The most sophisticated gal would still want some glitz for the party tonight, but would do it in high style from one of the best stores. A jacquard weave shell blouse with a long black skirt and luxurious golden leather clutch purse (with it’s own pocket mirror, of course) make a stunning ensemble for cocktails and dinner beforehand, and which will take her through the whole evening.
Madge shows off the blouse beautifully with her buxom figure and tiny waist. Her bag is of quite good quality and size – larger than most evening bags and more modern than the beaded silk variety which were still popular the year John F. Kennedy was elected President.
The New Year has always represented a time of hope, joy and the anticipation of turning over a new leaf. The moon is awfully bright in the sky tonight – What do you say? Let’s go! . . . . . . . . . . . . . . . .
This little frock has the hallmarks of being from the Kennedy Era – the 4-5 year period around the transition from the 1950’s to the 1960’s. It still has some of the fussy tailoring of the Fifties, but is simpler. The fabric is heavy, though not true taffeta, and the A-line skirt still has a somewhat stiff underskirt to support the all-important shape. Elbow-length sleeves are great for the season and are a little more informal than sleeveless designs. Could be worn to a cocktail party, though very different from the usual LBD.
The bow detail is iconic of the time and emphasizes an empire waistline, still with the wasp waist fitting. If you look closely at the photo of the back, you can see one of the best styling features, in my opinion. the bow has LONG and WIDE tails that extend to the hemline and add a bit of sophistication and very interesting movement to the design. Again, very demure and tiny but could have been styled for and worn either by an older Teen or by an adult woman. Only a size label or, less likely to be found, a brand label will help answer this question. I’m sure this was an off-the-rack garment, so best guess is you’d be lucky to find, if they haven’t already been removed, a tag with size and/or inventory info and/or a Ladies Garment Worker label. Valuable clues all!
An interesting time for ladies’ dressy garments. So much change happening. Stay tuned . . . . . . . . . . . . . . .
Powder pink frock for a special occasion. Love the long sleeves with our current weather and I’m happy with the color that doesn’t feel like Winter. It’s not a Prom dress, but could have been worn to any dressy dance party, a recital or . . . . . . . . . . . . . Very demure, but gives a nod to formal wear with a sheer bodice and scooped back. Of course, it has the 3-layer pouf skirt with stiff attached crinoline, acetate/rayon opaque layer and a gauzy synthetic overskirt that was iconic in the Fifties, up to the very early Sixties. Naturally, the stiletto pumps are mandatory.
Despite it’s tiny size, I believe that this frock was sold in the Misses Department (probably size 10) rather than as a Junior size. Just goes to show how our Misses sizes have changed over the decades. A modern size 10 now would hang like a tent on Stella – a 1950’s size 10 is equal to a current size 2. Perplexing, but the clues all fit together. Go figure (no pun intended) and stay tuned . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
A fun little frock while the parties are still free-wheeling with cocktails, hors d’oeuvres, music and dancing. You could also bring it out again at St. Valentine’s Day. This dress is a pure home-sewn creation made or commissioned by some gal who was definitely in the party spirit and looking forward to a great time. Some clues date the dress as early as the 1940’s, but I suspect it’s not quite that old. That skirt is definitely styled for dancing, though.
The festive holiday clue is the sequin decoration on the bodice, which makes me think more of the 1950’s. No other clues to the details of the stories that it has to tell, but I’m sure we can invent quite a few . . . .. . .
Late 1950’s – early 1960’s cocktail/dinner 2-piece dress in a surprising cadet blue color. How could I not have collected this one? It’s not eccentric at all, but I love the original and surprising vibe when a black frock would have been expected. In a substantial knit fabric and with a flattering pencil/wiggle cut that accentuates the figure but is also very “proper”. It ticks all the boxes for lower to mid-priced elegance. No jewelry needed excepting some stud earrings and perhaps a cocktail ring.
Many well-dressed women during the Kennedy Era could have worn this ensemble with confidence. While not a garment for those socializing in the “highest circles”, an average gal might have gathered some lingering looks . . . . . . . . . . . . . . .
This frock is REALLY a beauty! Made by a higher-end label back in the day, the style is so ingenious and flattering. I love the ruching that makes it so unique. Again, you have to have a special figure to do it real justice but Stella never lets me down in that regard.
As I said, it’s made of 100% heavy silk that needs no lining. This is an LBD that is one-of-a-kind; Never will find another like it!
In striking black and white, this dress is in a Junior size styled for teenage girls and young women back in the day. Quite modest but sophisticated in textured jacquard fabric with a floor-length empire sash. Formal dresses in the dead of winter often seem to stick mostly with the “Winter” color family of black, white and jewel tones with some metallic thrown in but there’s lots of variety. Stay tuned . . . . . . . . . . . . . ..
Another “love that red” frock. I believe that his formal dress was made for a teenager in the 1960’s, when “Sweet Sixteen” celebrations were still a popular family event. Just my fantasy story – who knows. It’s a youthful but sophisticated style in a tiny size that would have been appropriate when age 16 was considered to be the boundary between childhood and young adulthood. Something Barbie dolls would have worn back in the day.
Velveteen bodice with beading trim, a wasp waistline and a fitted jacquard weave straight skirt. It goes from formal parties for the Christmas season through to Valentines Day. Modest scooped neckline front and back. So very early Sixties and more to come. Stay tuned . . . . . . . . . . . . . . . . . .
1960’s or 1970’s style, these red dresses would take you from the Christmas party through Valentine’s Day cocktails and dinner. Both are pretty and sophisticated with similar styles. Like most sisters, however, they’re also quite different. In the 1950’s and 1960’s a sheer over-layer and skirts with lots of gathers were big style features. Very feminine and emphasized a wasp waist. I love the boat neckline and 3/4 sleeves. In the mid-late 1970’s slim and sleek was a silhouette made easy with Quiana nylon fabric, which skimmed the figure while having lots of movement and supreme comfort while disco dancing. Very unfussy and a perfect backdrop for the chain belt. I’ll look for more party clothes and formal dresses. Stay tuned . . . . .
These are just 3 out of my collection of lovely kitchen aprons, but perhaps a bit more interesting and seasonal than others I have, which are more generic, like a cotton gingham check without any specific theme. Many aprons, like the first one here, were specifically themed for a particular holiday or fashion era. It’s a great example, with bright color and a novelty print for Thanksgiving. Although it’s definitely trendy and targeted, it is also at least somewhat practical because of the machine-washable fabric, wraparound style, secure ties and big pocket. It could actually do the job of keeping the cook’s skirt clean. The most useful styles also covered the bodice.
The usefulness is really important, but I love the novelty print. It’s always good to play the hostess in something that also makes people smile. The two aprons following are entirely different in their purpose. These are made from a much more delicate fabric and would be best washed by hand, both because of their delicacy and because they are hand-painted. They were made for and gifted to my grandmother by a relative who at least did the painting herself, if not the sewing job. Gifts like this were common in her day, and cherished. These aprons were made not so much to protect clothing as to be pretty. Grandma might have worn them when she had her friends in for tea or a card game, maybe even for hosting an at-home cocktail party. The messy part of the hostess job would have already been done when she made the cake or other refreshments beforehand.
Aprons were much more commonly worn in decades past and were a significant part of a woman’s household wardrobe, like housedresses worn on cleaning day. Most women’s (especially married women’s) lives were organized around a routine of household duties throughout the week and each one usually required a different kind of outfit – one for cooking, one cleaning, one for tending plants, one for doing the weekly shopping. Special accessories to these outfits were needed for certain jobs, such as gloves of various kinds, hats of various kinds, nursing bras and pads to protect clothing from breast milk and burping babies. Housewives were trained to be very practical and were rewarded by Society for a job well-done. The home was their workplace and the role defined them, so their household wardrobe had a central place in their lives. For better or for worse, that was the way it was. Do we want that again? Think about it and keep your eyes on the clues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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