A “NEWER” VERSION OF THE CLASSIC CAMEL COAT FROM 1972

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Isn’t she a beauty? Purchased at Saks Fifth Avenue in Chicago. The label says that the camel hair is also blended with cashmere. Classic is always classic and this trench coat styling is always “new”, especially in a very well-made garment. Makes me feel just like Ingrid Bergman in Casa Blanca.

However, wonderful as this coat is I’ll have to show you a real 1940’s version, truly worthy of Ingrid’s character Ilsa and, of course, any Agent such as Moi . . . . . . . . . . . . . . . . . . . . . . . . . . Stay tuned . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

A Pretty 1960’s – ’70’s Party Dress by Miss Elliette of California

I pulled this little beauty out of the archives to decide whether she gets a permanent place in the closet or the chopping block . . . . . . . . . . . ..

The 1970’s was not a banner decade for high quality fashion, in my opinion, but this is a lovely example of the mid-priced garments available then so worth collecting. It’s nicely designed and tailored with gathers at the neckline, knife pleating and piping finish at the neck and wrists; a flattering style with well-done tailoring details and features that were popular in some of the better dresses. Of course, a full matching lining in the body is essential.

Alas, it’s not a perfect fit nor the best color for me so it’s off to eBay. Sometimes, spycraft must be ruthless. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

A Retro 1930’s Frock that I couldn’t pass up . . . . .

When I spied this dress I was immediately aware of the loyalty to 1930’s style in the fabric and design. Though it’s not true vintage, it was worth collecting. Love the sheer material, the drape and hemline. And, IT FITS ME! Will be seen on the street next summer. The purge does continue. Stay tuned . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Another 1940’s Frock – for an Evening of Cocktails and Dancing

With ruched sleeves and velvet ribbon decoration on black taffeta, the label tells me that it was sold from a ladies-wear shop in Texas, where it was discovered. A pretty dress with lots of room to move, from a time when dressing up for cocktails and dancing to live music was probably more popular than it is today. Everyone was exuberant over the end of the WWII rationing that, for one thing, had made extravagant clothing unavailable. We apparently owe the title of “Cocktail Dress” for early-evening semi-formal frocks to Christian Dior, beginning in the post-war 1940’s when hemlines went down again and showy tailoring details came back.

I’ll need to check on how it fits me to decide it’s fate. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

Here’s Another 1940’s Frock, in a Dressier Mood

In a more substantial rayon, this dress would have taken Stella to an important luncheon, dinner date, Club meeting or business appointment. For any event calling for a sophisticated and dignified appearance this garment would have been appropriate. The high neckline, 3/4 sleeves and rhinestone buttons support this demure and elegant presence and the peplum waist keeps it from being too boring. Not exactly my style (a bit too demure) but such a beautiful example of 1940’s couture. I’m on the fence about passing it on.

Stuck in the 1940’s – stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

A Wonderful 1940’s Day Dress in Cold Rayon

One of my most cherished dresses, probably from the post-war period but, possibly, from before the war ramped up in the early 1940’s. My favorite thing regarding this frock is the fabric print with the neckline detail a close second. Very artistic. The cold rayon of that era was so fabulous in it’s soft hand and exquisite drape – such a beautiful fit and supremely comfortable.

It’s always impossible for me not to go into a bliss state when I examine a beautiful garment like this; So much history and outstanding tailoring. There will be more – stay tuned . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

BEAUTIFUL 100% SILK TAILORED WASP WAIST GOWN

Of course, I couldn’t pass up this Asian(?) beauty when I discovered it although I don’t know it’s history. There’s no label and it looks unworn so Where and When did it originate? The zipper gives me my best clue – it’s a Talon, in the style of the 1960’s and 1970’s – but not a definite answer, since this frock was hand-tailored.

The fabric, also, is a clue – pure silk with gold embellishments – which brings to mind others I have seen in garments made by Asian and Middle Eastern tailors; sometimes overseas and sometimes in North America. I love a mystery, but let’s get down to the real brass tacks. What makes this dress so exceptional and worthy of being categorized as True Vintage?

  1. Professional hand-tailoring which includes traditional features such as strap holders for undergarments sewn into the shoulders, other hand-finishing details and a full lining.
  2. True vintage styling most popular in previous decades i.e. wasp waist, ruching and midi length.
  3. The vintage Talon zipper. True, the maker may have saved this from previous times but still noteworthy.

So, there you have the initial conclusions of the investigation. Further clues may be uncovered in the future but this is enough to justify the acquisition. It’s a gorgeous example of tailoring history and garment design. However, the purge continues and it’s not a perfect fit for Moi, so off to the public auction house it has gone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

BEAUTIFUL TRUE VINTAGE 1940’S LADIES’ JACKET – PERFECT CONDITION!

Look at all these wonderful design and tailoring details. It even has both the maker’s label and the National Recovery Board label inside. And, WOW, I didn’t find a single piece of wear evidence – somebody loved this jacket, cared for it scrupulously, wore it gently and guarded it fiercely!

Obviously, it’s too big for both Stella and Moi, so it’s gone onto eBay. Another casualty of the archive purge and more continue, so stay tuned . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

1950’S POUF SKIRT WASP WAIST FORMAL FROCK

As you know, I’ve been on holiday from the sleuthing trade since late October but had several finds right before that time and also something recent. So, I’m ready to catch you up while I have a bit of time at Headquarters.

A tiny, tiny, tiny dress and SO Fifties! This was a size 5, maybe in ’55. Now a size 00 or smaller. Perfect condition. This was a really exciting discovery, as these frocks have become more and more scarce. Sadly, there is no label inside excepting the all-important Garment Workers tag. It’s always so much fun, and useful data, to have a maker’s label to research or use to tell more of the story. Labels are always a first-line clue.

Fortunately for the investigation, another gown was hiding in the same spot! Did they belong to the same suspect even though they are quite different? Rare clues sometimes travel together. Stay tuned . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

RECENT 1960 FINDS: TWO VERY DIFFERENT EVENING LOOKS . . . . . . . . . . . . . .

First, a home-tailored dressy frock. It’s sweet as can be in a common design from 1960 + or – 2 or 3 years. But, IN YOUR FACE RED! The fabric is a medium-heavy jacquard weave. The style is modest but form-fitting and fits me like a glove. The original pattern would have been about a size 12 but now is a modern 4. You can see why I miss my mannequins – it would look stunning on statuesque vintage size 10 Stella (a modern 2) and movie starlet perfect on size 4 Giselle.

What makes it extra special? It’s in perfect condition and very well-made by someone with experience. Has a big hem allowance which is finished off with matching hem tape. The fitting darts are well-done and the decorative bow under the bustline is well-constructed and properly attached. The thing I like most, though, is that there are gussets in the armholes! That is an older tailoring technique frequently used in the 1950’s and before that gives the underarm area a little extra ease and avoids some of the wear and tear that is often seen where the underarm seams meet on a dress or blouse. However, gussets do have some corners and have to be properly done to avoid the same problems with the seams. Anyway, I just love finding these specialty features that tell a lot about the tailor and help to date garments. This one was perfect for dinner, dancing or any special date.

My next find is a lingerie dressing gown of roughly the same age – maybe a tad newer. The label is difficult to read after many washings but says Queentex, a brand which I have never seen before and may have been specific to Canada, where I happen to be sleuthing now. What’s not to love about it? A two-layer construction, with opaque material covered by a sheer, lightweight over-dress. Fabric is a substantial, glossy nylon typical of better lingerie pieces of that time. The condition is almost perfect. It’s a lovely aqua blue color with darker blue embroidery on the front bodice. The neckline closes with a fabric loop and little pearlized button. Ruffles around the collar and the bottom of the over-dress I can do without, but that’s just me. The design does call for some extra attention in those locations. This garment was perfect for before-bedtime relaxing when she’s out of her frou-frou outfit and make-up. Could have been worn by the same gal size-wise. You just never know . . . . . . . . . . . . . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM