TRUE VINTAGE MID-CENTURY DOES 1920’S SEMI-FORMAL DRESS

Sometime during a brief 1920’s style revival in the l960’s – 1980’s this frock was produced. It’s not a style that is flattering to everyone but, of course, Stella can pull it off perfectly. In this pure white, it may have been made as a lower-priced wedding costume alternative by some company that made bridal dresses. While obviously not high end, it’s pretty and flirty.

Love the handkerchief hemline! Can you imagine a gown in this style, made of fine silk and satin with handmade lace? During the Gatsby gilded age brides from wealthy families would have been dressed that way. Today it would make a fun Halloween or theater costume. Dresses that are obviously tied to a theme or era are always interesting whether they are true vintage, retro or modern. Of course, I always sleuth for the original evidence. More coming, so stay tuned . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

1940’s POST-WAR 2-PIECE DRESSY WEDDING SUIT

Here’s Stella in a beautiful wedding suit from the 1940’s. In fact, it was the outfit she was wearing when I discovered her. Although this ensemble might have been worn for another special event, I’m sure it was a wedding dress. It’s in a heavier-weight jacquard fabric with classic bridal tailoring details such as tiny covered buttons and points at the wrists – almost midieval. Again, I suspect that it was tailor-made. The peplum and shawl collar are very Forties, plus a rare coil zipper and unusual piecing of the skirt which causes the uneven hemline.

A fabulous and fun find! Stella’s been part of the team ever since. Stay tuned for her modeling more semi-formal and long dresses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

1940’S – ’50’S SEMI-FORMAL FROCK WHICH COULD ALSO HAVE BEEN FOR A BRIDE

Such an interesting frock. Midi length on Stella, but she’s tall so it could have been tea or floor length on a woman of short stature. I couldn’t decide whether this dress was tailor-made or purchased at retail, but I could find no labels. I suspect that it was custom-made for a cool-weather wedding and the style really makes me think of some Wartime or Post-war bridal dresses I’ve discovered. Could also have been designed for some other special event . . . . .

Pretty mid-weight textured but glossy fabric which may be synthetic or a blend. Unusual long sleeves; but the best thing about this style is the collar. Each layer is carefully supported around the edge with wire so that it can be shaped by hand. I’ve very rarely seen this and it helped me to date the garment. It came from Australia so I may notice a British influence(?).

More semi-formal and long dresses coming. Stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

POST-WAR 1950’S SYLVIA ANN BRIDAL ORIGINAL FORMAL GOWN

Here’s the other gem that was hiding out when the yellow pouf formal turned up. (see post 2 days ago). Similar era but entirely different, and not made for the same woman. Hmm . . . . . . .

Reminiscent of Grace Kelly in it’s modest sophistication and with a metal zipper by Waldes, this gown may be from the early 1950’s or even the late 1940’s. Someone loved it, as it’s in near-perfect condition. Worn by a second-time-around bride, bridesmaid, matron of honor, mother of the bride, Prom queen? I guess we’ll never know, but best guess is a one-time event that wasn’t a bit rowdy. I suspect a wedding.

What a wonderful find, also becoming more and more rare. But, clues are still out there. Stay tuned . . . . .

 

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

 

OKAY, LET’S GO COMPLETELY DIFFERENT (AGAIN) FOR ANOTHER 1960’S WEDDING(?)

Now we’re Prairie – Victorian, or some combination of the 1800s. Empire waistlines were in style earlier in that century and high necklines with tight sleeves mostly in the 1890’s. The late 1960’s and early 1970’s fell in love with the 1800’s fashion. Think early Gunne Sax. This was especially true for white cotton lingerie undergarments, sleepwear and casual clothing but also spilled over into some day dresses and formals. In this case, a white structured gown was likely meant for a wedding or, at the least, some kind of formal occasion

This one is all 20th century fad fashion, with a zip up the back and polyester fabric. But, it was fun while the trend lasted. Not the best disguise, however, unless you’re in the theater . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

MID-1960’S WEDDING – PATIO – HOSTESS GOWN. THINGS WERE CHANGING PRETTY RADICALLY BACK THEN, TOO, AND UNPREDICTABLE

Although there were some radical fashion changes in the 1920’s and 1930’s when women’s clothing styles went edgy for a few years and a lot of necessary changes because of the Depression and wartime restrictions of the ’30’s and 1940’s, the relative peace and prosperity of the 1950’s saw bridal styles snap back into the traditional Princess mode. Then, in the 1960’s, people had some trouble deciding how they wanted things to be, so mid-Sixties trends were all over the place.

Though definitely headed in the non-traditional direction, this gown by a minor-league designer sticks to the standard of careful tailoring and hangs on to the style elements we’d been used to seeing like lace, bows and tiny covered buttons. It’s made of a high quality linen-like fabric. But, unlike the usual wedding designs, this one doesn’t scream WEDDING DRESS at first glance, as most designs always did before the 1960’s.

I suspect that this frock was meant primarily to be for a wedding, but our heroine could get away with it at a swanky party or even lounging by the pool on a weekend. The real clues to break the case would probably not be revealed until a trip to the dry-cleaners or a forensics lab – when and where did she drink that Martini? and those tiny traces of blood? . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TWO PRETTY GOWNS FROM THE KENNEDY ERA – AMERICA WAS DEEP INTO THE CAMELOT DREAM

These dresses are very similarly designed, from right around a couple of years either side of 1960. Although they both reflect the New Look changeover which had begun 10 years before, the most notable thing about the style on the left is the shoulder tails. These had been popular on dresses in the 1930’s and earlier, I believe, but made another appearance right around this time. That element changes this garment from a Prom dress into what I suspect was meant for a wedding. The sparkly sequined cummerbund cements the dressy deal.

On the right, our heroine is either a Bridesmaid, Matron of Honor or a bride herself for the second (or 3rd or 4th . . . . . . . . . . . . . .) time. This style has more of the 1940’s elements we’ve seen before, though I still believe that it is newer than that. The sleeves are a clue. However, it was custom-tailored so there is always the element of mystery involved. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

ANOTHER MYSTERY GOWN AND A NON-TRADITIONAL IDEA

Two fabulous clues that I was never able to fit exactly into place. It’s pretty clear that they both originated somewhere between 1946 and 1962. The investigations they might have clinched have long-since been solved or placed into the dead file. At any rate, it’s clear that, if not a wedding, some gala event and prominent characters were involved.

Before my time, but would make great bases for a story. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

BEAUTIFUL TRADITIONAL WEDDING GOWN FROM 1955

This gown deserves to be shown on its own. I know the history of it since it belonged to a family member. Imagine an 18 yr.-old girl with stars in her eyes on her special day. Look how sweet – with the cute little bolero jacket. The strappy gown on its own would be great for the Prom. And that tiara headdress . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM

A MYSTERY DRESS THAT I STILL CAN’T DECIDE ABOUT – PROBABLY ’30’S, AND 2 FROM THE ’40’S

Yes, probably 1930’s there on the left, or maybe even ’20’s. It would look completely different with the appropriate undergarments, but still super-unstructured. What a difference 10 years can make. We go from shaped like a bag to built like a battleship in the 1940’s. Especially after a war – everything changes. This can certainly be seen in the fashion world and makes the sleuthing trade a little easier, but a LOT more fascinating . … . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

BLOG: MAGICVINTAGESPY.COM