Prints like this were very popular at one time during the ’50’s. Ethnic and “primitive” patterns were seen in blouses and skirts, especially.
The skirt is very simply made, with a 3-button closure on the left side. The flouncy tiers are very cute. There’s no label, so it might have been made at home.
With a peasant blouse or some other casual style, probably also of cotton, and espadrilles or sandals, you’d be right back in the day . . . . . ..
Morgana Martin, the Magicvintagespy
Blog: Magicvintagespy.com
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Back in the ‘ 50’s and ’60’s, purses made of woven materials like reeds, wicker, raffia, synthetic strands and other natural and natural-looking things were really popular. Some were decorated with whimsical designs and were very casual. Some were trimmed in leather and were almost dressy. Most were in-between, for everyday use.
I’ve found a ton of these over the years because they were so popular and are not really old, as vintage fashion items go. So, it did not really tax my sleuthing skills but, finding the best of these items in good condition can still be a challenge.
This one is a real cutie, with just enough attitude because of it’s structured shape and leather trim to have some high-fashion aspirations like lunching and club-prowling, which it may realize under some conditions.
However, it’s still just basically a small-time, hand-crafted little purse, even though it is from British Hong Kong. I don’t hold that against it one bit. Every wardrobe should have at least two or three of this genre, as they’re very versatile.
And, just like my example here, they often come from some pretty exotic places . . . . . . . . . . . . . ..
I’m not sure where this would have been worn in the late 1940’s or early ’50’s. Probably to a party, dance or some dressy but non-formal event.
It’s beautiful in it’s cut and drape. The back has a low dip (not to the waist). There’s a bit of Grecian feel to it with the folds around the bodice. Just another of those lovely frocks that women loved then.
The fabric is relatively heavy – a polished cotton in medium aquamarine blue. Maybe it’s cornflower blue. The welts across the skirt add to the quintessentially beautiful tailoring we almost always see from that time.
The skirt is almost a full circle, so it’s just made for dancing. There’s no crinoline – so it is from before “that” time, though you could easily put one under, and maybe someone did . … . .. you just never know . . . . . . . . . . .
Mortgana Martin, the Magicvintagespy
Blog: Magicvintagespy.com
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Book: How to Find the Best in Vintage Fashion available on Amazon.com
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