Category Archives: semi-formal

TRUE VINTAGE FUR CAPE FROM THE 1930’S – 1940′ S – EARLY 1950’s

TRUE VINTAGE FUR CAPE FROM THE 1930'S - 1940'S - early 1950's

I just love this cape and it’s little details.  I’m an animal rights activist and don’t approve of the fur trade in any way, but I have collected old ones from back in the day.

Not sure what the origin of this fur is.  The stripes are clearly dyed, probably to resemble mink.  It’s got these funny little tabs to “close” the bottoms of the arm slits, for a better appearance and added warmth.

Of course, it had patches sewn inside with the owner’s initials embroidered on, along with the maker’s label, both of which are gone now.  Surprisingly, it’s in great condition for its age – still soft and radiant.

These garments are so full of history that they intrigue me as much as any other vintage fashion.  I wear them, too.  Some people would say this is hypocritical but  I would disagree – buying or wearing antique fur or leather does not support the current market for these things unless someone makes an irresponsible decision.  I suggest that we should all be responsible for our choices in the marketplace – so, if you like my vintage fur, don’t use that as an excuse to go out and buy a modern one.  Search for another vintage fur at least 50 or more years old or buy an imitation fur replica and do something kind for wildlife or your pet.

MORGANA MARTIN, THE MAGICVINTAGESPY

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INCREDIBLE TRUE VINTAGE DRESSY COCKTAIL SWEATER FROM THE 1950’S – MAYBE EARLY 1960’S

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Completely different from yesterday’s cardigan but so much fun!  It’s another must-have vintage sweater to wear with cigarette pants.  A pretty open-weave  Orlon sweater knit with metallic thread design to be worn with a black skirt or slacks at some mid-century party event.  It is absolutely amazing that it’s survived for 60 years in almost unworn condition!

Just like the women of the 1940’s onward, I’m grateful for these lovely acrylic yarns that can be washed in a machine (with care) and don’t have to be stored in a moth-proof container.  Orlon was a revelation and major time-saving blessing to wartime and post-war ladies who still did most of their housework by hand.

Although we’re so used to acrylic fibers now, these early ones were really special in terms of their quality or, perhaps, it is the garment itself that is made so well that the fabric looks great after more than half a century.  I’m sure that I also, again, have to thank the first owner of this elegant top for taking such good care of it.

I’m over the full moon again, and wondering what will turn up next . .. . . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

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ICONIC TRUE VINTAGE 1950’S MINK-TRIMMED BLOUSE – ANOTHER TREASURE FOUND NEW ZEALAND

OLYMPUS DIGITAL CAMERAAnother rare find!  This one was not a high-end item when it was made, but it is an iconic piece with mink-trimmed sleeves.  I have a few of these garments with sleeves like this but don’t find them often.

Metallic thread on sheer black fabric, with “Autumn Haze” mink cuffs.  Buttons up the back.  Back in the day, companies that produced medium-priced clothing still made some “luxury” items that the average woman could afford, and they made them well.

What a pleasure to discover this one!

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE 1950’S SEMI-FORMAL SLEEK AND STRAPLESS DINNER GOWN

IMG_1656In midnight navy blue, this dress is elegant in rayon with a side zipper.  Let me tell you how she would have dressed it up . . . . . . . .

A diamond or rhinestone necklace or pearls, depending on the venue, would be first – with some elegant earrings to complement. And, a small dress handbag.

A stole, fur or dressy coat, of course, unless it’s the height of summer (but, even then . . . . . .)  Finished off, courtesy of her escort, with a corsage.

The bodice has no boning, so those little mesh straps hold it in place.  When I wear it, I prefer a pair of ’50’s evening sandals of dark navy fabric with  pearlized ornaments on the vamp rather than the Forties styles that Stella is wearing.   Beautiful as she is, this frock is really better suited for Marilyn . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE MID-1950s POUF-STYLE PARTY FROCK BY FRANK STARR

TRUE VINTAGE MID-1950s POUF-STYLE PARTY FROCK BY FRANK STARR

Another of my absolutely fabulous finds – fit for a princess at a party or Prom. This one is a quintessential 1950s pouf dress by Frank Starr, (of California, I believe) in a floral print.  He was a well-known designer at that time.

I’m always amazed at what I find, and this frock really turned the lights on! Organza over rayon or acetate, with a velvet-covered belt & the makers’ label on an inside seam.. In virtually perfect condition.

I can just see Elizabeth Taylor flouncing around in this in one of her movies, playing a young woman ready to go to a dance party.  Imitations are made, but true vintage can’t be replaced and it’s priceless, in my opinion.

This example can hardly compete with the one shown yesterday, or the day before. They are all wonderful and uniquely original. We’ll step backwards in time just a little bit tomorrow. What’s coming up until then? You just never know . . . . . . . .

Morgana Martin, the magicvintagespy
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TRUE VINTAGE 1960s – ’70s FULL LENGTH FLORAL PARTY GOWN

TRUE VINTAGE 1960s - '70s FULL LENGTH FLORAL EASTER PARTY GOWN

,Zooming into Summer now, you may be looking around for outfits to wear this weekend, to a garden or patio party . .

A beautiful gown in a pastel floral print, perfect for a dance, dinner, theater event, etc. – anything a bit more formal that this week’s celebrations or events might throw at you.

This one has an empire waistline seam, a sheer layer of fabric over an opaque lining and a center back zipper. No slip necessary, though I do have a true vintage long crinoline underneath in this picture. I’ll show that to you later as it is very interesting, itself.

I’m not sure whether this dress was made in the ’60s or ’70s. I lean toward the ’60s, but it is a classic style with only one tag left inside that is not a definite answer to the question. But, the fabric just has a ’60s feel to it . . . . . . .

Anyway, it is lovely and radiates the feeling of cheerful, bright sunny days. This is the kind of thing that we all like to start wearing this time of year. If it were shortened (or maybe even if not) and without the crinoline it could be worn as a day dress, because of the simple style.

Look for things like this now. Lots of older women made a habit of cleaning out their closets in the Spring, and you just never know . . . . . . . . . .

Morgana Martin, the magicvintagespy
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BEAUTIFUL TRUE VINTAGE SILK FORMAL DRESS OR WEDDING GOWN FOUND IN AUSSIE-LAND

OLYMPUS DIGITAL CAMERAThis frock is another of my stupendous finds in Australia!   Made somewhere between the 1940’s and 1950’s, it’s a gorgeous dress and I suspect that it really is from the Forties.

Looks like it’s hand-tailored, but by someone who was REALLY good.  The collar is reinforced with hidden wire that is soft to wear, but holds the shape and lets you reshape the neckline as needed –  an unusual tailoring feature that emphasizes the irreplaceable value and uniqueness of true vintage clothing and accessories.

It’s a demure style, despite the neckline plunge, and could be full-length on a petite figure.  I wonder if it was made as a wedding gown?   Although some were very fancy, many of that time did not have a lot of frill and fuss and were actually very tailored styles.

No matter what, I’m sure that this gown has at least one fabulous story to tell!  I wonder . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE EARLY SIXTIES FORMAL OR SEMI-FORMAL DRESSES IN PASTELS WITH LACE OR EMBROIDERED OVERLAY

EARLY SIXTIES SPRING SEMI-FORMAL DRESSES IN PASTELS WITH LACE OVERLAY

A hallmark of early Sixties fashion was lace or embroidered organza overlay, which we see again and again every decade or two! These very pretty frocks were meant for semi-formal occasions – dinners, parties, dances and ceremonies. A professional cleaning will refresh the full-length ones in time for a wedding!  The bride would look gorgeous in the white and the blue is perfect for any of a wedding party or mother-of-the-bride.

They’re so feminine and flattering, in a variety of styles.  And, of course, beautifully-made.  I especially like the knee-length one – a little bit Mod, but also traditional.   The lace over-dress is partially open in the back, revealing the fitted sheath beneath.  Long sleeves add a little warmth for early Spring and make the design more demure BUT . . . . . . .

very sexy in an elegant and sophisticated way.  They knew how to do that back in the day.  A lost art?  I hope not  . . . . . . . . . . . ..

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE 1950’S PROM DRESS GETS REFURBISHED

Here’s a mid-century  Prom or dance party dress for Spring.  I’ve had this frock for several years and it is in wonderful shape EXCEPT that the bodice had some old perspiration damage under the arms.  No fixing that . . . . . . . .SO, I replaced the overlay fabric on the bodice with a nearly – identical modern material.

To the naked eye in normal room light, the dress looks perfect.  Only the digital camera with flash shows the difference – that aging of the fabric over 60 – 70 years has slightly changed its color.

I’m pleased with my repair, but here’s a good example of why saving any old fabrics left over from sewing or hem changes makes a lot of sense.  You might need them some time and, you just never know . . . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE MID-SIXTIES – 1970’S EMPIRE WAIST SEMI-FORMAL LONG DRESS IN NAVY, WITH MATCHING JACKET

IMG_0981 IMG_0982     So typical between the mid-Sixties and mid-Seventies.  In spite of all the frou-frou Edwardian/Prairie/Hippie stuff that was popular, plain knit dresses with clean lines were also a staple – more elegant and timeless, but still very fashionable.

This ensemble is a polyester or poly blend with an empire seam that rises from waist level up under the bust-line in front, fold-over neckline, back zip and a princess cut.  The long-sleeve bolero jacket echos the military trend that was also popular then with it’s metal buttons.

Otherwise, the design is  plain and undecorated.  The fabric has a slight ribbed texture to add interest.  It’s hard to call this dress “semi-formal” because it is so tailored, but at that time the style would not have been a day-dress.

Especially good for Spring or Fall.  What a treat!

MORGANA MARTIN, THE MAGICVINTAGESPY

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