Both these dresses need a professional pressing before they go to the dance but, so what?!  Such iconic styles!!!!!  Read on . . . . . . . . . . . . .

#1 is of taffeta with a gored skirt and velveteen insert at the v-neckline,  That was  put in for modesty, because without it  the dress has a decolletage and would sit wide on the shoulders.  A very sexy style, and I’m convinced that the sewing pattern or the dress as originally made had the sexy neckline.

Of course, it’s got a tiny waist and the skirt is a fabulous style for dancing (or just walking in!) because of how it flips and moves.  The most interesting and telling thing is the zipper in back.  It’s about a foot long and sits in the middle of the back, with no connection at the neckline.  Therefore, you REALLY have to wiggle into frocks made with these and this one is already quite tiny.  Not even Stella could wear it!

#2 is very plain in style, but it’s got 3 layers of taffeta-like then organza-like fabric in the skirt.  With proper finishing by a professional cleaner (or someone who just knows how to do it correctly) it would be a stunning and pretty dress.  About a size or two larger than the other, it would have been made about a decade later.

Both in aqua blues.  What each one needs is a corsage at the neckline or the waist.  Both of them could have benefited with a bit of trim here or there to finish the look – maybe that was coming.  Little bows, covered buttons or bits of lace/embroidery were commonly used as final touches to make a mid-century look more feminine and stylish.

Though they may not have both been made by or for the same woman, who knows?  I found them in the same location, which adds possibilities to the story. You just never know . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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