What a surprise! I wasn’t expecting this one, but that’s how it goes for the magicvintagespy. Beautiful, heavy ivory satin fabric, with covered-button and loop front closure, fitted waist and full skirt. Custom-tailoring with hand-finishing on the seams as well as the bead decoration around the wide collar. Vintage metal side zipper.
Though I see many gorgeous wedding gowns in my sleuthing investigations, it’s rare that I will pick one up. In this case, the pristine condition (just a little soil around the hem) and the period-perfect styling made my decision. It will fit in well with my half-dozen other elegant bridal gowns dating from the 1930’s to the Kennedy era early 1960’s.
Can’t wait to see it on Stella (my 1950’s mannequin, for those who are not regular followers). What next – can hardly wait . . . . . . . . . . . . . . . . . . . . . . . .
Rare and unusual short-sleeved jacket with many of the best features of the wartime / post-war originals. I have several of the real Forties examples in my collection for comparison. Look at the detail photo for a better view of the covered buttons, sleeve pleats and crepe-style fabric.
Love the fitted cut, all the tailoring detail and smooth lines. Made before quality really hit bottom, it’s an honest and true attempt to simulate the real deal.
These jackets look wonderful over pencil skirts, cigarette or wide-leg pants and skinny sheath dresses. A super find!
Made in Great Britain and definitely a genre of it’s own. For the women who love them, it would be a great find. Not my own personal style, but worth picking up when in such good condition.
If it fits, I might do some restyling or use the nice fabric for something else. There’s ample yardage here to accomplish a variety of alternate things. Could be visualized as a nice 1940’s – style skirt and blouse combo, or a swing dress. Endless possibilities. You just never know . . . . . . . . . . .
Long, sweeping gown in a beautiful, heavy cotton(?) – the photo on left shows the cut while the photo on right gives the true color and close-up of the interesting print. This dress has many construction contradictions; some point to 1940’s and some to 1960’s. Undoubtedly, it was custom-tailored.
Maybe our mid-century tailor was very experienced and knew how to use various methods to achieve exactly the slinky, hourglass fit she wanted. The bell sleeves and commercial braid trim say 1960’s but the mid-back zipper placement, dip in the front waistline and fabulous art print fabric say 1940’s. Looks like a film noir hostess gown. I love a mystery!
Anyway, it’s an absolute beauty and fits me like a glove. Dresses with the zipper placed mid-back are always a trick to get into and out of – pays to understand the method. However, when the fit is right and the construction good, it’s a snap. Tomorrow I’ll show you a cute shift with a clear Sixties pedigree. Stay tuned . . . . . . . . . . . . . . . .
No, it’s not a dress for Siamese elephants – this is a first-ever-seen hostess/cocktail one-piece “thing” with embroidered and sequined mesh over lined satin pants and bodice. Not exactly a jumpsuit, though it has those elements. I’m going to say early 1960’s, but it could be earlier.
This is a well-tailored garment with long panels front and back which are completely open at the sides. The upper part of the bodice is lined with flesh-tone mesh, also. Extremely well-made, with two labels – the brand and the store which sold it.
To be worn with a pair of black sandals or mules and, of course, diamonds . . . . . . . . . . . . .