This is a very cool dress from the ’40’s in the characteristic rayon of that era. The skirt is not a full circle, but it swings.
It’s got a side metal zipper – not big enough for Madge’s shoulders. As with many of the dresses for a time period of about 20 years, you really have to wiggle your way into it over your head.
The top is rayon, too, but of an entirely different
texture. The sleeves are skinny and are ruched on both sides at the wrist. An interesting feature.
No label remains, but I’d say that this dress was commercially made. Mid-calf length and slim fit, it makes a nice silhouette with lots of movement. Love it!
Morgana Martin, the Magicvintagespy
Blog: Magicvintagespy.com
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This one doesn’t exactly match the suit, but you might be able to get by with it – it’s so close. It’s also from the same time period.
Whatever label it had is gone now, which is a shame because hat labels are very interesting. I might have shown it on a model but Daphne, Celia and Marlene are on their holiday.
Speaking of which, please enjoy your 4th of July if you’re from the U.S. and I’ll be back from the latest mission in a day or two. Caio!
Morgana Martin, the Magicvintagespy
Blog: Magicvintagespy.com
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Book: How to Find the Best in Vintage Fashion available on Amazon.com
What a cute little 3-season outfit with a fantastic hourglass shape. I always love these!
It’s a late ’40’s to early ’50’s style, with little shoulder pads and beautiful tailoring. Although it is unlined and not haute couture, it’s very nicely done and has those wonderful design details that even continue on the back of the jacket.
The ever-popular pencil skirt goes with almost anything. This could be worn as a dress, as separate pieces or as a suit. I see it with a little white blouse or shell underneath, jacket open.
At a time when women were finding their fashion feet again and, actually, going wild with style! Clothing from this era is beautiful and fun to find. Notice that the tags are still on this one – I love surprise discoveries like this. Keep sleuthing because, you just never know . . . . . . . . . . .
ALSO, I’LL BE TRAVELING FOR THE NEXT COUPLE OF DAYS SO THE POSTS MAY BE A LITTLE BIT WONKY BUT, NO WORRIES, THE INVESTIGATION GOES ON AND I WILL REPORT REGULARLY.
Morgana Martin, the Magicvintagespy
Blog: Magicvintagespy.com
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Book: How to Find the Best in Vintage Fashion available on Amazon.com
I show a lot of this style, because it was SO popular from the mid-forties until the early ’60’s. This example is quintessential in all its qualities.
I’m sure this was home-sewn because when I found it I found 3 others obviously made for the same woman. Yes, she may have had a tailor.
Lovely cotton which can’t be found anymore – certainly not in fabric stores. It’s hard to describe if you don’t know it. Looks wonderful, feels wonderful and gets better with age.
Also, the buttons she used are just great! They’re big, plastic and colorful. Some were sculpted in their shape. The sewing is impeccably done and fabric-covered belts always look so crisp and stylish. Naturally, there’s a generous hem (whatever happened to those?).
All four of these dresses were of exactly the same style, each one in a beautiful cotton print. Though I’m sure they were well-used, they hardly looked worn – a testament to the quality of vintage materials and workmanship, as well as the care of the owner.
Each one opens the book on a mystery, just as illusive as they can be . . . . . . . . . . . . . . . … . . . . . .
Morgana Martin, the Magicvintagespy
Blog: Magicvintagespy.com
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Book: How to Find the Best in Vintage Fashion available on Amazon.com
I’m not sure where this would have been worn in the late 1940’s or early ’50’s. Probably to a party, dance or some dressy but non-formal event.
It’s beautiful in it’s cut and drape. The back has a low dip (not to the waist). There’s a bit of Grecian feel to it with the folds around the bodice. Just another of those lovely frocks that women loved then.
The fabric is relatively heavy – a polished cotton in medium aquamarine blue. Maybe it’s cornflower blue. The welts across the skirt add to the quintessentially beautiful tailoring we almost always see from that time.
The skirt is almost a full circle, so it’s just made for dancing. There’s no crinoline – so it is from before “that” time, though you could easily put one under, and maybe someone did . … . .. you just never know . . . . . . . . . . .
Mortgana Martin, the Magicvintagespy
Blog: Magicvintagespy.com
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Book: How to Find the Best in Vintage Fashion available on Amazon.com
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