A CUTE LITTLE ’70’S NUMBER – ONE THAT’S ALMOST TOO SWEET

Traditional, classic lines keep coming back, decade after decade.

Morgana Martin, the magicvintagespy's avatarMagicvintagespy

A CUTE LITTLE '70'S NUMBER - ANOTHER ONE THAT'S ALMOST TOO SWEET

I guess it’s just the high neckline. Lots of dresses from the early ’70’s (except the hippy/prairie/boho styles that were popular then) have a very innocent, girlish look about them. Have you seen the Prom dresses from that time? Watch the movie Footloose.

This one is unremarkable in its tailoring, but it was just that ’70’s cache’ that made me bring it home. I must admit, it is a very classic style and can be done beautifully if it’s with quality materials and exceptional workmanship. But this one just takes us on a daydream journey back 40 years.

It’s fun to watch old movies from that time (or That ’70s Show, I guess), just to see how awful some of the clothing was. Uh, oh – I’m going to get myself into some big trouble here.

But seriously, the dance scene from Footloose is a good tutorial on ’70’s Prom dresses…

View original post 75 more words

A LATE 1970’S POLY-KNIT GOWN AND JACKET ENSEMBLE FROM A MIAMI SPECIALTY BOUTIQUE

A LATE 1970'S POLY-KNIT GOWN AND JACKET ENSEMBLE FROM A MIAMI SPECIALTY BOUTIQUE.

A LATE 1970’S POLY-KNIT GOWN AND JACKET ENSEMBLE FROM A MIAMI SPECIALTY BOUTIQUE

It’s still cool enough to enjoy wearing this glitzy true vintage ensemble.

Morgana Martin, the magicvintagespy's avatarMagicvintagespy

A LATE 1970'S POLY-KNIT GOWN AND JACKET ENSEMBLE FROM A MIAMI SPECIALTY BOUTIQUE

Disco Days again! This silver-sparkly knit dress and jacket are for dancing the night away.

The dress is bare shoulders with rhinestone-studded straps and trim, back zip and a side slit for doing the boogie. The jacket has rhinestone-studded buttons. I have some silver and black platform sandals from the same era that go perfectly!.

This is another of those specialty outfits from a small shop in South Beach Miami, Florida. It has the hallmarks of the late ’70’s – mostly in the fabric and some of the construction details.

Not a high-end garment this time in terms of its quality, but I’ll bet it was expensive because of where it was sold – even back then. Fortunately, all the rhinestones in the buttons and trimming are in place so we can’t fault the value of those items – they didn’t tend to fall apart.

I’m always pleasantly surprised to…

View original post 68 more words

A TRUE VINTAGE KNITTED SWEATER CAPE BY BANFF, FROM THE 1960’S OR EARLY ’70’S

A TRUE VINTAGE KNITTED SWEATER CAPE BY BANFF, FROM THE 1960'S OR EARLY '70'S.

TRUE VINTAGE BOLEROS, CAPES, SHRUGS AND SHAWLS FROM McCALL’S

TRUE VINTAGE BOLEROS, CAPES, SHRUGS AND SHAWLS FROM McCALL'S.

CAN YOU BELIEVE IT?! 1950’S NEEDLE-WORK PATTERNS THAT FOLLOWED RUNWAY FASHION IN EUROPE . . .

CAN YOU BELIEVE IT?! 1950'S NEEDLE-WORK PATTERNS THAT FOLLOWED RUNWAY FASHION IN EUROPE . . ..

CAN YOU BELIEVE IT?! 1950’S NEEDLE-WORK PATTERNS THAT FOLLOWED RUNWAY FASHION IN EUROPE . . .

IMG_1478McCall’s magazine  was a real stand-by for our thrifty and talented Grandmas who wanted to keep up with the latest fashion trends.  They could knit and crochet wardrobes that kept them feeling stylish at a fraction of retail costs, and have a lot of fun doing it!

From what I’ve seen online, the well-known pattern makers for seamstresses like Butterick and Simplicity did the same and were even more popular.  Practically every home had a sewing machine, but some women probably still had the skills to do everything by hand if necessary.

Although it was a lot of work and must have felt like another chore in times of necessity like the Depression, it also gave women a lot of creative freedom.  When they had the time and the funds to  be choosy about fabrics and to adapt their own touches to a pattern or add decorations, knowing how to do this and having the support of companies that sold the things that they needed was a real relief from economic and social limitations that may have faced them every day.

Today, people find that creative freedom by doing things online and go to Walmart to ease their financial hardships during tough times, but it’s not the same.  Somehow, the old way seems more attractive in some ways.  Your thoughts?

By the way, I’ve got several fabulous “new” discoveries and am preparing them to show you . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

BOOK:  HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM

A TRUE VINTAGE HAND-KNITTED WARDROBE FOR YOUR NEXT SEA CRUISE?

A TRUE VINTAGE HAND-KNITTED WARDROBE FOR YOUR NEXT SEA CRUISE?.

A TRUE VINTAGE HAND-KNITTED WARDROBE FOR YOUR NEXT SEA CRUISE?

IMG_1476 IMG_1477     Can you imagine making your own travel wardrobe for that ocean voyage overseas?  Well, that’s what some ladies were doing in the early 1960’s!

Springtime, beginning in February, was traditionally the season for international travel – after the Christmas season was all tied up, and before Easter.  Although some North Americans jetted off for ski or beach vacations, the true “Jet-Set” or those planning a once-in-a-lifetime trip headed for Paris & London, East Asia, South America or the Caribbean.

Our grandmothers thought that an ocean cruise was one of the most glamorous ways to travel – and it was, then.  What more elegant attire than a wardrobe of custom-made clothing.  If you weren’t in a position to visit a couturier and had good do-it-yourself skills, a McCall’s Magazine needlework pattern would have been just the thing!

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG:  MAGICVINTAGESPY.COM

BOOK:  HOW TO FIND THE BEST IN VINTAGE FASHION – AVAILABLE ON AMAZON.COM

PRETTY 1960’S SPRING INTO SUMMER DRESS ENSEMBLES OUR GRANDMOTHERS KNIT AT HOME

PRETTY 1960'S SPRING INTO SUMMER DRESS ENSEMBLES OUR GRANDMOTHERS KNIT AT HOME.