fabric that is soooo comfortable. Simple design, but it’s far from a house dress. It would have gone from city shopping to business meeting. Alas, was too big for me and I sold it some time ago, but I always keep the files . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Here’s Another 1940’s Frock, in a Dressier Mood

In a more substantial rayon, this dress would have taken Stella to an important luncheon, dinner date, Club meeting or business appointment. For any event calling for a sophisticated and dignified appearance this garment would have been appropriate. The high neckline, 3/4 sleeves and rhinestone buttons support this demure and elegant presence and the peplum waist keeps it from being too boring. Not exactly my style (a bit too demure) but such a beautiful example of 1940’s couture. I’m on the fence about passing it on.

Stuck in the 1940’s – stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

IT’S A BIG FILE! LET’S KEEP LOOKING AT LATE 1930’S – EARLY 1950’S

Here’s a beautiful gown from 1942 which I discovered via clandestine information filtered through the espionage grapevine. It was a surprise and fabulous find and so wonderful to get first-hand intelligence about the history! This was originally a department store purchase imported from Europe. What a gorgeous veil, with excellent disguise potential . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

ANOTHER RARE FIND: 1940’S RAYON TEA DRESS FROM HAWAII

The Malihini company which made this garment may have been Japanese-owned. At that time, of course, Hawaii was not a part of the United States. The style is, therefore, traditional Japanese Tea Ceremony garb rather than the Hawaiian style that we began to see become very popular in the 1950’s. The rayon fabric is absolutely wonderful – you’d have to feel it to know. Rayons of that time often felt like silk.

This dress is even too tiny for Stella to get into. A very rare clue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

MORE 1940’S HANDBAGS TO GO. MM, TOWN & COUNTRY, DOVER. BRANDS LADIES USED TO LOVE.

The use of fabric, reptile skin and vinyl saved resources which were needed in the wartime 1940’s to make uniforms and supplies. These three purses were by well-known makers which maximized style and craftsmanship as much as possible during the time of rationing. Touches like the little attached coin purse and the fashionable designs helped women to put aside, for a while, the worries and deprivations that this time in history brought. Fashion has always served this purpose for us.

More to come. I’ve just vetted a box of beautiful evening bags. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM