A FAVORITE TRUE VINTAGE DRESS FROM THE LATE ’50S – EARLY ’60’S BY SWIRL

A FAVORITE TRUE VINTAGE DRESS FROM THE LATE '50S - EARLY '60'S BY SWIRL

This dress is one of my favorites from the 1950’s/early 1960’s. I have one or two others, and the style is very distinctive.  Applique’ decorations are a lot of fun on these older items, too.

It was made by Swirl and is a wrap-around. Easy to
wear with a flattering fit. One piece, with a belt that slips through and then ties in front.

I put the bandana bows on the shoulders due to some fade there (a common problem with true vintage items, due to storage) – and I like them! They go great with the cute flower.

Never fails to get compliments.  With some little red sandals, or even Keds . . . . . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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A FEW OF MY TRUE VINTAGE BLOUSES – WORTH COLLECTING!

A FEW OF MY TRUE VINTAGE BLOUSES - WORTH COLLECTING!

Here are a few examples from my daily closet – blouses/shirts from the 1950’s and early 1960’s. Names like Bobbie Brooks and Ship’n’Shore and Villager.

There are other names, too. I’m just thinking about the most common ones. I love wearing them with skirts and slacks, jeans.

On the far left, a peasant blouse – looked great back in the day with a peasant skirt and espadrilles.

The upper three in the center – made from that lovely vintage cotton I’m always writing about, in great prints or gingham weave.

And, the one on the bottom – in my favorite red. A sheer-ish cotton blend with tiny white polka dots.

Yes, you do sometimes have to iron shirts like these, but there’s nothing like them today and it’s worth it!

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE EARLY 1960’S DINNER FROCK BY HENRY-LEE

IMG_1426This one was hiding in an out-of-the-way spot. You just never know!

It’s a lovely dress in unusual colors. The blue is not a common one, and flattering only to just the right skin and hair tone. The interesting part is the top.

Like many dresses made at that time, a rayon-type under-layer with a lace overlay dresses it up. Sometimes they’re in the same color, and sometimes contrasting, as in this case.

Here, we have a medium lavender color under the blue. Quite uncommon. I love finding these quirky things! The two layers in the skirt have the same contrast, but the chiffon on top is heavy enough that very little of the lavender comes through. Perhaps just enough to draw a little attention when the wearer moves.

And, the under-layer is a taffeta, so it swishes. . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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A TRUE VINTAGE KNITTED SWEATER CAPE BY BANFF, FROM THE 1960’S OR EARLY ’70’S

A TRUE VINTAGE KNITTED SWEATER CAPE BY BANFF, FROM THE 1960'S OR EARLY '70'S.

A FUN POLISHED COTTON PSYCHEDELIC PRINT TUNIC AND PANTS FROM THE LATE 1960’S

A FUN POLISHED COTTON PSYCHEDELIC PRINT TUNIC AND PANTS FROM THE LATE 1960'S.

A FUN POLISHED COTTON PSYCHEDELIC PRINT TUNIC AND PANTS FROM THE LATE 1960’S

A FUN POLISHED COTTON PSYCHEDELIC PRINT TUNIC AND PANTS FROM THE LATE 1960'S

This cute lounging outfit (or hostess set for your patio party) was made by Dash About. There is an embroidered tag inside.

When I found this, I thought it was made in Hawaii because of the fabric, but probably not. It’s just a lovely polished cotton printed in brilliant colors.

The top could even be worn as a mini-dress. I can see Cher in something like this. I just love the print and the peacock hues.

Metal zipper up the back. The pants have an elastic waist, so it’s nothing high-end. But really cute and versatile. You won’t see anything like this around the next corner!

MORGANA MARTIN, THE MAGICVINTAGESPY

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TRUE VINTAGE LATE 60’S – EARLY ’70’S MINI TRENCH RAINCOAT

TRUE VINTAGE LATE 60'S - EARLY '70'S MINI TRENCH RAINCOAT

This little cutie is not by a famous maker, but it’s got nice tailoring and style details. Look at the contrasting facing, the welts at the shoulders and the little false cuffs.

All-weather coats were really popular 40 or 50 years ago. Almost everyone had them for in-between seasons and just in case.

You can’t go wrong with a classic style like a trench-coat or a practically neutral color like light blue. I prefer black myself, or beige for day . . . . . . . . . . . . . . .

Morgana Martin, the Magicvintagespy
Blog: Magicvintagespy.com
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Book: How to Find the Best in Vintage Fashion

TRUE VINTAGE 1950’S – EARLY 1960’S CAPRI PANTS

TRUE VINTAGE 1950'S - EARLY 1960'S CAPRI PANTS

A rare find, though many are made today that look similar – true vintage capri pants in a fall-color plaid. They have little slits at the ankle, a high waist, and metal side zipper than actually slants into one of the hip pockets. The maker is Shipmates.

These were kind of like our nicer jeans are now – they were common as casual wear and in the ’60’s they started to venture more beyond picnics and recreational activities.

What makes them different than the ones today? The fabric, the color combos, the zippers, the labels, the fit.

The original owner hardly wore these, if at all. That shows how much skirts and dresses still held the traditional place for women’s daily wear. I wonder how long these were in hiding? . . . . . . . . . . . . . . . . . ..

Morgana Martin, the Magicvintagespy
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TRUE VINTAGE MOD-ERA LATE 1960’S BLOUSE BY SYBIL

TRUE VINTAGE MOD-ERA LATE 1960'S BLOUSE BY SYBIL.

TRUE VINTAGE MOD-ERA LATE 1960’S BLOUSE BY SYBIL

TRUE VINTAGE MOD-ERA LATE 1960'S BLOUSE BY SYBIL

A rare find – one of those mystery synthetic garments from the 1960’s. Seems kind of like polyester, but then . . . . . . .

Not to disparage at all – it’s a really nice fabric but I just can’t place it. There were some
very interesting blends back in the day before content
labels were required.

What attracted me most was the style – those beautiful crystal-pleated ruffles are eye-catchers. Ruffles on the front and sleeves were very popular in the late 60’s, usually in a slightly less opulent form than this – a bit too frilly for me, but stunning on the right person.

Picture Twiggy wearing this with a black mini-skirt, lacy black patterned tights, some spiffy mod heels and bold eye make-up and lipstick – with an evening purse – you get the idea. About the time that Mod and Carnaby Street fashions were merging together. Mary Quant and all that. She might have a fit that I mentioned her in relation to this example. It might not be what she would have done at all.

Anyway, it’s a good example and the embroidered tag and sizing all go along with it! Do any of the fashions produced today distinguish themselves so well? I don’t think so, but I’d love some examples. Do you have any? I always look for reference material for the files . . . . . . . . .

MORGANA MARTIN, THE MAGICVINTAGESPY

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