What a gorgeous, tailored dress and jacket. Glossy rayon fabric with a shantung – style weave. The bodice treatment is so lovely.
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
Such a smart-looking little day-dress by Lora Lennox. Apparently, this was a dressmaker label that was common back in the day. The polka dots and big buttons are a lot of fun – plus the vibrant salmon – orange color; not garish and softened just a bit by the pinkish undertone.
I ALWAYS love shoulder pads and the hem flounce is very saucy. These are wonderful when you walk in them.
Doesn’t this dress look fabulous on Stella? I love it. And the fact that I found it in Kansas City – well, that conjures all kinds of possibilities in terms of it’s history . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
Although I much prefer Hawaiian garb from the 1940’s and 1950’s, I sometimes will pick up things from the ’60’s, and ’70’s, too. The fabric used was still very nice and the tailoring often exceptional.
Back then, Hawaiian apparel was almost exclusively made by small concerns who stuck to traditional designs and workmanship. Also, the quality of cotton and rayon used was excellent.
This dress, though plain in the front, has a sweet detachable half-belt in back and two pleats fall from it like a faux train – a nod to traditional Hawaiian styling. The skirt, also, is quite wide at the bottom and sweeps when you walk, giving a rather regal feeling . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
An unusual dark plaid, but a shirtwaist style and definitely for warmish weather. Notice the second layer of skirt, with a little ruffle at the top. I wonder if the fabric she used was sold from a narrow bolt, so she had to piece the skirt for that reason???
It’s so much fun to try and unravel the mysteries that older garments, especially, can pose. Unlike dresses made later, that usually buttoned lower down to make them easy to get into, these earlier ones often button only to the waist. That’s why those side zippers were so necessary.
It also allowed the waist to be kept really tiny, rather than gathered in by the belt – just barely large enough to get shoulders through, with the help of that zipper opening. Ahh, fashion . . . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM

In these few photos
from an early – 1960’s needlework magazine, the styles are very plain and, in some cases, they are so generic that they’re very boring! BUT, every woman pictured looks smart, elegant, fashionable and attractive.
Obviously, it’s not mostly about their clothing. Sure, they’re all slim and attractive people but that’s not the main thing, either. Take away the good fit and quality of what they are wearing (super-important as a base for everything else) and what is left that REALLY does it?
It’s their grooming, posture and ACCESSORIES. None of those ensembles would look half as good without the accessorizing touches – imagine each of them without the necklace, bracelet, gloves or handsome handbag. Makes a big difference, doesn’t it?
So, as much as I love fabulous true vintage style and details I also know that I can easily stand out in a room dressed in a plain ’50’s skirt and sweater, or even a pair of jeans with a great true vintage shirt. Our grandmothers understood that perfectly. And today, it’s VERY easy NOT to stand out . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
Originally sold from a department store, as so many lovely garments were back in the day, this cocktail dress has beautiful hand-done tailoring details. The cowl neckline is all hand-stitched, as is the fabric rosette at the waist.
The neckline in back dips to mid-back and closes with a metal zipper and hook and eye. Attention to detail is one aspect that makes true vintage clothing SO special!
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
An improved photo of a previous year’s discovery in Canada – LOVE this one so much. A little big on me, so I probably won’t keep it, although altering things to fit is often very much worthwhile.
Just a very cute dress and a neat way that the pattern on the skirt has been arranged – much more interesting and flattering than if the the stripes went straight across all the way down the dress.
This was just a very ordinary, mid – lower priced garment back then. Wonderful and smart design touches like that are something I don’t often see in modern clothing, even at the higher end. Vive la Vintage!
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
Although 1970’s fashions are definitely not a big deal for me, I will pick up something that is especially nice. I like this one because of the diagonal stripe contrast on top, nice drape of the knit fabric and the covered belt.
Sometimes they get things right during every decade and, OK, I’m a style snob in some ways. . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
LOVE finding true vintage dresses! This will look amazing on Stella, but here’s your preview look-see. May have been custom-tailored, with hand-sewn details. Could be ’40’s, ’50’s or ’60’s – needs more study.
Basic sheath styling with a dramatic cascade of white rhinestones in front. The long sleeves add a demure air, with covered buttons at the wrists. Back zip and slightly below-the-knee hem length.
Perfect for a dinner date, party or any night out. Just the right combination of racy and conservative to keep ’em guessing . . . . .
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM
Black crepe sheath style with a rhinestone buckle at the draped waistline. The true ’80’s touch of shoulder pads with cap sleeves Tailored well and of very good quality. It’s got lines and styling that very closely follow those of true 1940’s sheath dresses that I’ve found.
Eighties dresses with vintage style were often well-made and very interesting, though not the fabulous frocks of the real Forties. Anyway, worth collecting – much superior to more recent garments.
MORGANA MARTIN, THE MAGICVINTAGESPY
BLOG: MAGICVINTAGESPY.COM