This dress and its slip were hiding in an old cupboard. It is from the 1930’s (or possibly even the ’20s!). Makes me think of something that Bonnie Parker (of Bonnie and Clyde) would have worn.
The slip is necessary because the dress is crocheted from cotton yarn and is very open-weave. It fits the body so closely that it’s another one that Madge can’t model. She’s getting frustrated with my choices.
The sleeves come about to the elbow and one of the most interesting things about the dress is the belt buckle. I think it is made from celluloid. Could be plastic, might be Bakelite.
Such an unusual find! I was so surprised, but that’s the life of a sleuth – you just never know . . . . . . .
Morgana Martin, the Magicvintagespy
Blog: Magicvintagespy.com
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Book: How to Find the Best in Vintage Fashion available on Amazon.com
This one is fun! Not my best colors, but how can I not keep it and wear it? The style is casual, but it isn’t grunge-wear. In fact, it’s a rather stylish summer top with a Country Club feel and an element of elegance.
It’s fully lined in the body and buttons up the back. The sleeves and fringes are left sheer. I just love finding items like this, which tell a story about the type of woman who would have purchased and worn it. I see it with a pair of white capri’s or shorts and leather sandals – flat or with a kitten heel – worn by a dark-haired Italian actress in a James Bond movie. Only your own imagination and personal style put any limits on how it can be combined with other elements of your wardrobe.
Where to go today? Perhaps the Riviera? You just never know . .. . . . . . . . . …
Morgana Martin, the Magicvintagespy
Blog: Magicvintagespy.com
Google+, Facebook, Twitter & Pinterest
Book: How to Find the Best in Viintage Fashion available at Amazon.com
i bought this little blouse in about 1977. It is by a company called Nirvana (not the same as the stores that have been around lately or the music group of the same name). Made in India, of cotton. Again, it looks a lot like stuff sold today. The only differences are that the cotton fabric is nicer and the embroidery design is done better than what I usually see now. The stitching is also better – one reason why I still have it after 36 years!
Although it would look better on my mannequin, Madge, there is no special fit. The shoulder straps are adjustable and the waist is a drawstring tie. Mostly, it’s very typical of the time it was made – the sort of thing that everybody wore in the summer.
Most of my true vintage is older than this and has much more interesting style, which is very different from today (excepting for the copycats, if you don’t look too closely). But, I thought I’d go ahead and share these to show you that the differences between true vintage and modern are still there, but are harder to spot after the 1960s.
Magicvintagespy 